Tag Archives: fantasy

Fade to Black – Book Review

It has been a while since I picked up a book that I either hadn’t already read once or wasn’t ashamed to admit I read. Fade to Black by Francis Knight was found on list of fantasy suggestions. It met my requirements of sounding like it might be an interesting story and most importantly was available at my local library.

Book Cover.

Book Cover.

As books go, it was Ok. I liked the attempt to create a slightly different fantasy world that was a good mix of modern-seeming technology (moving carriages run on some power source other than animal) and high fantasy (mages). The world was just discovering guns, having been restricted to knives and swords, but was very familiar to artificial lights (similar to the neon lights found in so many city centres). The writing was dark, gritty and had me thinking the author was male. Yes, men usually have a different voice than female authors – at least in my limited experience. The plot was solid, though not surprising. Actually it was all rather predictable. The first person narrative was solid. In the end the book was fine, nice, ok and any other generic adjective. I didn’t hate it, I sort of enjoyed it. But it was not engrossing, so I can’t say I loved it.

In fact, I wouldn’t be bothering with a book review at all if I hadn’t stumbled upon another reader’s review. While they appreciated the setting and the system of magic in use they complained loudly about the dark, gritty nature of the imagery and the overly sexist protagonist.

In one sense I understand where the reader is coming from. The book is dark, the plot is dark the setting is dark – literally you do not get to see the sun at all. Most of the story takes place deep in the shadows and underground, at least buried under layers of city to be effectively underground. But the complaint about the gruesome nature of the description seemed exaggerated. Sure the mages fuel their magic on pain, but that requires injury. And the beating of the main character’s had into the floor was no more gruesome than the torture that was happening in the background. Besides, it was no worse than a fight scene.

But the truly entertaining complaint regarding Rojan’s sexism is what made me chuckle. Yes, the main character is sexist. It is his flaw – the character flaw. All good characters need a problem, something that will serve to make them more human, make them less perfect. And since the only significant female in the book didn’t end up in his bed, I think this was a fair and reasonable flaw. He bungled his interactions with women becomes of his absolute belief that he could charm any woman he wanted into his bed. Arrogance is part of his character flaw. In fact, he needed very strong and very real flaws to fit into the broken world.

The author was clearly going for the dark. The main character is a bounty-hunter living on the edge of squalor in a dystopian city. He is to represent the average citizen living in the slums, eking out a meagre life in a world of despair. The character needed to reflect that in his attitudes, his appearance and his actions. He was supposed to be caustic, abrasive and cynical. He needed a tough personality to survive the harsh realities of his world.

Besides, his sexist ideas leaned more towards his arrogant assumptions of how all women would eventually fall for his charms rather than limit their role in society. At no point did he think that the only good woman was one staying at home and keeping house. His eye was drawn to strong females clearly capable of taking care of themselves. Does that excuse his attitudes? Well no, it is not supposed to. A character flaw is just that – a flaw. It is not a trait that makes the character more likeable, just more human. Flaws are meant to be detractors and clearly this one worked well.

So, what is the point of this review? Well, there isn’t much of one. Fade to Black is still a passable book made worse when I discovered it is supposed to be the first in a series. The best part was not the story itself (though it was fine), but the reactions of others.

Crown of Midnight

This week’s brief review is looking at Sarah J. Maas’ latest novel the Crown of Midnight. It is the second book in A Throne of Glass series.

Crown of MidnightThe stories revolve around the young assassin, Celaena Sardothien. She is working for an evil King in order to win her freedom. Naturally nothing about life is as simple as she pretends. There is the crown prince Dorian and the Captain of the Guard Choal for a love triangle. And then there is her friend, the princess Nehemia, who would like to see Celeana fighting for the people, the land or good in general instead of her own selfish desires.

The novel is a quick read. The pacing is fast. The main character is physically strong. The use of magic should appeal. It is a land that was once seeped in the ancient and mystical, until suddenly it wasn’t – until the King decreed magic was banned and set about slaughtering all its visible remnants. There is an undercurrent of bringing back the forgotten magic – a concept I like.

However, I find the book has been tainted by the Fae. I am not entirely certain I can articulate what it is about fairies that displeases me so. Perhaps it is the fact they are thrown into the world as a seemingly easy way to explain things like magic. Perhaps it is because they are nothing more than lifeless derivatives of Tolkien’s work that I find so insipid. The Fae are always magical, always gorgeous, always faster, smarter, prettier, with golden pale hair and pointed ears. They live forever and are often – especially those following in Tolkien’s glorious footsteps – perfect in morals and rule. This holds true once more. The Fae have been persecuted, driven from the lands/hunted from their homes – slaughtered and killed and etc.

The big twist in the book regarding the main character’s past was not unexpected. I thought it was a bit excessive for two reasons. First it was a bit too predictable – which I suppose would could interpret to mean that the author was successful in setting up the plot. Except that it is an old plot twist that is common to this style of story. The second thing that rubbed me as being slightly off was a comment made by one of the characters, Nehemia. The princess says and does what is most convenient to the plot. At one point she is speaking with the Prince will Assassin and Captain dance in the moonlight.

“Responsibilities. We will always have burdens that no one else can ever understand. That they…will never understand.”

These words bother me even more having finished the book and knowing the big twist. They bother me because it has been implied at several junctions Nehemai know of the twist, yet I do not feel this is accurately expressed in her words – and sometimes in her actions. Of course, it could be related to some other idea yet to come. For while this book certainly felt like a second book in a series, I cannot tell from the story ending or the author’s webpage if this is going to be a trilogy (most common) or longer series (increasingly common). I suppose only time will answer this question.

So, to wrap this up. Yes, Crown of Midnight is a good read. I think it holds up rather well to the first book in the series, Throne of Glass. It is fun, fast and frivolous. It is a solid young-adult fantasy novel that does show the influence of Cinderella in subtle ways.

Gail Carriger – Author Review

Gail Carriger is an amazing author of highly entertaining Victoria Steampunk novels. To date I have read both the adult and young-adult, all of which take place in the same world – England mostly.

