Author Archives: Kevin McFadyen

About Kevin McFadyen

Kevin McFadyen is a world traveller, a poor eater, a happy napper and occasional writer. When not typing frivolously on a keyboard, he is forcing Kait to jump endlessly on her bum knees or attempting to sabotage Derek in the latest boardgame. He prefers Earl Gray to English Breakfast but has been considering whether or not he should adopt a crippling addiction to coffee instead. Happy now, Derek?

Ikan’s Light – The Creation of a Character

So today marked a  monumental moment in Derek’s Ikan’s Light campaign world.

Today is the day we made my character.

The Departure-e1298998998863-1024x418

The following photos are pieces of the mural by Edwin Austin Abbey, faithfully photographed and restored by this website: http://www.thefriendsofenglishmagic.com/

I was planning on posting my process for making a character since some of it overlaps with the way I create characters for my story. Then Derek decided to do something different with character generation and take it from a computer role-playing perspective. Which is to say that he asked me a bunch of questions and kept the details hidden behind his DM’s screen.

Which isn’t completely fair, I suppose. I had an idea of what I wanted to be for this game before we started. I’ve played a few role-playing games prior and found that I usually made characters in the same vein. Generally speaking, I gravitated towards the handsome, dashing, daring and glib individuals who relied more on their smarts and guile to see them through trouble. Often, this led to characters with a focus on magic or the arcane and bonus points if it could be a non-standard system.

So, for Derek’s campaign I wanted to do something different. I wanted to go completely on the other end of the spectrum. Knowing he wanted to create a low-magic setting, I decided I wanted to be a paladin. Course, when making that decision, I wanted to do the paladin ideal justice which is to say that I wanted to make a character that would communicate the inherent  hypocrisy of the class. Working under the  auspices that magic didn’t really exist, I was fully prepared to make a fighter who was deluded into thinking he was a holy warrior.

But then plans change as is always the case. As more and more pieces of Derek’s world came to light, I grew increasingly interested in the struggles of the upstart rebellion in Steinessern. Here was a group that seemingly were cast in the villainous role. Not only were they upsetting the status quo but they were so successful and so brutal in their victories that they were seen as a major threat by all other nations. Being the natural contrarian, I wanted to explore what would drive someone to participate in such a bloody rebellion and the motivations for joining a group that from all other perspectives was nothing but evil.

I still wanted to play a paladin, however, but now I had my god. My character would be wholly devoted to the cause of the rebellion, holding truth to the tenants of this false faith and leading the vanguard against the enemies who held power and tyranny for so long.

The Oath of Knighthood-e1298998841920-1024x687What initially drew me to the paladin ideal is that whole abandonment of the self for a greater cause. So often were my past characters balancing questionable morals with self-gain and personal interest. They rarely held to any morality beyond what they deemed was correct and often they scoffed at established laws and structures. They put so much faith in their own reasoning that to prescribe to someone else’s wasn’t just lazy but almost an intellectual sin.

So, in crafting this new character, I had to consider what would drive someone to complete devotion. Practically every complex belief structure has inherent contradictions and flaws yet people still are drawn into believing them whole-heartedly. And I didn’t want this to be some lazy faith either. Here is a man who is joining a movement that, probably by all accounts stands little chance of success, but is prepared to give his body and soul towards.

This, of course, left me with the age old question: why?

For most of my character creations, I start right at the roots. I look not at my character but at those that made him. What is the relationship with his family and how did that mould him into the person that he is today? Oftentimes, the core conflict driving my characters arises from these relationships. For this one, I felt that there was no stronger motivation than that of blood. No other cause would drive a man from his faith to a new revolutionary ideal. He may be wrong, but it is the wronging of his kin that would make him willing to sacrifice himself.

It was when Derek wrote about his Reclaimers that I got my justification.

To recap: the Reclaimers are an arm of the Ikan church tasked with investigating and searching for lost or hidden magical artifacts. Due to the church’s fear and control of magic items, their punishments for harbouring or possessing such devices can be quite strict. In the Reclaimer’s arsenal of solutions for dealing with magic artifacts and their keepers is alerting the Adjudicators. From what I can gather, these are very similar to Inquisitors save for one special exception. As this is a world fueled on magic, they are able to use spells in order to drain a victim of their intelligence instead of outright executing them.

