Tag Archives: steampunk

The Custard Protocol – Book Review

Continuing my review of series…

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The Custard Protocol by Gail Carriger includes three novels: Prudence, Imprudence, and Competent. These stories continue in the steampunk world that starred Alexia Tarabotti as a preternatural in Victorian London. Only this time we are following Alexia’s daughter, Prudence Alessandra Maccon Akeldama. Rue is taking her best friend Primrose and Prim’s twin brother, Percy along with Quesnel in her dirigible as she causes havoc around the world.

Custard-bThe books are filled with Gail Carriger’s characteristic quirky writing style. There is an abundance of dirigible hijinks, werewolves, vampires and cleverly colourful characters. Carriger has an engaging, highly entertaining writing style. Her cast of characters are well conceived, colourfully described and largely diverse. These are great books, which I thoroughly enjoyed – once I got in them.

My biggest difficulty was the transition at the start of the series. It reads very strongly as a continuation of an earlier story. And this makes it a little difficult to engage, especially if you are new to the world. I struggled as Alexia Tarrabotti was the first of Carriger’s characters I met and knew. Not unreasonably, Rue has a different relationship with her mother and so Alexia is written differently than when I was reading the Parasol Protectorate. It took a while for me to warm to Rue. In fact I think I enjoyed the third book more, though not the cover. Competence featured the twins, Primrose and Percy, instead of Prudence. As such it featured less of the metanatural form-stealing and more the skills of those who were raised by a vampire queen. I didn’t mind the constant comments on the silliness of Ivy’s choice in hats.

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That said, I think Carriger handled the diversity of gay, lesbian and transgendered individuals more openly and beautifully in this series than in her earlier work. While her manner of writing might be what first drew me to her work, Carriger’s diverse and honest characters are certainly what keeps one reading.

I might have thought the brightly coloured covers seemed to target a younger audience, I would still place the main audience closer to adult than younger teen.

Overall: these are excellently written books whose author has a fun, distinctive voice. 4.5/5 stars.

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Just realized that there is in fact a fourth book in the series that focuses on Percy in Japan – Reticence. I suppose this means this is not a complete series review. However, it will have to do for now as Reticence doesn’t release until August 6th.

Reading, Writing and Reviewing

As work becomes less intensive I feel I ought to contribute something to the blog. I have read and enjoyed several books of late. Unfortunately none of them inspired me with the burning need to write full length reviews. Instead I will gather them all in one post – into a mass reviewing of books.

Book cover from the interwebs.

Book cover from the interwebs.

Free Agent by J.C. Nelson was a fun, fast-paced romp through a fantastical urban setting drawing heavily on fairy tale imagery. The protagonist works for the local Fairy Godfather, who will help you find your Happily-Ever-After for a reasonable fee. When working on assignment, Marissa mistakes a blacksmith for a prince things start to unravel around her. She is suspended from the job she loves and hates. She causes her crush to be targeted by a dangerous curse. She ends up in the hospital on more than one occasion from near death experiences. But things turn really dangerous when her boss is targeted by a rival Fairy Godmother. Sorting out all the tangles and surviving to work another day is not an easy task. The writing is fun and imaginative. The story is high energy and fun. I will be adding the (yet unpublished) sequel to my book-list.

Book cover from the interwebs.

Book cover from the interwebs.

Unmade by Sarah Rees Brennan is the third and conclusive book in the Lynburn Legacy novels. I really enjoy the character development in Brennan’s writing. Yes, it is a young adult novel. So yes, it follows around a bunch of hormonal teenagers. However, Brennan doesn’t write dialogue like teenagers speak. Her characters are far more engaging. They have distinct voices that are often filled with lively banter and cleverly crafted phrases. With the author’s awareness of classic tropes, she handily makes fun of many of the clichéd moments in the story. Even the main character is able to reflect on how easy life would be if she was an orphaned heroine, rather than burdened with a family she cares about. I really appreciate the variety of relationships built (or broken) in the story. The inclusion and prominent use of family in the story helps to build a world that is real. While we might not be facing an army of murderous wizards, we can all relate to family feuds that disrupt our lives. It is the characters that drive the story and create the interesting world of Sorry-in-the-Vale. I really did love this series.

Book cover from the interwebs.

Book cover from the interwebs.