What I absolutely love about her work is the quirky way she has of using words. Carriger does not shy away from the use of a larger vocabulary often ignored by current fantasy authors. She pairs descriptors in absurd ways that still function most hilariously. It is absolutely the very best thing about her books – her writing.

soulless-gail-carriger-634x1024The names in her works have become increasingly ridiculous – and thus increasingly amusing to pronounce. For example in the young adult books about finishing school we have Professor Shrimpdittle and Lord Dingleproops. Not all the names are so over the top to make reading them an entire distraction. She does strike a balance between the outrageous and slightly less exotic.

As for the stories themselves – well I certainly enjoyed them, but they are far from perfect. Really, have you ever read a book that didn’t have at least one thing you would change? In this case I sometimes struggle with the amazingly fantastical nature of the technology. The first series, The Parasol Protectorate, had a new automaton creature each book: swarms of lady bugs and needle shooting hedgehogs come to mind first. I suppose it would be less of a bother if she didn’t try to explain each one with science – the humanoid with clockwork gears and thick greasy blood covered in a wax skin was particularly cumbersome.

Another aspect I completely disapprove of is the direct interactions with Queen Victoria. I am really not fond of authors involving actual people in their fantasy stories. Of course, I would prefer if the author would simply make up their own world, similar in flavour and style but different in name, history (which it already is) and people (no actual historical figures present please). It is often jarring to read.

Actually, one of the neat things about her books was the use of the supernatural – which should be nothing but silly. I don’t know why all steampunk must feel the need to include Vampires and Werewolves and the like. However, I did appreciate the way it was dealt with in these books. The supernatural was in the process of being incorporated into society – it was used to explain some of the social rules that govern that time period. It was interesting the way the characters of the time tried to use science to explain the supernatural around them – in this case an excess of soul. But what was best about the explanation, it was done in such a way the author could use a completely different one as the technology and science evolved over time. After all scientific views are not static in the least. It was also impressive the way different people viewed the supernatural – some clearly supported and emulated them, others tried to hunt them down and kill them. There was a healthy mix of both, with a clear bias leaning in favour of the main character.

Etiquette & Espionage by Gail CarrigerBoth heroines are adorable. They are spunky, go-get-them types that work to some degree within the confines of their social world. Again, the writing is immensely entertaining when it comes to the dialogue and the frequently outrageous clothes donned by several of the secondary characters.

The young adult stories – Finishing School series – predate the events of the Parasol Protectorate series. It is interesting to see the author’s struggles with technology. The Finishing School – located on a dirigible and staffed by clockwork servants – seems almost more advanced than the more typical housing arrangements of the Parasol Protectorate, so I am curious as to how she will explain some of its loss.

Those reading both series will find that some overlap in characters. Though they are not primary characters, some are strong secondary ones. Also, the Finishing School series has a much lighter, faster and more youthful feel to it which is appropriate to the audience. Again, because of the brilliant writing, it is still wonderfully entertaining to older audiences.

So, for those that like well written books of the supernatural steampunk persuasion I would highly recommend Gail Carriger. Both the young-adult and adult books are instantly captivating. The element of the absurd is laugh-out-loud fun and the characters are ridiculously engaging. This is not your average fluff fantasy, this is perfectly written entirely diverting fluff.

 

The Books:

The Parasol Protectorate stars Alexia Tarabotti in five novels.

Soulless – In which the intrepid heroine accidently kills a vampire and becomes embroiled in a plot to manufacture the supernatural.

Changeless – In which our heroine is forced by circumstances from the comforts of fashionable London to the uncivilized backwaters of wild Scottish highlands.

Blameless – In which the practical heroine must flee homicidal mechanicals for the dubious safety of Italy.

Heartless – In which family and history clash and ghosts request our heroine’s aid.

Timeless – In which the story of supernaturals and our heroine’s own extended family (including their histories) are explained, if not by science, then by their limitations in the exotic lands of Egypt.

 

Finishing School stars Sophronia Temminnick in four novels (two of which have been published to date).

Etiquette & Espionage – In which our fearless heroine discovers mysterious going-ons  at a rather atypical floating finishing school.

Curtsies & Conspiracies – In which our crafty heroine continues her studies into the nefarious practices of poison and deportment.

Book Classification

While I like to read – and I most certainly do – I would not describe myself as prolific. After all I do tend to read a lot in a very narrow range of books. I read those that I find interesting and ignore those that do not appeal. I used to feel compelled to finish every book I started. Of course that was back when the length of book was some 80 pages, as opposed to the 300+ pages of many books I read now. With age comes intolerance. Now, I will stop reading a book if I don’t like or I become bored which is most often the case. I cannot count the number of times I have started a book with in this last year only to give up 1/2 to 3/4 through because the plot or characters proved too tedious for my attention span. It is tempting for me to blame the author for poor writing, however, really it is my fault for selecting some very trashy books that I know at the time will not hold up to any literary criticism.

 

Anyway, I diverge from my original thought. I was perusing Good Reads not so many weeks ago and noticed they have a page dedicated to the best books of the year. Interested, I thought I would see what topped the Fantasy list – my typical genre for reading material. I was flabbergasted to discover that Fantasy is no longer a single category. It has been split into fantasy and paranormal fantasy. Seriously, this is a category?

 

Not that I wasn’t familiar with the names of some subgenres of fantasy; things like: steampunk, urban, high, etc. But these were little subcategories. They were not entire new genres. Also, what is paranormal fantasy? Really?

 

Dividing books into genres seems obvious on the surface – at least in some regards. Murder mysteries involve both murder and a detective trying to solve it (hence the mystery). Fantasy involves magic while science fiction uses advanced technology and frequently a post-apocalyptic society. Romances are small, often poorly written stories of people finding their soul-mate in usually bland ways. Historical Romance or Fiction takes place in the past, where the past where the past is defined by anything older than the 1980’s (at least by someone out there). Fiction is a catch all for everything else.

 

But then you get into grey areas. JD Robb writes futuristic cop dramas – should these be found under the mystery or science fiction category? Sometimes, it is the blending of two ideas that leads to the development of a new sub-classification. Steampunk is a melding of old-world steam technology and a Victorian world setting (fantasy and historical). Though why steampunk also has to include an element of the paranormal/fantastical in the form of vampires, werewolves or zombies I still don’t understand.

 

Derrek defines cyberpunk as the “near-future science fiction that examines how technology (the cyber half of the name) influences the lives of the lower class and destitute (the punk half), while the upper class reaps the rewards.” Does this make it a class by itself or just a subclass of the science fiction category?