This struck me as an incredibly harsh and brutal method of dealing with people. There are truly some fates worth than death, and reducing a loved one to little more than a quibbling, drooling idiot seems like such a fate. Imagine a loved brought under such justice. Well, it’s the sort of thing that could push someone to extremes. It could motivate them to raise arms against such horrible practices and seek out vengeance against oppressors far too willing to invoke such cruelty on the innocent.

I just had to create an innocent first.

Pulling on the histories, I devised that my character’s mother possessed a magical artifact. What it actually did was, inevitably, irrelevant. In my mind, it was some rather potent item capable of warding off hostile undead from an area. Such a trinket would have been incredibly useful during the scourge, when settlements were struggling to find ways to keep their dead from dragging the living with them back into the graves. In that dark past, this trinket was crafted and served much like a ward to repel these creatures and see this settlement’s continuation from one generation to the next. In order to insure the ward was kept intact, each daughter of the line was entrusted with the artifact.

By the time the Ikan Beacon was light, the need for such an item was gone. However, the thing with traditions is often they persistent long after they are necessary. In my mind, the families continued to pass this trinket down, keeping it hidden from the Reclaimers as long as they could, probably under the belief that this item was incredibly important to the well-being of the community.

However, all things must come to an end. My character’s mother was finally caught with the device. And, perhaps through a combination of rebellion and the power of the artifact itself, the Reclaimers felt that she had to be made an example of. She was turned over to the Adjudicators and consequently stripped of all her intelligence.

I can scarcely begin to imagine the horror my character would have faced, coming home to find his mother lying upon the floor. Likely, she would be incapable of speech. Certainly, she wouldn’t be able to take care of herself. The horror of that first discovery would be utterly  heart wrenching  for a son. Such fury would have only one outlet: revenge. And for my character, there by chance existed an opportunity. The Cult of the Wurm were the sole voice that spoke out against the church and its practices. The rest of their tenants were irrelevant. If they would see an end to the abuse of the Ikan church, then my character would join them.

That’s the basics of it and is what I approached the character generation session with. Derek proceeded to ask me a series of questions to work out the finer details. First was locating the actual site of this tragedy. Given my race (human), and the elements involved, he decided that Weelderige was the most likely place for this to occur. I had no grand visions of my character’s upbringing so an isolated farming community seemed the most likely. A community known for its lush produce farmed from the soil fertilized with the dead from the great undead wars was even better. Here would be a land steeped in traditions of blood and sacrifice. A fitting location to put my revenge focused paladin.

As a bonus, I get an excuse to hate Derek’s disgusting roshome. Not that I really needed their history of cattle wrangling to dislike the critters though.

Next was to determine my role in the community. I figure rebellion is a young man’s game, so I wouldn’t hold and prominent or settled position. Apprenticeship seemed like a decent start and I gravitated towards blacksmithing. This would explain my apparent physical prowess while also leaving me rather ill-prepared for waging a war against the church. I’m looking for a character strengthened by his will and faith – not some history steeped in secretive training and mysterious masters.

We skimmed some of the details, hopping right to the rebellion. Derek mentioned some positions in the Wurm’s forces that I didn’t understand but after learning my penchant for choosing hardiness over aptitude, he decided I was initially recruited into the Reapers. These delightful beasties were apparently thrown at the more monstrous elements of the opposing Grand River forces. They were tasked with bringing down magical golems and fearsome drakes. A rather terrifying position, I can only imagine but for a man who has little to lose, I felt my character would take such risks with glee. Perhaps, in the back of his mind, he fully expected to die in some beast’s teeth – revenge unfulfilled but his duty served.

Apparently, however, the universe had other plans. My character survived, often against great odds, and his leaders took this as a sign of glorious Nidhoggr’s blessing. They took him aside and trained him in the deeper tenants of the faith, promoting him to be one of the first paladin’s in the army.