Heir of Fire by Sarah J. Maas is the third book in the Throne of Glass series. I have really enjoyed following the saga of Celeana – world’s best assassin. It is a richly developed world with multiple locations and people all interacting at various points. Though the story revolves around Adarlan and its recent abolishment of magic and all those associated with it. It is a kingdom set to conquer the world – seemingly at any cost. Despite the inclusion of the fey, the world is interesting. Celeana is a fascinating character. She is not the most verbose of leads, but her actions are loud and energetic. There is something engaging about her struggles in a world that has become increasingly grim. My biggest complaint of the book that followed not only Celeana, but Captain Westfall, Prince Dorian and the Heir of the Blackteeth clan was the lack of conclusion. For whatever reason, I had it in my mind this series was only three books in length. I was a little surprised and disappointed to reach the end of the book and not have a conclusion to the story. On the other hand I have another book to look forward to. It is a fun, if somewhat violent, young adult fantasy setting. Still I enjoyed it.

Book cover from the interwebs.

Book cover from the interwebs.

Royal Airs by Sharon Shinn is the sequel to Trubled Waters. The story is nice (if somewhat predictable), the characters are nice, and the pacing is a tad on the slow side. What draws me to this series is the world. I love the description of the capital city with its temples, plaza of women and men, the potentially dangerous river, and the mix of modern elements. There are a number of more ‘modern’ elements mixed with more traditional fantasy; from the trousers and tunics worn my most people to the automobiles clogging the city streets. Yet this is a world where the sword (or knife) is the deadliest weapon. Magic is both overt with the primes and their ability to move the elements and subtle when mixed with the spiritual religion. While I appreciate the author’s reorganization of the calendar into five seasons, each eight weeks long with a changeday between them. Each week is nine days. I like the neat organization of the calendar. But I love the religion and its focus on blessings. There are eight blessings (things like wealth, change, joy, etc) for each ‘element’ (wood, water, earth, air, and fire). At the temples you pull your blessings three at a time. They can offer guidance or reflection for where you are in life. I like that while you are typically born into an element it does not depend on your parents and is more a reflection of your personality. There is something about this setting that I find lovely. It is more for the setting that I read this series and will continue to read this series.

Book cover from the interwebs.

Book cover from the interwebs.

Tin Swift by Devon Monk is book two in her rough and tumble new world western frontier setting. It is an age of steam and mechanism, with rail lines crossing the land and airships sailing above. It is a land where the gods can curse a man. Where the fey are dark and hungry, the thing of shadows and nightmares. Witches are few and clustered together in covens. Man is restless as he seeks his fortune (whether that is power, safety or freedom). It is a rough world filled with violence, death and mysterious dark forces. But there are also glimmers of hope mingled in the mixing of magic and machine. There is something intriguing about the gritty world Monk has created. The writing itself is also well-constructed.

Gail Carriger – Author Review

Gail Carriger is an amazing author of highly entertaining Victoria Steampunk novels. To date I have read both the adult and young-adult, all of which take place in the same world – England mostly.

What I absolutely love about her work is the quirky way she has of using words. Carriger does not shy away from the use of a larger vocabulary often ignored by current fantasy authors. She pairs descriptors in absurd ways that still function most hilariously. It is absolutely the very best thing about her books – her writing.

soulless-gail-carriger-634x1024The names in her works have become increasingly ridiculous – and thus increasingly amusing to pronounce. For example in the young adult books about finishing school we have Professor Shrimpdittle and Lord Dingleproops. Not all the names are so over the top to make reading them an entire distraction. She does strike a balance between the outrageous and slightly less exotic.

As for the stories themselves – well I certainly enjoyed them, but they are far from perfect. Really, have you ever read a book that didn’t have at least one thing you would change? In this case I sometimes struggle with the amazingly fantastical nature of the technology. The first series, The Parasol Protectorate, had a new automaton creature each book: swarms of lady bugs and needle shooting hedgehogs come to mind first. I suppose it would be less of a bother if she didn’t try to explain each one with science – the humanoid with clockwork gears and thick greasy blood covered in a wax skin was particularly cumbersome.

Another aspect I completely disapprove of is the direct interactions with Queen Victoria. I am really not fond of authors involving actual people in their fantasy stories. Of course, I would prefer if the author would simply make up their own world, similar in flavour and style but different in name, history (which it already is) and people (no actual historical figures present please). It is often jarring to read.