 

Returning to the category of fantasy where I am more comfortable. What is the difference between paranormal and urban fantasy? Urban fantasy seems to include anything that is fantasy occurring in a modern setting: cars, cities, modern swearing and cellphones. Paranormal is usually associated with psychic powers: telepathy and telekinesis. But I find that the great triad of vampires, werewolves and zombies still crop up regularly in this style of book. So, where do you draw the lines?

 

Iris Johansen has an increasing amount of the supernatural cropping up in her mystery/adventure books that are categorized as fiction. Should they be relabelled as paranormal fantasy? They don’t have the triad of creatures, but psychic powers feature prominently in some of her later works. And where exactly do ghost fall in these divisions?

 

For any book there is likely more than one label you could use to describe the book. After all fantasy books may have an element of mystery or romance. Neither mystery nor romance can occur without existing in some other setting: modern, historical or fantastical. Yet we are constantly separating books into different categories so there must be some general consensus.

 

The next question ask what is the value of distinguish books by category.

Every Other Day – Book Review

To say I have had some spare time for reading might be overstating the matter. It was more like I procrastinated the oodles of other work I should be doing and sped-read a couple of books.

The first book I am going to preview was called Every Other Day by Jennifer Lynn Barnes. It is every bit a teen book. All the main and important players – well the heroes of the tale are teenagers; high-schoolers. The villains are adults – but isn’t that always the way?

Yup this is the book cover.

Yup this is the book cover.

The main character, Kali, is your typical, seventeen year old superhuman. She has insanely inhuman super abilities while fighting the myriad of teenage hormones and awkwardness well associated with high school. It was geared very strongly to that segment of the population. While that isn’t a specifically horrible thing, it is off putting for someone who does not wallow in teenage reminiscent. High school was not the best years of my life and I don’t need to relive them.

The other glaringly irritant for me was the use of science to explain the supernatural. Sometimes I can go along with the ideas presented in meaningless jargon. The use of the DNA triple helix however, I found grating. This may have been due to my recent covering of DNA structure and replication. While it is true, the triple helix was considered as a possible structure, it was very early on ruled out. A good thing as replicating three strands would not work in any logical method I can conceive. I also struggle with how the base pairs could conceivable bond together when bases are held together by specific hydrogen bonding. Even the use of a quadruple helix would have made more sense. It is like the idea behind conservative replication. It was an idea that was ruled out through experimentation. Even though it was inconceivable how it would function, it was a hypothesis – but that doesn’t mean we should claim that superpowers arise from that failed idea.

This is the DNA double helix. Where would the other stand attach?

This is the DNA double helix. Where would the other stand attach?

This doesn’t even touch on the inter-dimensional lines that had to be crossed to further the explanation of how every mythical creature known to mankind actually exists – and perhaps a hundred more too. Of course, I don’t need to have zombies and vampires and hellhounds and … who knows what else all packed into one hormone driven story.

In some ways it is amusing the way that ‘fantasy magic’ is replaced with ‘supernatural, paranormal and psychic’ powers or abilities or creatures in the present, science-grounded society. Essentially these two concepts of the wizard and the psychic work much the same. Their abilities are often similar and often endless, growing with each book in a series or each challenged faced by the hero. I suppose you could argue there is often learned, trained, taught while the abilities of the psychic (and other supernatural creatures) are inherited. Though, often wizards are born in the role (even in Harry Potter) and psychics need to train their abilities.

But that is enough of the negatives.

What I liked about this story was the opening sequence. I liked the powerful fighter. Kali starts as a tough girl, well acquainted with her unusual state. When we first meet, we see Kali hunting. It was an interesting and gripping way to start a story, particularly one written in the first person (a style, wholly over done in modern, supernatural fantasy stories). The first person writing worked in this tale. The plot moved quickly, and while there were moments I want to shake some sense into Kali. At least tell her to listen to the voices around her. I thought she was largely believable. The ending was strong, not surprising, but then that could reflect the solid writing more than anything else. The other strength of this novel was that it is a standalone. There is no sequel, no trilogy to follow. It was a strong, single story with some interesting characters, a lot of teenage drama – but a good solid, quick read. And sometimes it is nice to read something straightforward.

Storm Glass – Book Review

Well, work has been horrendously busy for the past month. Between that and other life activities I haven’t had time for reading or posting. However over the past few days I did manage to eke out a little time to finally read something new.

I wonder if this book is as good as I remember? Perhaps I will seek it out for a reread.

I wonder if this book is as good as I remember? Perhaps I will seek it out for a reread.

So a long time ago – an actual number of years – I read a book called Poison Study. I enjoyed. I remember thinking it was an interesting concept, an engaging character and a pretty solid world. I don’t know why I never read the sequels, other than I had become distracted by other reads. Anyway, I was at the library on the weekend and picked up Maria V. Synder’s latest book called Storm Glass. Scanning the title, I quickly noted this was book one of a trilogy. Well, I didn’t let that put me off.

After three days of reading I thought I would do a review, share my thoughts and impressions – that was and is my intention. However, I am struggling to write anything interesting about a story that was just meh. It was not so terrible to be worthy of raging. It was certainly not good enough to gush about. It was safe, bland, predictable and largely lifeless. It had too many cameos of characters from previous books in this world, which I hadn’t read. For a book that should have stood on its own, it depended far too greatly on the reader being familiar with the world. As a reader not familiar with the world I was left with a very lack-luster description.

Bland blue cover to fit with the bland story; Storm Glass by Maria V. Snyder

Bland blue cover to fit with the bland story; Storm Glass by Maria V. Snyder

The main female protagonist was unapproachable. I was not familiar with her tragic background. Did all these events play out in other stories set in the same world? I don’t know. I do know that her past was supposed to be scarring, life-changing. It should have been the draw that kept me reading. Instead I just wished the character would stop sighing over her background.

Written in the first person, I should have been drawn into Opal’s life. I should have felt her internal struggle. I didn’t. Opal was not engaging. Her shy, disengaged character was played to good effect. It was clear the author wanted the reader to feel sorry for the main character, but her life didn’t seem so bad. She was taunted by her fellow students – but we didn’t see much of that. The one moment, when Opal accidentally steals the magic from one of the next greatest magicians was the closest we came to true emotional conflict and it was swept away with a little hand waving. Really – this could should have been a driving force for Opal’s actions. Instead she is lead or directed from one scene to the next.