At this point, Derek had me take the very generic online alignment quiz. I, personally, think alignments are silly but I obliged anyway.

https://www.wizards.com/default.asp?x=dnd/dnd/20001222b

I ended with Chaotic Good. Which makes a certain amount of sense from the right point of view.

Golden Tree and The Achievement of the Grail-e1298995182146-1024x693Thus, Kees van der Nevel was born. He’s a big, physically powerful and handsome young man who may not be the most agile of individuals but he has a resounding constitution and almost unearthly ability to take a beating. Through sheer stubbornness and willpower, he seems to shake off the mightiest blows. And, perhaps it was the fact he’s apt to take a hit or maybe it was the isolated upbringing but he isn’t the wisest or smartest man to walk beneath the Green Mountain. But his unending devotion and commitment to the rebellion saw him rise through the ranks, surviving one of the harshest and deadliest divisions of the army.

Trusting in the sense and will of his lord, Nidhoggr, Kees demonstrates a remarkable ability to sense the faltering  allegiance  of his fellows. Rumour has it, feeling his closest friend’s wavering devotion to both the rebellion and Nidhoggr, Kees sacrificed his comrade to his glorious lord. The young man makes a fearsome sight, striding boldly into the thick of battle dressed in the scales of one of the fearsome Dracfearann mounts. The armour, salvaged from the field of battle and forged through the training he’d received before leaving his village is a grim reminder of the foes Kees has faced without flinching or remorse.

But despite his brutal reputation, he still manages to tend to the armies beasts and mounts with relative skill. Though he may not be the most glib of the Wurm’s agents, he seems to channel a natural connection with the animals and companions, tending to them as if they were comrades in arms, even if his ability to ride isn’t that great. Of course, his smithing skills aren’t just useful in crafting but the proper breakdown and salvaging of items after a battle has been won. Sadly, these skills come at a price and he’s not the most knowledgeable in applying poultices and salves to his fallen comrades or even engaging in a duel of wits when it comes to haggling for supplies from reticent merchants hoping to profit off the conflict.

However, no other member of the Wurm’s forces is as pure in his intentions of bringing about the end of the Ikan faith. For he truly believes the three tenants of the Wurm’s faith, and can be found reciting them each night in a quiet prayer to the one route he hopes to find the salvation of his family:

Oh, great Wurm! See to the end of the monarchy’s oppression for the magocracy is but a false tyrant seeking to further the grip of the throne and the democratic republic is naught but an illusion cast before the gullible masses

Oh, great Wurm! The world has been poisoned from the root, and only by cutting down the rotten tree can a new one truly grow.

Oh, great Wurm! Only once the lost world is purged of the reminders of its failure will it become the cradle of enlightenment and salvation.

May the forces of the weak, cowardly and cruel be not but the blood and soil for a better tomorrow. Let fall their bodies so we may reap a stronger harvest from their bones and their souls. There is no way but the way of the Wurm’s.

Edit: From Derek

Kase van der Nevel(Human, Male)
Paladin, Soldier of the Wurm Army, blacksmith

ABILITIES

Strength: You are strong than all but the strongest, able to wrestle even drakes if you get advantage.

Dexterity: You are average. You can dodge the occasional blow, but you can’t rely on it.

Constitution:You are hardy and stout. You can weather more punishment than most, and are very resistant to illness.

Intelligence: You’re slightly less intelligence than most people. You’re not a dimwit, and you’re literate, but most people would beat you in a battle of wits.

Wisdom:You have average wisdom, with common sense and the ability to perceive your surroundings on par with your peers.

Charisma: You have a stunning, commanding presence capable of calling people under your banner.

FEATURES

AURA OF PROTECTION: When a nearby ally faces danger, you can use your reaction to improve their odds of survival.

CHANNEL NIDHOGGR’S DIVINITY:[2] times per day.

When you channel Nidhoggr, you allow yourself to temporarily become a conduit for Nidhoggr’s will. While you’re letting his majesty flow through you, you can choose one of three effects:

Smite Heathens: After hitting any creature, you can channel divinity to call down Nidhoggr’s wrath and ask him to burn the enemy.