Actually, one of the neat things about her books was the use of the supernatural – which should be nothing but silly. I don’t know why all steampunk must feel the need to include Vampires and Werewolves and the like. However, I did appreciate the way it was dealt with in these books. The supernatural was in the process of being incorporated into society – it was used to explain some of the social rules that govern that time period. It was interesting the way the characters of the time tried to use science to explain the supernatural around them – in this case an excess of soul. But what was best about the explanation, it was done in such a way the author could use a completely different one as the technology and science evolved over time. After all scientific views are not static in the least. It was also impressive the way different people viewed the supernatural – some clearly supported and emulated them, others tried to hunt them down and kill them. There was a healthy mix of both, with a clear bias leaning in favour of the main character.

Etiquette & Espionage by Gail CarrigerBoth heroines are adorable. They are spunky, go-get-them types that work to some degree within the confines of their social world. Again, the writing is immensely entertaining when it comes to the dialogue and the frequently outrageous clothes donned by several of the secondary characters.

The young adult stories – Finishing School series – predate the events of the Parasol Protectorate series. It is interesting to see the author’s struggles with technology. The Finishing School – located on a dirigible and staffed by clockwork servants – seems almost more advanced than the more typical housing arrangements of the Parasol Protectorate, so I am curious as to how she will explain some of its loss.

Those reading both series will find that some overlap in characters. Though they are not primary characters, some are strong secondary ones. Also, the Finishing School series has a much lighter, faster and more youthful feel to it which is appropriate to the audience. Again, because of the brilliant writing, it is still wonderfully entertaining to older audiences.

So, for those that like well written books of the supernatural steampunk persuasion I would highly recommend Gail Carriger. Both the young-adult and adult books are instantly captivating. The element of the absurd is laugh-out-loud fun and the characters are ridiculously engaging. This is not your average fluff fantasy, this is perfectly written entirely diverting fluff.

 

The Books:

The Parasol Protectorate stars Alexia Tarabotti in five novels.

Soulless – In which the intrepid heroine accidently kills a vampire and becomes embroiled in a plot to manufacture the supernatural.

Changeless – In which our heroine is forced by circumstances from the comforts of fashionable London to the uncivilized backwaters of wild Scottish highlands.

Blameless – In which the practical heroine must flee homicidal mechanicals for the dubious safety of Italy.

Heartless – In which family and history clash and ghosts request our heroine’s aid.

Timeless – In which the story of supernaturals and our heroine’s own extended family (including their histories) are explained, if not by science, then by their limitations in the exotic lands of Egypt.

 

Finishing School stars Sophronia Temminnick in four novels (two of which have been published to date).

Etiquette & Espionage – In which our fearless heroine discovers mysterious going-ons  at a rather atypical floating finishing school.

Curtsies & Conspiracies – In which our crafty heroine continues her studies into the nefarious practices of poison and deportment.

Book Classification

While I like to read – and I most certainly do – I would not describe myself as prolific. After all I do tend to read a lot in a very narrow range of books. I read those that I find interesting and ignore those that do not appeal. I used to feel compelled to finish every book I started. Of course that was back when the length of book was some 80 pages, as opposed to the 300+ pages of many books I read now. With age comes intolerance. Now, I will stop reading a book if I don’t like or I become bored which is most often the case. I cannot count the number of times I have started a book with in this last year only to give up 1/2 to 3/4 through because the plot or characters proved too tedious for my attention span. It is tempting for me to blame the author for poor writing, however, really it is my fault for selecting some very trashy books that I know at the time will not hold up to any literary criticism.

 

Anyway, I diverge from my original thought. I was perusing Good Reads not so many weeks ago and noticed they have a page dedicated to the best books of the year. Interested, I thought I would see what topped the Fantasy list – my typical genre for reading material. I was flabbergasted to discover that Fantasy is no longer a single category. It has been split into fantasy and paranormal fantasy. Seriously, this is a category?

 

Not that I wasn’t familiar with the names of some subgenres of fantasy; things like: steampunk, urban, high, etc. But these were little subcategories. They were not entire new genres. Also, what is paranormal fantasy? Really?