The attempt at a love triangle was sloppy. There was no strong attraction between the characters and Opal seemed to like whoever was standing next to her. Really, the author didn’t even explore the conflict of being attracted to two different people at the same time. Everything was further brushed to the side when Opal decided not to explore feelings towards either man because she was afraid of rejection. A very normal thing to do, however when we only have Opal’s internal dialogue to lead us through this world the romantic tension is complete obliterated. Also, the author has already started to twist one of the men into a traitor and thus is killing the triangle – once more we enter a bland, straightforward world.

As concepts go, there was nothing offensive in the plot. I thought it was too unfocused for my tastes. It tried to have mystery which became a tangle of disconnected threads. I would have liked to see more character development, after all it is written first person. Less focus on the travelling, which was not interesting to read. The ending also fell flat as very little was actually resolved. This is book one after all. Perhaps if Opal was a more engaging character her supposed development over the course of the novel would have been a good arch. As it was, it read as poorly edited and half-baked.

I will say that while the author failed to craft a single engaging character she clearly did her research in glass making. It was almost interest to read about the process.  Unfortunately it became page filling without serving a solid purpose.

Buried deep within Storm Glass is a decent story idea with potential. Unfortunately all that potential is unrealized in the actual product. The characters, world and plot is flat, boring and often predictable. Storm Glass is not terrible, but it is also not a good read.

Tolkien’s Strangulation

I have sad news. I tried to do an easy post today only to discover that I’ve already thrown up all my D&D stories. I have something I can dip into when I get busier with other work but, alas, I have nothing for the moment. What does that mean for you, intrepid readers? Simply that you’re going to get more poorly written, rambling, stream-of-conscious essays.

Which brings us to today’s that I’m tentatively calling:

Tolkien’s Strangulation:

The Dominance of Medieval Fantasy

lord-of-the-rings-movie

Kind of cute, isn’t it?

This blog is rather dominated by the creative process with an emphasis on world building. As such, there’s going to be a natural bias towards fantasy writing. Fantasy, of all genres, is perhaps the most focused on creating new worlds. I’ve made mention that I believe it’s one of its biggest draws. Which isn’t to say that its brother genre – science fiction – doesn’t have an emphasis on world building: just that fantasy’s is greater. I think this arises from fantasy’s use of magic. Unlike science, which is heavily based on our own understandings of the natural laws and phenomenon of our world, magic and its existence fundamentally changes the fabric of an imagined universe. In science fiction settings, we can generally assume that gravity works as it does in our lives, that the basic principles of of chemistry and physics apply and that the laws that govern the natural world function according to shared fundamental principles. If you look at a world like Mass Effect, while it does include lots of supernatural and fantastical elements, it spends a great portion of time justifying those elements in a framework closely mirroring our scientific knowledge.

The result? We end up with pages of lore dedicated to explaining how faster than light travel works, how species are capable of psychic abilities and the chemical composition of ‘omni-gel.’ In contrast, if you look at something like Harry Potter, there is almost zero consideration for how the universe itself functions. Even taking place in the modern world with the dominance of the scientific method, there is little understanding for why spells require wands, latin and specific hand motions. There is no great detailing about the ecological impacts that dragons and giants would have on their environments and why these mythical beasts must be kept from non-magical eyes. None of its fantastical elements are justified within its own universe and each element is treated as a new spectacle to awe and entertain. It’s only explanation is that “it’s magic” and that’s all that seems required.

800px-Duccio_maesta1021

It’s remarkable how lovely these medieval fantasy settings are. It’s almost as if people forget the time period was called the Dark Ages for a reason.

There is a natural expectation from the readership that magic is unknowable. It is the stuff of stage magicians and the whole draw is that it can dazzle and entertain. Hermione sets paper fluttering by with a simple announcement of “Leviosa.” Gandalf chases off a flock of mounted ring wraiths with a beam from his flashlight staff. And I don’t even know what the hell is going on with the Game of Throne’s but apparently it involves women and lots of sex. Wizards, by their nature and mastery of this unknown force, are generally mysterious characters themselves. They rarely are the major actors in their tale and instead take a supportive role, guiding and mentoring some shmuck that is more  relateable  to the reader instead of just waving his arm and solving the crisis himself.

One need only think of Gandalf from Lord of the Rings to see all of this encapsulated. Now, I’m fairly certain given Tolkien’s desire for creating a modern myth, Gandalf drew heavily upon such classic figures as Merlin and Odin. But this isn’t called “Viking Strangulation” and that’s because so much of fantasy’s tropes are dominated by Tolkien world creation that it’s obvious where most of the inspiration is coming from. Before Tolkien, elves were obnoxious wee folk that lived in dirty holes. Dwarves most certainly weren’t the drunkard, beard loving, elf hating midgets that we have now and halflings weren’t even a thing in old mythology. The success of the Lord of the Rings had such an impact on the genre that the majority of its literature is essentially a reiteration of Tolkien’s world.

Because of the influence of mythology, his world is very rooted in the medieval time period. Though there is little representation of the complex peerage system or the dominance of a centralized church, the technological development of the world is approximate to that time. This led to the development of the Medieval Fantasy subgenre and a quick look over any fantasy section in a bookstore will show how ubiquitous this is. Which is fascinating to me since fantasy is no more beholden to medieval settings than science fiction is to alternate realities of the modern era. Lacking such a domineering figure as Tolkien, science fiction seems liberated to explore as many different stories and themes that it likes. A brief look at some of the largest contributors to the field demonstrate it’s variety. Star Wars is as different as Dune is as different as Neuromancer is as different as Ender’s Game is as different as 2001: A Space Odyssey is as different as The Time Machine.

And then you look at fantasy: Lord of the Rings vs A Game of Thrones vs A Wheel of Time vs Name of the Wind vs Eragon vs Assassin’s Apprentice…

And on and on it goes.

frank_frazetta_atlantis

Frank Frazetta art.