Dreadful Vision: After hitting any creature, you can channel divinity to reveal a vision to your enemies, showing them the death of Ika at the hand of the great Nidhoggr. You can force this vision on as many nearby targets as you wish. Those creatures who fail to shake off the visions are frightened of you for a minute.

Rebuke Undead: As an action, you can use channel divinity to rebuke an undead creature. You choose a creature at medium range, and attempt to charm it. If you’re successful, the undead creature falls under your command for an hour. The undead creature must be weak, though as you become a more powerful paladin you can control more powerful undead.

DIVINE SENSE: As an action, you can allow Nidhoggr to enter you and give you divine sight. For one turn, you know the exact location of any supernatural creature or object nearby, and such creatures cannot hide from you.

DIVINE GRACE: Whenever you face a dangerous effect such as possession, catching on fire, etc, your connection with Nidhoggr guarantees a greater chance at avoiding the danger.

DURABLE: Whenever you’re healed (with magic or mundane), it is more effective.

GUILD CONNECTIONS: You’re an apprentice in the Blacksmith Guild, and can get support from local guilds (barring cultural or racial prejudice).

SKILLS

These skills come naturally from your character’s abilities. Green skills he’s best at, blue skills are good and black skills are fair.

Bluff
Break an Object
Climb

Gather Rumours
Intimidate
Jump
Perform
Sense Motive
Blacksmithing
Swim

 

Pathetic Storm

So I completely forgot today was Friday and when I began working on my post the maniacal weather that has been tormenting undecided to strike again. And while I love storms, I also have a long history of them returning my love by ruining my computers like a jealous lover. Thus, I am reduced to pounding out this entry on the BlackBerry, so I apologize for the rather lackluster entry today. But it was either this or frying my new computer in a darkened and stormy night. And at the end of the day I like my computer more than properly posting.

However, this does give me the opportunity to discuss writing and weather.

As I mentioned, I love storms. As a child, I would crawl out of bed to rest against the Window, watching the dark shadow of trees bend and twist in the heavy winds. I would cracked open the pane and listen to the sound of the rain patterning against the rooftops and enjoy the refreshing chill against my bare skin. I even recall one particular heavy storm when I stripped into my bathing suit and just lay upon the front porch with my eyes closed as I let the power and the fury of nature envelope me.

To me, there is just something awe inspiring about the way the world yields to the might of nature manifest. The birds and insects grow quiet and invisible and all creatures great and small flee before its arrival, seeking silent refuge to wait out its passing.

And then there’s the lightning.

Great bolts light the night sky, carving bright forks through the clouds and illuminating all in a pristine white glow. For but a moment the spell of night is broken and it’s as if nature had turned on its own, natural light to chase away the shadows. Then the flash is gone and the ground shakes beneath the thunder’s calling.

I always wait for those brief moments, when the sky is torn in great ribbons of uncontained electricity. The sheet lighting rolls unseen behind the thick clouds between the great strikes, creating a dark, almost pink glow that barely outlines the trees and clouds around. I take in as much of the scene as I can, savoring the new perspective of a world I’d grown bored of through sheer familiarity. But in the dark of the clouds, the landscape takes on a new form of silhouettes and outlines, contrasts between dark and light.

I love it if only for the mix of fear and reverence that it inspires.

Now, weather in writing is often a rather off handed affair. Generally it sees little use and is usually made most prominent during the most difficult portion of the hero’s tale or to serve as a manifestation of the characters emotional state. Most storms either come rolling in the final act, when last the hero must face his arch nemesis or when the hero is at the lowest point generally during a great loss or defeat. I’m sure many people can think of moments when the tide turned against the hero and a convenient storm just happened to come rolling through. Certainly horror as a genre has subsided on this trope for as long as time memorial.

This is considered the Pathetic Fallacy of weather and once you start seeing it in film or literature, you won’t stop. Which is a curious name for the trope since the pathetic fallacy was originally used to describe the attributing of emotion to elements of or description about of nature. You can see that in my description earlier. Nature doesn’t truly have any fury since wind and rain has no emotion.