 

Dividing books into genres seems obvious on the surface – at least in some regards. Murder mysteries involve both murder and a detective trying to solve it (hence the mystery). Fantasy involves magic while science fiction uses advanced technology and frequently a post-apocalyptic society. Romances are small, often poorly written stories of people finding their soul-mate in usually bland ways. Historical Romance or Fiction takes place in the past, where the past where the past is defined by anything older than the 1980’s (at least by someone out there). Fiction is a catch all for everything else.

 

But then you get into grey areas. JD Robb writes futuristic cop dramas – should these be found under the mystery or science fiction category? Sometimes, it is the blending of two ideas that leads to the development of a new sub-classification. Steampunk is a melding of old-world steam technology and a Victorian world setting (fantasy and historical). Though why steampunk also has to include an element of the paranormal/fantastical in the form of vampires, werewolves or zombies I still don’t understand.

 

Derrek defines cyberpunk as the “near-future science fiction that examines how technology (the cyber half of the name) influences the lives of the lower class and destitute (the punk half), while the upper class reaps the rewards.” Does this make it a class by itself or just a subclass of the science fiction category?

 

Returning to the category of fantasy where I am more comfortable. What is the difference between paranormal and urban fantasy? Urban fantasy seems to include anything that is fantasy occurring in a modern setting: cars, cities, modern swearing and cellphones. Paranormal is usually associated with psychic powers: telepathy and telekinesis. But I find that the great triad of vampires, werewolves and zombies still crop up regularly in this style of book. So, where do you draw the lines?

 

Iris Johansen has an increasing amount of the supernatural cropping up in her mystery/adventure books that are categorized as fiction. Should they be relabelled as paranormal fantasy? They don’t have the triad of creatures, but psychic powers feature prominently in some of her later works. And where exactly do ghost fall in these divisions?

 

For any book there is likely more than one label you could use to describe the book. After all fantasy books may have an element of mystery or romance. Neither mystery nor romance can occur without existing in some other setting: modern, historical or fantastical. Yet we are constantly separating books into different categories so there must be some general consensus.

 

The next question ask what is the value of distinguish books by category.

Clockwork Caterpillar Sketch – New Fusang

Awhile ago I mentioned the new novel I was working on and gave a brief insight into the process I go about preparing for its writing. Progress on it continues as I juggle it amongst some other projects at the same time. But I thought the character sketches I wrote were somewhat interesting and they really don’t stand any chance of seeing the light of day unless I put them up here.

One of the characters I’m currently struggling with is a nine year old girl. Writing children is always a tricky proposition. It doesn’t take a degree in psychology to understand that children see the world different than adults. Quite often they make connections and associations well beyond what we would expect. While this gives them that stereotypical air of  “innocence” it also creates a bit of a challenge for an adult who wishes to capture that wonderful essence.

What I attempted in this passage was to try and imitate a childhood nursery rhyme. I spent time working on sound play and the cadence of the actual passage in order to replicate the youthful spirit. I don’t think it worked but part of the process of writing is trying new things even if they turn out to be a disaster in the end. So here’s some of my dirty laundry, so to speak, as an example of me stepping out of my comfort zone and pushing my abilities as a writer.

fusangzatta

Inspiration can come from the most peculiar places. My idea for the Jader colonies came from a mythological Chinese settlement supposedly founded in America long before English colonial hegemony. A veritable Eastern Atlantis, if you will.

Clucked and cuckold were the markets of New Fusang. Women in pretty coats spoke with men in dirty shirts. Clink, clink, clink went their fingers. Clink, clink, clink went the wen. Dangled the strings of coins, their square holes holding tightly to the lines as they were stretched and counted. Glasses raised and eyes presse. Clink, clink, clink went the fingers that counted the disks. Squawked went the chickens. Wan went the dogs. And the cages rattled.

Chatter and chat. Sing and spat. Round and round they prat. From stall to stall stepped the pretty ladies. And clinked went their strings. Whirled and wove like a little leaf on a stream. Fingers pointed and hands were filled. Mouths chomped and chewed round words and wan. Sticked fish and lizards, scorpions and pigeons. Barbed and bite, boxed and bundle. Fingers flick and all is bought.

The smell of roasted corn, fried jellyfish, cooked cat and brewed tea scent the air. They mixed with sweat, perfumes, cows and poop. Everywhere you looked something was passed, eaten, purchased, tossed, fed or tried. No place was like the markets of New Fusang.