It’s a fascinating situation especially since fantasy is arguably more successful than science fiction. Though, to be fair to the genre, urban fantasy is making a large impact now with things like Twilight and Harry Potter having such financial pull (though you could argue that these are are just spawned from Narnia’s success). My only point is that this ubiquitous isn’t necessary. Fantasy isn’t behooved to remain stuck in the Dark Ages. There is no reason that fantasy can’t cover a score of time periods and locations. A setting like Planescape is completely fantastical and even though it is a Dungeons and Dragons setting it is almost entirely alien to any of its other products.

As such, my writing has been leaning away from the standard fantasy tropes. I have my D&D shorts but my novel is fullblown steampunk set in the middle of the 1800s. I ideas for a fantasy story based solely on Native American mythology, tropical island settings, ancient Greek settings, dark modern setting…

There is a wealth of options available once we stop thinking that fantasy means pointy eared elves, knights in shining armour and endless princesses that need rescuing.

The Night Circus – Book Review

The jacket cover on my version of the Night Circus. I like it.

The jacket cover on my version of the Night Circus. I like it.

This was not a book I chose for myself. In fact it was given to me by my Aunt. While I love my Aunt, I question her taste in entertainment and so I placed the book on my shelf and let it sit there, collecting dust and doing nothing in particular until this weekend.

Desperately tired of the other books I have been trying and often failing to read, I sought the comfort of something familiar. While I was perusing my favourite novels I saw the black and white cover, accented with small flashes of red. The clear white lettering was accentuated with silver scroll work. This time the simple title called to me: The Night Circus.

As I removed the hardcover novel from the shelf I slipped the coloured jacket cover from it. I did not reread the book’s summary, for that was part of the reason I had left it unread on my shelf for the past few months. Instead, I cracked the black cover with its silver scroll work. I flipped past the bold back and white strip end papers to the title page. Beneath the title the author’s name was simply stated: Erin Morgenstern. The book was not filled with extraneous information, advertisements for other works by this author or another. In three pages I was plunging into the novel itself.

The Night Circus is an unusual read. It is written in two different styles: the first is a bit like a narration, almost as though the author is talking to you. The second style is a distant third person; though each chapter often follows a single individual it does not bring the character’s thoughts to the author. It reads like you are an observer watching the players move about the stage. You cannot hear their thoughts, only the words they utter to the world. You can only see the actions they perform. All of this is written in the present tense.

Title page inside the Night Circus. Lots of black and white inside the book.

Title page inside the Night Circus. Lots of black and white inside the book.

It was a very distant way of writing. The reader is kept separate from the characters. The story unfolds on the paper before them, but they are not actually a part of it. They are a spectator, capable of catching only glimpses of the characters. While two characters are considered the primary players by the jacket cover, I feel that is an over simplification.

The secondary performers are just as important, more so in explaining the whys and even the hows. The narrative touches on the actions of the primary characters, yet so little detail about their daily lives is recorded on the pages. This is not a novel dedicated to the minute happenings. We are not hand-held and intimate with the characters. We do not follow every day in their lives.  Instead the story flits from one performer to another. We touch only briefly on moments in their lives. It is through these fleeting impressions and periodic happenings that the tale is built.

It starts small, with broad sweeping statements and generalizations. We are often told, told that Prospero is a great Magician, told that Celia and Marco study intently for years. There is no detail about how they study – or very little. We see the results of these efforts later. While some of these consequences are described in detail, there is a generalization to it that again makes things seem less personal.

Yet, there is a magic to the writing, a subtle mystery that drew me in. I followed slowly at first, cautious about what I was reading, uncertain I wanted to continue. I did not connect instantly with the characters. They were too remote to understand. But I was captivated by the Circus.  Before I knew it, I was hooked. I had to know how the magic unfolded and the story ended.

The chapters often start with dates. It is not a new concept and truthfully it is something I often ignore. I read the date on the first chapter, noted it was set in the past and then continued. I recognized the second chapter took place a little later, but paid little attention to the details. It wasn’t until the date jumped that I became aware of the importance of those words and numbers. Part way through the sixth chapter I realized something didn’t fit. It was more than the change in perspective. Dates serve an importance in this narrative and they needed to be watched with care.

Another cover for the Night Circus. I am fond of the stylized black and white images.

Another cover for the Night Circus. I am fond of the stylized black and white images.

The book itself is like the Night Circus. It is a world of shadow and light, of illusion and theatre. The reader is the audience, watching as performers dance across the stage. While the style is far from traditional and almost cold in its presentation, it is also magical. The story unfolds slowly; gradually revealing its secrets, though there is much that is kept hidden.

It starts in a distant time, popular in fiction, and modified to achieve feats only reached in our dreams. My first inclination is to write this book off as some alternate imagining of our history. While the author has set the story in the real world, she had done so with a twist of magic. To reconcile book and life would be impossible – though it is often attempted. At least, that is what I though until I reached the end, the very last lines where real and illusion blur. Perhaps it is because she is not explicit with her words, though the suggestion is anything but subtle. The connection is made; the story is alive and somewhere out there is the Night Circus.

The Coming of the Wurm

One key component to the Wurzelessern, in my understanding, is their anti-democractic stance. Reading through Derek’s descriptions, however, it has become quite clear to me that the Wurm’s beliefs are a little more complex than I initially thought. For the most part, much of the democratic structure and institutes have been left intact throughout the provinces. Even unsympathetic free members are able to maintain their freedom and property so long as they don’t interfere with the army’s goals and activities. What they focused on was simply the highest levels of the democracy. The same levels that are, perhaps not coincidentally, the ones that are the least democratic with their lifelong birthright appointments.

My inference from these notes is that the Wurzelessern aren’t so much a conquering force as they are a revolutionary one. It seems like they are at least presenting a war of ideals over material gain. While I have no insight into what the highest members of the order are planning, their actions give some hint into how the last few years beneath the Wurm’s rule may look.

This is important for my character since he is an avid supporter of the Wurzelessern. I have to reconcile an individual willing to fight and die for an organization that, on the surface, would appear to be promoting ideals that are against his own self-interests. No one would ever willingly give up freedoms previously granted unless there was some worthy trade.