So common is the pathetic fallacy, however, that I don’t think most people even realize when they use it. How many off the cuff stories began with some sort of wrongdoing or misdeeds on a “dark and stormy night?” For me, it only became obvious because of my fondness for storms. I try to use weather a little more than as a reflection of a character’s inner turmoil. To me there are far more components than the terrifying dark and intimidating thunder. There’s also a bare beauty of the raw power of nature. And, in the end, storms bring an element of renewal. The rain. Does more than scatter those caught in it to seek shelter. It helps feed plants, break hot spells and rejuvenate the land. There’s always a calming tranquility after a storm, as if the skies themselves went through their own catharsis in order to replenish themselves.

So, even though I am affected by my own cultural symbolism, I find that certain elements can take on my own, personal meaning beyond established tropes. Which I think is a good thing, as the natural evolution only occurs as we apply our own spin and use to old symbols, beliefs and tropes. So I may have dark and stormy nights but not all of them Are going to be a bad thing.

Cry of the Glasya Part 8

< Return to Cry of the Glasya Part 7

We’re at the final stretch team! It’s been a long journey, but hopefully worth it. Sadly, this means I’m going to have to create some original content in the future so my easy street ride is done. But at least you won’t have to put up with these silly pieces for awhile.

On to the show!

Glasya-Labolas

I’m reusing the image from the first Cry of the Glasya post. It’s poetry in motion or something.

“Are you sure you don’t need something else?”

“Like what?”

“I don’t know. Head of a chicken? Beating heart of a girl.”

Keirn gave Derrek a withering look.

“Shut up and pass me the chime.”

The bones rattled against each other as Keirn held the object awkwardly in his hands. It was strange – this morbid talisman seemed to be channeling quite a lot of arcane energy lately. Keirn puzzled briefly his sister’s intentions in making it but then realized that he probably didn’t want to know her reasons. Sometimes people did things that were best left unexplained.

The seal had been formed from melting what wax they could scavenge from the packs of their colleagues. They were short on the supplies that Keirn needed for his original ritual. He wasn’t sure how necessary they were. So much of this process was as much a mystery to himself as it was to Derrek.

He held the chime aloft, letting the femurs, skulls, knuckles and whatever else stitched together to rattle emptily in his hands.

As Keirn began began the binding, Derrek shuffled over to a bunk and watched. Both men had cleared a large space upon the floor, pushing beds together and lifting trunks to the corners. Keirn then set about drawing the intricate symbol on the floor, his hands tracing the lines that his mind had forgotten. To the sorcerer, the symbols were meaningless. Possibly some ancient iconography that had been lost long before any age of remembrance. Derrek made no comment on them, quite unlike the bard who was very forward with sharing what random useless bit of trivia he knew.

And given the work Keirn had to go through to discover the seal, he would not have been surprised to discover he was the only one who knew how to draw it.

With the seal complete, Keirn clattered the chime a couple of times before breaking different bones off and setting them at cardinal points around the seal. He placed them in smaller circles drawn in the perimeter, as if the symbol had been created with the full purpose of having additional items placed within.

With the last of the preparations completed, Keirn retrieved a long knife and took his place in the centre of the seal.

“You ready for this?”

Derrek merely nodded.

Keirn took a slow breath then drew the blade viciously across his palm.

Blood pattered along the seal and dripped against the thick wax. It almost sounded like it sizzled when it struck the floor and Keirn couldn’t help but feel a familiar rise in temperature as he worked. He clenched a fist, holding his hand over the centre and squeezing a small trickle of blood upon the most prominent symbol.

During the whole process he whispered that strange incantation he had committed to rote. His words were softer than a strangled whisper. It didn’t matter how loud he was, where Keirn was trying to call was a place that wouldn’t be reached through sheer volume alone. Veracity was the key, and Keirn steeled his heart in anticipation.

The stubs of candles ringing the seal fluttered as if a massive, invisible form rushed past them. The shadows along the walls stretched and twisted as if in eternal agony. As Keirn drew close to the conclusion of his chant, darkness welled up from the furthest corners of the room like an approaching fog.