She sat upon the roped boxes kicking small, tight shoes. They were simple cloth with colourful floral patterns of strange pink and white flowers and long petals. They were her favourite for the black embroidery around the anklet slip studded with colourful beads. At the tips were the worn remnants of long lost tassells. She liked kicking her feet and making the little stubs bounce up and down in the air. The frayed ends flapped like a bird’s tiny wing.

Across from her twanged the stringed wood. She watched slender fingers splay across the rows of wires. Picked and plucked. Notes echoed and twanged. Picked and plucked. Talon fingers like small claws of a little bird. They danced and jumped. And the board warbled. While the talons danced, the other fingers jumped about their ends. Ten and more strings stretched over the polished wood. Along the side ran pretty little symbols that she couldn’t read.

She tried to get her tassells to jump to the beat.

Suddenly, the tassells began to flap of their own accord, jumping and pulling without her kicking her feet. As she turned, regarding them curiously, she felt her jacket pull as a great wind nearly toppled her from her perch. She turned a small head with its little cap skywards. Overhead came the thump, thump, thump of great propellers as an enormous bladed vessel gently drifted past the stalls.

The gust of wind sent merchants scurry, reaching for tarps and cloths to tie and bound. Cotton and silk caught in the draft, fluttering and lifting like banners in a parade. She clapped her hands at the colourful twirling and twisting of the clothes as women and men jumped and danced after them.

And still those fingers plucked and danced. Twisted and bent were the scarves to the notes. Hopped and jumped went the women and men like guests at a pretty little party. Their voices cried and the strings sang and chirped, warbled and waned.

No place was like the markets of New Fusang.

The great air ship passed overhead, groaning with its journey. As it passed the wind followed. She jumped from the roped boxes, chasing after the plucky notes and twisting scarves down the crowded streets. Sails caught in the passing gust pulling their little carts on large, creaky single wheels as owners shouted and gave chase. A fancy little parade followed after the big boat as they all ran down the lane. She laughed and clapped and jumped and stomped all while scarves played and flapped about.

It was a parade of bright red and orange with small bursts of green and blue. Lapis lazuri and jade, vermilion and saffron. All were on display as they marched and skipped after the great wheeling boat. Doors burst open as others came to investigate the sounds. From a pile of colourful cushions arose cut sleeved robes, the two men joining in with others as they wove and wound down the lane.

Skipping, jumping, hopping, twirling.

Plucked were the guzhengs. Twanged were the sanxian. Whistled the xun. Banged the bolang gu.

A happy little parade chased the whirling, beating, churning air ship.

But it made not for the docks. Groaning and twisting, the metal turned as the wind caught at ladies’ dresses and men’s robes. Voices gave rise to the music as the procession made its way. Chattered and chittered and shouted and sang. She laughed as she skipped after them and their feet pounded the dirt.

Great dragon heads bit down on the large propellers. The undercarriage had magnificent carved lions with great flowing manes watching over their windows. So close flew the great ship that she could swear she could almost see the faces of the passengers looking out the silk drapes at the canvases of the markets.

A long row of bells gonged as they rushed past. Their great tubes were studded, intricate woven castings decorating around them like a beautiful ribbon wound too tightly. The supports were iron cast men, their bare arms balancing the heavy bars upon their heads and outstretched arms. The iron had begun to wash orange and green as if their skin and skirts were shedding the tarnished flakes to reveal their colours hidden beneath.

She stopped long enough to give a bright smile at the man watching over the row of bells. But his eyes followed the ship. So she quickly reached out, pushing on the largest of the bells and listening to it peel it’s bright, clear note.

Then she shouted and hurried after the fantastic ship.

Eight_Immortals_Crossing_the_Sea_-_Project_Gutenberg_eText_15250

The Eight Immortals Crossing the Sea from Myths and Legends of China

“What is it?”

“Where is it going?”

“Where are the soldiers?”

“Where did it come from?”

“Is that it? It’s bigger than I heard.”

“Isn’t it early?”

“Isn’t it late?”

“It looks magnificent!”

They chattered and chitted as they hurried, clutching to their hats as long braided tails bounced after shiny heads. Hurried they went through the streets of New Fusang. Doors burst open. Windows raised. Women emerged from kitchens and men from taverns. Even the pagoda’s doors were pushed open as orange robed old men emerged, raising wise hands to shield their eyes as the ship thrummed over their tiered tower. The very tiles of the roofs clapped in anticipation as the vessel veered towards the plains on the outskirts of the town.