Unless the Wurzelessern actions weren’t portrayed as against the interests of the common man. They still have their voice. They still have their representation. For all intents and purposes nothing has changed. Except they’re at war. Which technically means the Kaiser is all powerful so long as the war continues but surely no one expects that to last forever. Surely.

edgewood

Edge of a Wood by Jacques d’Arthois (1613-1686)

The Coming of the Wurm

The hall echoed with the garbled squawk of a dozen voices each shouting to be heard. Torches were light, bringing light to the room which appeared little more than a simple barn and hardly the grand meeting forum that it was. However, careful inspection of the rafters and supports would reveal age old jointing long fallen out of style to the experienced eyes of the natives. This was no simple home for cattle. There was a stoic pride in its construction though it might lack the fancy adornments and ornamentation of the Steinherz capital. But the men and women in that tight space were no artists. They were farmers, ranchers and survivors. Their pride wasn’t on such useless things like intricate woodwork and lavish painting. They looked upon the strength of a building and found beauty in a solid foundation, good walls and proper jointing.

Looking upon the hall, one would never think it the oldest building in the village. They would never imagine that for countless generations it had held so many families, gathering in times of change and need. It had seen untold troubles before and weathered them all. From the great plague of the walking dead that had shambled from the lost lands in the deep south, to skittering hordes of despicable roshome gathered beneath the snaking tongue of an ancient warlord as they poured from the roots of the Green Mountain. In a way, tonight’s meeting was just one in a long series of crises this hall had weathered. Nor glory decorated its walls and no celebrations were held within to sing its praises.

But it stood through it all. And through this it would stand as well.

The great staffed pounded against the front arch, beating the buzz of conversation to heel. Standing upon the raised front so all could see was an older woman. Her hair was thin and wispy, charcoal grey and dirty from a hard day’s toiling in the fields. Though age had worn against her skin, she still stood tall and erect. Growing old and feeble was a luxury for the cities and the folk of the misty hills had no time for it.

“Order!” she called, her staff thumping the last of the stubborn voices to silence. “Order, I say! The Wurzelessern army is reported in the Dusk Veld. Their intentions are unknown and the rumours in the fog are about as clear as the Stranger’s breath. We must decide if we will negotiate with this organization or defend against them.”

“This isn’t even up for debate!”

Elder Dykstra had barely finished speaking when the older man rose to his feet. Ewoud Rooiakkers commanded the attention of all gathered. While the small hamlet was hardly much more than a collection of farmers and a few small guild chapters, Ewoud Rooiakkers was the closest the village had to a mayor. More than once he had been sent to the Steinherz capital to represent the community’s interests on the Senate. A shrewd business sense and aggressive trading had made him quite wealthy by their standards. And many viewed him as the closest the hills had to an aristocrat.

He wore lavish furs over his woollen clothes. A short coat of fine linen dyed a deep crimson was carefully arranged over the finest shirt most of the farmers had ever seen. Fur boots practically shone in the torchlight and on his fingers were a pair of bright gold rings that complimented the silver necklace he wore around his neck. While most of those gathered looked like they had hurried immediately to the hall from either bed or field, Ewoud Rooiakkers looked just as prepared for a debate in the Forum of Law as he did for the simple community’s gathering.

He regarded Elder Dykstra coldly, directing his fury and disdain towards her even though she had yet to presented for either side. It was a trick to rally the people behind a threat even if that threat hadn’t been raised.

“These Wurms are nothing more than their name suggests. They are pests here to eat away at our lives and livelihood. Already the capital burns beneath their treachery. Our representatives and brothers burned when they set light to the Forum of Law and murdered in cold blood the heads of our glorious Republic!”

“That can’t be!” some voices cried out.

But Rooiakker held his naysayers beneath a harsh glare.

“The news came to me this morning, born on the wings of messengers far faster than the armies of these rebels. They are nothing but conquerors and villains. Mark my words, they shall take our fields and take our mines. They will press our boys into their ranks and they will see much blood is fed to our lands. But it will be the blood of our kin that is spilled. And it will be nothing but doom to us all. There is not but folly in their future and I will die before I see this glorious town side with these devourers!”

A few cheers erupted from sycophants and supporters. Much rumbling and whispering followed as his words were debated amongst the present members. Elder Dykstra clattered her staff for calm but before it could be re-established, accusations were already flung her way.

“Is this true?”

“Did you know of this?”

“We must gather our things and get away while we can!”

s_george

Saint George and the Dragon by Egid Quirin Asam (1721)

“I hear the Elfhorz are accepting refugees!”

“No!” Rooiakkers voice cut through. “We must defend these lands as we always have. We shall not abdicate our responsibilities. Dalmistig is a proud land. We are all brothers of these hills and mist. We shall not leave our kin behind to an uncertain fate. Only one course is clear for the land of the Maier. We shall defend our farmsteads and our homes. Let each shanty, each hole and each pit cost the Wurms dearly. They shall pay for their sins in the oldest currency of all: their blood!”

More joined in applause this time, even as others looked worriedly amongst themselves. But Elder Dykstra knew that the forum was quickly swaying to Ewoud’s words. She had seen it countless times before. And she worried the price the old man’s pride would cost the community itself.

But before she could speak, there was a disturbance at the door.

At first, she seemed to be the only one to notice the distraction. But slowly a few eyes turned to follow hers, the heads of the furthest turning at the noise. As more and more noticed their fellows grow silent, they sensed the change in the air and an awkward hush rolled through like an ominous fog.

For there, standing in the doorway, was a young man holding an older woman in his arms. He was a big lad, muscles honed from long hours pounding at the metal of Master Smit’s in the forge or carrying the heavy coal and iron the old man used in his work. And though there was a dullness in his eyes, a sort of slow, ponderous look as his mind tried to comprehend that which was so often seemingly beyond his grasp, most overlooked it because of the youth’s stunning features. He was quite a sight for the village. And it was clear where he had inherited his looks.

Leaning against his large frame was a slender woman. There was no denying her beauty. Many questioned if Femke was truly from Dalmistig. Many whispered that she carried not human blood in her veins. They heard the tales of the distant elves and of the Forhemia beauties said to enchant their victims with unearthly grace far too potent for any mortal man. But Dykstra had known her line. She had seen Femke’s family and the gift that Ika passed down to each in turn.

