Tag Archives: Game of Thrones

Game of Thrones – Sex of Substance – TV Review

Long, long ago I was standing in the book store staring at the science-fiction/fantasy section with uncertainty. I had a gift card, a desire to read something knew and no idea what to get. I kind patron pointed me in the direction of George R. R. Martin’s Game of Thrones. So I bought it, got maybe two chapters in and decided this was not for me. Thus it cannot surprise that when the series came out I did not immediately watch it. That and I don’t have HBO. Anyway, after many strong recommendations, I finally decided to give the series a try. Though I did wait until the Library had a copy.

Cover for the DVD of season one. I like the power of this image. It is dark and brooding and the character is fully clothed. It is also Sean Bean – so guess what happens by the end of the season?

And thus I have come to Game of Thrones, the TV series, after the entire projected has finished. In fact, knowing that they had completed the series was one of the selling features for me. In many ways it is the only selling feature, because I don’t like Game of Thrones.

While I found the caste of millions not as off putting as others, it does make it hard to connect with the series. Entire episodes pass without spending even a minute with some characters. Further, it is confusing to track all the names, lineages, and locations – and this is with me watching the entire first season over the course of a week.

The biggest complaint I have is the gratuitous nature of the visuals. There is a great deal of explicit sex and violence scenes which do little or nothing to forward the plot or character development. In fact, the sex (in particular) seems added for shock value or titillation only. And quite frankly, it is more than I care to see. Besides the graphic presentation of sex, it is also unrealistic to the time they are trying to imitate and also demeaning. Show me one character (over the age of 13) that is not demonstrated to be a whore. And don’t tell me this is reflective of the times. Because so much of this show is most definitely NOT reflective of the times (assuming the times are a pseudo-medieval period).

Welcome to the North, where the Starks reign. It is cold, grey and ominously close to the Wall. Here everyone wears a cape. Sometimes two. Except the prostitutes who continue to run around naked – is this because they were too poor to own clothing?

In terms of violence, wow do those bodies bleed in ways I am sure most modern coroners would find extremely odd and unrealistic. Also, the swordsmanship of these people (who in theory have spent their lives learning the art) is comically bad. I will say this for the violence, those who are dead stay dead – unless they die on the other side of the Wall.

One thing I do like is the way that large battles are dealt with off camera. I thought that was a clever way of dealing with a limited budget and time. Unfortunately important dialogue is also dealt with off screen, which is not good. How do two men go from supporting Ned to betraying Ned in the 6th or 7th episode? Well, that is a question that was never answered and does make me wonder: Did the writers not know why these characters suddenly had a change of heart? OR Did the producers cut this important bit of dialogue so they could show two naked people having sex instead?

So the Dire Wolves were supposed to be a thing, right? I mean each Stark child was given a wolf. And occasionally, the wolf appears on screen. But then is conveniently absent the next time something terrible happens. This is the sort of inconsistency that I find frustrating. Cute puppy though.

What could be an interesting story, even with all its multitude of factions and questionable characters, is destroyed by a focus on something I hope is not in the source material. Too much sex and not nearly enough substance makes for a tedious series. There is too much political plotting going on to be sidetracked constantly by boobs. Also, is there not even one strong female character in this world whose plot does not focus on her reproductive organs?