The gates were stuck with people pushing and jockeying to get a look. As their parade got closer, they got slower. And she had to duck and weave amongst the silk dresses and leather pants. The thin shoes and the heavy boots. In and out, under and between. Around and around.

Everything could be seen in the markets of New Fusang.

Everything but a ship that could fly.

Gears creaked and croaked. The dragons seemed to roar as the propellers shook. The sky banged and smoked as the ship turned and broke. People craned and watched, questioned and gasped. All stood watching in fascination as the great ship banked on its airy waves.

Whistles cried and soldiers stomped. Guns and swords shook. But the people did not make way, grabbing arms, sleeves, jackets and coats. They pointed, they gaped and they spoke.

“Is it from the Emperor?”

“Is it from the ministers?”

“Is it from the merchants?”

“Is it from the generals?”

“How does it fly?”

“How does it turn?”

“How does it land?”

“I want to ride!”

She shouted and pointed, watching as the ship began to sink. Shook and shake, ring and clank. The dragons roared. Bore aloft on their slender backs came this great metal egg. It was a sight and a show and she had to see it for herself.

She pressed against the gate and its thin metal studs worn and marked from the old blades and arrows of the wildmen in the hills and mountains. She tried to press her fingers into the dented and torn wood, pulling herself up as much as she could to look over the hats and heads, braids and parasols. The ship brought itself around, the great fins turning beneath the chains of working gears like a great puffed metal fish.

And then something loud popped.

And the crowd gasped.

And the ground shook.

And the air hissed.

Before she knew it, something warm and strong pulled her from the perch and to the ground. A frightful sound erupted from the air. Shouts and screams churned from the crowd as people pushed and ran. Like little birds scattering before a coming cat they took back to the streets they had hurried along.

Whistles blared and voices shouted. The soldiers stamped their feet.

She looked up to the ship and only saw the frightful burning of a sun. Lines dropped as fire rose. It ran all along the green and red sides. It licked the balloon and grasped the sky. In seconds the entire ship was ablaze as it tore and broke.

And it came crashing down.

She pushed herself to her feet but was bumped and pushed. Feet kicked and clopped and she shouted in pain as they passed. But no one noticed in their haste and fear. They ran and they screamed and she shouted and she cried.

She found herself up against the wall, pulling her legs close. Her pants were torn and her legs were bruised and bleeding. One of her lovely little shoes was missing and she looked at her dirty foot. She pulled it in close, wrapping herself up in a little ball.

Then the wall shook.

It crunched and snapped as a great series of steel beams and chains smashed overhead. Fire dropped like thick raindrops about her head as the metal crushed the roof of a nearby home. The wood caught and blazed. People shouted and screamed as soldiers rushed to the spreading flames.

Smoke filled the air, choking her mouth and stinging her eyes. She crawled away from the fire and the people. She crawled along the wall. Few people ran along side now, but all of them still jumped and struck. The fire and the heat was so strong as the house and its friend caught the dancing red and orange. She watched as the sailed carts smoked up like little firecrackers during a new year festival.

The wall shook and crashed again and she crawled crying away from it as the great metal nose of the ship came crashing through. Stones and dirt sprayed over her as she hid her face behind her arms. She stumbled and scrambled, spun and slipped. She sprawled against the dirt and crawled into the alley seeking silence and cold.

The noise and the shouts were loud and overbearing. She hurt and she cried but no one came. The air grew heavy and dark as black smoke was the only hand that tried to comfort. She coughed and tried to spit the burnt taste from her mouth. Frightened and alone, she curled up waiting for it to stop and for it to end.

There she would have stayed and lay but something stirred from the wreckage around her. From the broken and burning wood, from the gasping metal fingers of a crushed cage, poke two small coals that peered at her through the smoke. Tumbling and turning flopped a small little creature, it’s large tail singed. It plodded towards her, skittering around the flames and metal. It pressed its cold nose against her bloody hand.

And as she peeled her knees away, she could see something red beneath the soot. Two white ears pricked as she cried and its red fur was not from the fires that burned around it. It pawed with its little foot then trotted a few feet away. Turning its white streaked face, it blinked its eyes before giving a sharp, airy cry.

She blinked back.