And even as the youth set her down on a chair, there was still a shred of that grace still present. She was clothed in a simple night gown. The white linen lay stained down the front where food and drink and spilled. Even in the dim light, there was a visible bulge about her waist where the family had to fashion some swaddling strips in a makeshift pouch. Her vacant eyes lingered on the flickering of a nearby torch, her mouth hanging slightly open as a drip of spittle fell from ruby lips.

But every now and then when she turned her head, there would be that soft glimmer of the woman that had once been. Though now all that tumbled from those lips was incomprehensible gibberish, there would be the old lilt to it that reminded Dykstra of the songs she used to sing. Her fingers picked aimlessly at odd holes in her gown when once they had carefully woven elegant garments of their own.

Smedje i Hornbæk, 1875

This one is apparently done by a Smedje Hornbaek, 1875.

Her son left her near a post so she could lean against it, even the process of staying upright seemingly a concept too easily abandoned by her mind.

The young man walked forward, an awkward silence greeting his arrival. He seemed unaware of it, but it always struck Dykstra any time the elder Van der Nevel was seen. Where once she lit the room with pleasant laughter and talk, she now heralded only silence and shamed looks. Few would dare linger in her direction. And all made a wide berth for her as if she carried some terrible disease.

But that silence was a powerful thing and it immediately slayed what exuberance Ewoud Rooiakker had stirred.

“You speak of price and sin, Lord Rooiakker, but do you know that price?”

A few gaped at the youth’s boldness. Here was young Kaas Van der Nevel, Master Smit’s quiet apprentice standing in the middle of a forum directly across for the most intimidating speaker Dykstra had ever seen. But perhaps it was the youth’s dimness that made him ignorant of his position and actions.

Ewoud Rooiakker cleared his throat.

“I dare say I understand more than you, boy. I have sat at the seat of the greatest gathering in this land. I have greeted dignitaries from the united monarchies. I have weighed decisions that would determine the outcome of many lives and held the balance of a cities in discourse. What would you know of conflict and war? You who has barely seen the tops of the hills yet never left the safety of the mist?! You can scarcely recall the price of your master’s own sword!”

There were a few chuckles, but less Ewoud would hope. Dykstra wanted to move to the youth’s side and to gently lead him away. This was not the place nor the time for whatever he had in his mind. But there was a certain look in his eyes she had rarely seen. There was a light that had once belonged to his mother that flared dangerously. She could see the youth’s hands clench.

“I know not the world as you do, my lord,” the youth said slowly with his misplaced title. “But I am all too familiar with sin. I need not make my own to see the harm it causes.”

“I don’t like your tone or insinuations, child! Be careful, least you forget who helped your precious master pay to get his forge started.”

“I have not forgotten,” Kaas said, his tone steelier than anything that had come from the fires. “Nor have I forgotten your choice to stand with the adjudicators. Or how you stood watch as they took what they wanted from my mother.”

And a deathly hush fell over the crowd. Rooiakker’s mouth gaped like a caught fish as he searched for the words to say. He knew the dangers of the ground he tread and was too aware of the eyes looking over at the drooling Femke. She had seemingly grown tired of her gown and had attempted to extract it ungainly from her body, managing somehow to remove her left arm but catching her head in the sleeve until the garment hung half over her as she struggled furtively.

The boy seemed to take Ewoud’s silence as a sign of defeat. He stepped forward, suddenly his bulk making the great representative seem much smaller. But it wasn’t Rooiakker who the junior Van der Nevel sought to address.

Turning to the crowd he gauged them all in his turn.

“Who was it that raised their voices in defence of us when the reclaimers came to hold their trial? Not the clergy, who turned mute against the charges. She was called a heretic and a witch. They claimed her a necromancer and not a word claimed otherwise. She was dragged before the representatives of Ika. They held up her pendant as definitive proof of her sins. A pendant which you, yourself Elder Dykstra, had said was not but a simple heirloom!”

And he raised an accusing finger at her which she could not defend. She simply held Rooiakker’s silence, feeling the shame and guilt burn her face.

“We live beneath a tyranny. One that Lord Rooiakker would say is freedom. But what freedom had we when they cursed my mother all in the name of Ika’s will? But that curse did not pass to me, Lord Rooiakker. I know it was not this community which voted to let them carry out their punishment against their own. Behind closed doors you elders convened and decided a fate we had no say in. Condemning a friend and a mother to a life of suffering and humiliation!

“And the Senate has done the same for as long as we have belonged to the Republic. Where is our voice in the forum? The Union and the Council must grovel before those rich lords who gain their seat by birthright alone. They must pay tithes and deeds to see their own decisions democratically passed come to form. This freedom is as elusive as the tribal Anspeals but costs all of us daily in sweat and blood. We toil in the dirt and mud so you Senators can live in your manors and fine furs. You speak of a price for sin, so what does your cost?”

It was too eloquent and too convincing. While Elder Dykstra’s heart was swaying her mind could feel something off about the boy. These couldn’t be his words. Not for someone who struggled to remember his simple arithmetic any time he carried out a purchase for his master. But while what he spoke she had heard all to similarly from Wurzelessern mouths, the passion was his alone.

“We live under strange laws and strangers’ demands. The Senators born into their roles far outnumber those we send from our farmsteads. Our own Elders hold their decisions amongst themselves, committing not those of good intention but those who can fill the most pockets. All the while some foreign Goddess dictates to us damning laws without a care for the living. Her sole concern is the dead and the rest be damned. She taxes us even more blatantly than the Senators, demanding our souls in exchange for protection from an enemy we had long defeated.

“You say the Wurms are here to destroy and that they are. They’re here to burn not just the weeds choking our crops but the thieves that would steal them in the night. Our governance is corrupted and there is only one way to eliminate impurities from good iron and that is through brute application of heat and fire. The pure have nothing to fear from the Wurms. It is those whose hearts are heavy with sin that would try and condemn others upon a true noble sword. And I see only one heart here calling for us to die in the name of men who have done nothing but abuse us. I say we see what the Wurms judgement is free from the greed of the Senate and the hunger of Ika.”

Silence followed his proclamation and only then did he seem to remember his mother. He turned, discovering her lying upon the ground in a tangle of her own clothes. He hurried to her side, helping her erect and fighting her resisting fingers to get her clothes back on. When last he had finished, he looked up, seeming to remind himself that he was in the middle of a debate.