The spirit of flame took a few more ponderous paces, turned and cried again. Slowly, she followed. Step by step on hands and knees. She slowly made her way ofter its bobbing round tail, ringed and inviting, skirting fires and sliding on its belly beneath twisted metal and smouldering wood. Past darkened bodies and bleeding faces they moved. Over tumbled stones and along cracked metal bones they climbed. She followed and he scampered.

Through the ruins of New Fusang they wound until they broke from its burning shell into the soft grass and green trees. They climbed and scampered up the hills. As she fled, she turned and looked back at the city burning and choking in a dark black haze.

No place would ever be like the markets of New Fusang.

 

Bronze Gods Review

Yes, this yet another book review. I confess to reading more than writing of late – so this is all I have to contribute. At least it is a short read.

Bronze Gods is classed under steampunk – bet you never saw that one coming – and is blessed by its complete lack of zombies! However, steampunk naturally pairs with magic/paranormal in some fashion or another (this could be due to my habit of perusing the SciFi section in book stores) and this is no exception. In this case the husband and wife writing team of A.A. Aguirre selected the fey. I have read a few good things and a few really terrible things involving the fey. This one ranks on the good side.

bronze-gods book cover

As I sit here organizing my thoughts I am suddenly struck by how blasé I am regarding the book. It was good. It was enjoyable. Yet, I am not filled with passion. I didn’t love it. I was not consumed by the world depicted in the pages. Why?

The world was good. It was different, a setting that was not London or some version of. In fact, it seemed that they were setting the story in a world completely original – that was until they made a few references to the vikings. Suddenly Hy Breasil is another dimension connected to our world and reality. I found such a small detail strangely disappointing.

While Hy Breasil was filled with clockwork creations it felt largely modern in design and function – well, near recent. There were a few things, the description of clothing and the structure of society that maintained a link to more historic periods. Over all, the development of technologies and their implementations in the world gave it a more current feel.

The characters, the two lead detectives were interesting and fun – and yet. Mikani and Ritsuko had been partners for three years prior to our introduction to them. In all that time they seemed to have communicated almost nothing about themselves to their partner. It was strange the way they worked well together, yet felt as though this was their first case as a team. In three years, Ritsuko never asked Mikani about his family? It is not until the reader joins this duo that they commence discussions about their personal lives. No doubt many will rave about the chemistry between the two characters – and most days I would too. Except it seems conveniently sudden and largely unprofessional. As stated, they have been working together for three years already.

However, the biggest reason I would say this book is good but not great relates to the ending. Yes they catch the bad guy (and yes, I called it well before the end), but the last page clearly states this was only a minor boss. The big boss has not yet been revelled – please level up before proceeding to the next dungeon. Sigh. Why could this not be a single, self-contained plot? One of a series of cases that are not directly related to each other? Or at the very least don’t appear connected to begin with.

There are a few things I am still uncertain about in the story itself. Can you call them plot holes when the main characters point out that inconsistances implicate a different master mind? One occurs when the suspicious man demands the list from a mob boss – how did he know about the list of names? Second, how did no one notice the old House family did not die off as otherwise believed?

I fear any sequels will drift to the magical and illogical. I foresee this series rapidly entering the circus of stupid. Either I am correct in identifying Miss Wright’s father as the master manipulator and everything is blindinly obvious. Or the authors will attempt to suprise and astound us with cunning misdirection that ultimately ruins the flow of the story.

In summary, a good first book – not a great one – and beware of the sequel. It is apt to be dumb.

A Bannon and Clare Case Review

I have been searching for a good Steampunk novel to read and I have been failing to find one. There are novels filled with predictable atomatons, clockwork marvels and all too often zombies. I hate zombies. There are a few other Steampunk works that I have been exploring. The author of one such series is Lilith Saintcrow (aka St Crow).

The second of the Bannon and Clare Case Files.

The second of the Bannon and Clare Case Files.

She has started a series revolving around Emma Bannon and Archibald Clare. The first novel is titled The Iron Wyrm Affair, which I read late last summer. The second, most recent book is The Red Plague Affair. Both books are set in a Victorian-like world filled with amazing mechanicals, magical sorcerers, and mentaths (super geniuses). Bannon and Clare are clearly set up to resemble Sherlock Holmes and Dr. Watson – where doctor becomes sorcerous of great importance.

There are many things about these books that I enjoy. First, the author sets a good tone with her use of language. One of my great irritations occurs when authors write a period piece but use modern dialogue and vocabulary. It ruins the ambiance often more than the ludicrous plot they have slapped together.

I am also grateful the author changed the names of places and historical figures. Though generally extremely similar to their real-life counter parts, these small changes allow me to imagine a different world not completely dependent on our history. Cause the presence of magic clearly means this is not taking place in our reality.

But several things have left me feeling a little baffled. The mentaths are a weakness in the stories. The author has created a small number of super-geniuses, whose brains run on pure logic and whose minds wither to soup if not constantly stimulated with interesting things. Unfortunately the author spends most of her time telling us mentaths are super-geniuses rather than showing us. Also, her description of their methods and abilities often sounds more magical in nature than the sorcerous casting spells. She tried so hard to set up magic and mentaths as polar opposites, but in the end their extremes making them sound nearly identical.

Another aspect I struggled with while reading the Red Plague Affair was the author’s lack of introduction to her characters. On one hand it is tedious to read a sequel which summarizes all the events of the previous book(s). Yet, some introduction is necessary for those of us with poor memories. Whether it was tied to this point or just a trick of the author’s, I was not found of the way she dangled the origins of one secondary character while never actually dealing with it – even obtusely. She has left large neon signs to indicate Mikal has a dark and mysterious past which is significant without ever telling the reader how it is significant. I find this lack of information, remarked upon by other main characters, irritating.

All of this brings me to my current quandary: Do I actually like these books? Truthfully, I don’t know. I have never read something that has left me feeling so confused about my own preferences before. As mentioned the books have some good characteristics and some frustrating aspects. What I would really like is to discuss these books with another individual who has read them. Perhaps at that time I will finally decide if they are good and enjoyable or utter rubbish.

The Doomsday Vault review – Why Zombies? Why?

I confess I am a little uncertain the rules and regulations of blogging. However, I am going to give this a try. With that in mind I will make an attempt to post on Wednesdays – hopefully on a weekly basis. And since I have been reading books of late, I thought I could start with a book review. Here is my Doomsday Vault review.

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The Doomsday Vault 

 by Steven Harper

What I thought I was getting was a Steampunk adventure with a bit of romance in the background – perhaps a bit trashy, but less so than the other softcover Steampunk novels I was looking at. What I got was a book about zombies and clockwork automatons.
First, I hate zombies in practically every form. There are very few exceptions to this rule and this book is not one of them. Not only that, but when you try to explain the formation of zombies it always sounds a bit silly. I suppose I should concede that germ theory did come into play around the mid-1800s. And viruses were discovered by the 1890s. Though, no one in 1857 knew that bacteria caused disease and they certainly did not suspect viruses of infecting bacteria. So when they tried to claim the cause was bacterial and the cure a virus, I was offended by this point of science. I was also unimpressed that the same bacteria which caused some people to become mindless, flesh-eating zombies also caused a select few to become super-geniuses.
Second, the romance between a twenty-two female and eighteen year old boy did not sit well. The boy was simply too boyish for the woman. So the age difference came across poorly for me. This could also have something to do with personal biases. But they played up the boy as a kid when we first meet him and the woman as a mature old maid. Face it; boys of eighteen are still kids.
Third, I don’t like humanoid automatons. They are far too complex. To have technology that is still far beyond what exists today and is supposedly created more than 150 years ago is past my suspension of disbelief. Perhaps that is unfair. I could accept one or two pieces of advanced technology, but when everything exists – from wireless communications, to dirigibles, to complex automatons (including birds that record voices, humanoids that act in every capacity of servant, and a collection of huge mechanical suits), to horseless carriages – I struggle to see the time period. Also, where is the energy source for all this equipment? It is certainly not steam.
Finally, and by far most importantly, the writing was less than brilliant. The narrative was rough in several sections, particularly when modern cursing came into play. This is supposed to be a period piece, written in Victorian England, so please write like it belongs in that time. I suppose the main female was supposed to show the restraints of the period, the social obligations and restrictions. But her conflicts seemed contrived at best. Her struggle to fit into society and her strong desire to break convention were not a compelling tale. Her fiancé was clearly designed to be evil for no good reason. Also, the ending was ridiculously silly – her Aunt manipulated everything! Oh dear.
This may be the first book in a series, but is going to be the last book I read.