But for once Rooiakker had nothing to say. He seemed to turn to Dykstra, the soft pleading look of a desperate man turning to a co-conspirator. But it was clear a change was on the horizon. A change that Dykstra had often quietly prayed for every year. It finally seemed time for Dykstra to say her piece.

“The words of young Van der Nevel are true. We had decided to bow before the Ikan’s wishes and it was their desire to make a demonstration to our community that disobedience of their laws would not be tolerated. Justice was forgotten beneath the priests’ offer. Co-operation would see their influence lightened upon our village but, more importantly, Rooiakker would be granted prime trade of our region with the cathedral in Nebeland. For our part, we would all be eased of our guilt through the success of the land, as Ewoud called it.”

“What are you saying?!” Ewoud cried.

“I have not slept easy since condemning a friend for your greed, Ewoud. And I shall not forgive myself for waiting for young Van der Nevel’s words to stir me from my silence. I shall submit myself to the judgement of these Wurms for my part in this travesty. I can only hope that my soul finds forgiveness from Femke when at last she joins me in Ika’s arms.”

“This… this is madness!” Ewoud cried. “Do you not see, you invite danger and death into your homes!”

“We have laid beside treachery for too long,” Dykstra said. “My seeds are planted, Ewoud and I shall reap my harvest. My only prayer is that the younger of us can learn from our mistakes. I suggest you make your peace or prepare your waggon.”

The elder Rooiakker looked about the assembly. But he did not see the support he had once drummed. Many looked confused upon the discourse, clearly not understanding exactly what had transpired. But there were others who looked upon Ewoud Rooiakker not with admiration but suspicion. They were the dangerous ones. And they were the majority. Enough time in the Senate had taught Ewoud the dangers of such a force. And perhaps it was the gentle hand of Ika which had him last set eyes upon poor Femke Van der Nevel, held coddled in her son’s arms. An unnatural role reversal played long before proper time right in front of his eyes. The Ikans believed in elimination of threats through magics of debilitating efficiency. But the Wurms believed only in death.

In that moment, it was clear Ewoud Rooiakker wasn’t sure which he feared most.

He stumbled from the hall, running into the night as the roar of the crowd began to find its voice once more. The community hadn’t reached consensus yet, but with the flight of the merchant it would finally reach it of its own accord.

And Elder Dykstra knew she would not see the man in the morning. She took a seat, letting the butcher stand to present his thoughts. She finally felt her age, her bones releasing a tension she barely knew she carried. Her work wasn’t finished tonight and she knew she would have to spend the rest of it getting her things in order. It was uncertain when the Wurms would arrive but their coming seemed inevitable now. And she suspected that she wouldn’t live to see the outcome of this council’s decision. Her only hope was that it would be the right one.

Author Review – Jessica Day George

Recently I read a good book. It was a bit strange, as I was half certain I had already read this particular book, but as it was a fairy tale I wasn’t entirely certain. After all, everyone knows how the fairy tale is going to end and who the main characters are. This was further complicated by the fact that I know I have read more than one telling of the Twelve Dancing Princesses. In the end, it doesn’t matter if I had read Princess of the Midnight Ball before or not. I read it recently and I enjoyed.

Book Cover

Book Cover

In fact, I enjoyed it so much I checked out the other titles by the author Jessica Day George. It my utter delight she had written two other Princess books: Princess of Glass and Princess of the Silver Woods. Both books were retellings of fairy tales – Cinderella and Red Riding Hood respectively. I enjoyed both.

The first book focusses on the classic story of twelve sisters forced to dance every night until their shoes are worn out. The helpful strange, cloaked with invisibility is the only one able to follow secretly after the princesses, discover what they are doing and help free them. As I said, the tale is classic. The author told it in a world like and unlike ours, set in some fantasy medieval period. It was filled with tiny kingdoms and a bit of magic. If there was any complaint to make I would say that the story lacked depth. It felt simplistic and flitted between several characters without the depth I would have preferred. In this manner the characters moved across the pages, playing their respective roles. Yet, I never felt drawn into their personal conflicts. I suspect this is in part due to the fairy nature of the story and the emphasis being placed more on the world than the inhabitants.

I preferred the second of the books which was surprisingly a sequel. The main character was one of the twelve dancing princesses visiting a different character. I liked the different and not entirely flattering portrayal of Cinderella. I was also surprised by how much I liked the Princess as she reacted to the trauma (forced dancing) of her childhood. Here there was more emphasis on characters than setting and I enjoyed the story much more for it. I also appreciated the link to the first book.

The third book in the series also followed one of the original twelve dancing princesses – the youngest. It was a different twist on Red Riding Hood which was good, but not great. I feel that the author missed a fantastic opportunity to really play with the Red Riding Hood characters. I also wasn’t whelmed to the continuation of the first book’s plot. I understand why we came full circle to the main problem of the first story, I just wasn’t enamoured with it. I would have preferred more of a character piece, which I think is the strength of the author.

Overall, these are good, fun, fairy tales. A great young adult read. As such I was then tempted to read move of Jessica Day George’s books. Her Dragon Trilogy was great original fun. I liked the dragons and who they fit into the world. I liked the main female and her love of sewing (another thing I liked about the Princess books was the incorporation of knitting – being a knitter myself).

Another Book Cover

Another Book Cover

By far the best book in the series was the first: the Dragon Slippers. This is where we were introduced to the main character, to the world and importantly to the dragons. The dragon hoards are the very best part of the series. The following two books, Dragon Flight and Dragon Spear where good but not as great. The first book held mystery and adventure. So many things happened. When I reflect back on the story, things that didn’t make sense at the time or seemed like the author pushing the story ahead were actually explained. These events didn’t just happen because. They followed in world logic and plot making a cohesive and tight narrative. The second two books lacked the complexity of the plot.

If I had to choose I would place preference for the Princess books over the Dragon books. Why? The Princess books are written for a slightly older audience, the stories feel slightly more complex as do the characters. Also, I have a bias towards retellings of fairy tales – my new obsession.

In summary, Jessica Day George is a good author of children/young adult fantasy adventures. Her writing is fun and imaginative and her characters have some scope. Her work is set in comfortable fantasyland, that may not be revolutionary it is extremely appropriate for these stories. I would recommend her books.