The candles sputtered again and in the growing gloom Keirn could almost see a massive form shifting in the darkness. Derrek just watched in fascination as the room darkened and swallowed him up in the emptiness.

With the last whispered syllable a ferocious rumble bounded about the walls. From the floor burst thirty six twisted and cracked spikes, ringing the seal and pinning Keirn within. Those spears formed a barrier just as much to keep Keirn within as to hold the braying beasts in the darkness out.

The metal shook and and vibrating as the circling predators tested the boundary. Keirn watched with wary eyes as darkened fangs and claws seem to scrap against the cold metal. But the spears held, though they rattled fiercely.

Further cracking drew the sorcerer’s attention to the floor. The ground swelled and burst, splitting in large sections as piles of bones were belched from the ground beneath. They jutted up in rising piles around the sorcerer, feet and hands tumbling and clattering down the piles. Where Keirn’s blood had spilled before him rose the greatest pile of skulls, an otherworldly wind echoing from their empty mouths and eyes in an unnatural groan.

With the last pile formed, a loud flutter filled the air above Keirn. From the gloom descended a ragged and bloodied eagle. Its twisted talons settled immediately on the skull pile as the bird limped upon its roost. It hopped briefly about, as if its bleeding and twisted legs were pained with its landing. Dark eyes inspected the corpses strewn around as if it expected to find some twisted carcass to scavenge. Having found nought but bone, it turned unimpressed to the sorcerer. It cocked its head before opening its beak and emitting an ear piercing wail that sounded far too similar to a woman’s last dying scream.

“It’s been awhile… demon.”

The shadows shook at his utterance, the spears rattling all around as if the force stalking the darkness was testing each chain simultaneously. The wind howled and the bones clattered and clapped against each other. The eagle merely blinked.

“You know why I have called you. I demand you release your current charge.”

The eagle ruffled its feathers, shaking its head before opening its beak once more. This time, a heavy man’s voice cried out in terrifying agony and pain.

“You know why,” Keirn replied calmly. “If you have any desire to breath this world once more you’d do well to obey.”

The bird called and a young man screamed in sorrow.

“When was the last time you drank from this place? How long was it that I last called you? You think just because you have a new binder that your freedom is assured? We both know that she can not contain you and you will burn through her in no time. She will die if you insist on enslaving her.”

The bird cried and an elderly voice croaked from within.

“I have given you plenty. And I will give you far more than that pitiful feast you have out there. Know that if you don’t obey, I will end her. And with her dies the last knowledge of your bindings. And if I have to raise my blade, I vow with my dying breath I will never contact you again. You can rot in your emptiness for another eternity with only the faintest memories of your bloodshed to drive you further mad.”

The bird glowered upon the skulls.

“I have given you a Countess, Viscount and Princess. You know that where I go death falls in my wake. You can engorge yourself now and vanish from the minds of every living thing again. Or you can leave her and know that even greater sacrifices shall be made in your name. But I won’t debate with you anymore, monster. I’ve retraced those ancient steps and recalled the first pact we made. Know I won’t bend to your will anymore but you will bend to mine!”

The bird cried out in a blood curdling scream as it took to its great wings. In a fluttered of darkened and black, oily feathers, it vanished into the dark and the fog.

“Then let the contract be sealed.”

Keirn took the knife gingerly in his wounded hand. He wrapped his fingers around the blade and cut deep into his other palm. The heat was almost scorching as he squeezed the drops on the gaping skulls beneath him. The blood pattered against cracked and bleached teeth, bubbling immediately as it hit the bone.

From the stone burst great rusted chains. They shot up, wrapping tightly about his wrists and forearms. Keirn could feel the metal scratch and dig into his flesh as they wound and bound his arms together.

But he resisted.

With an agonizing scream he pulled and twisted, wrenching the chains apart. The metal clattered and groaned, trying in vain to assert its dominance. But fire fueled Keirn’s veins and he pulled against their strength. The coarse metal dug deep into his skin, tasting blood again. But the more they struggled, the further Keirn separated his limbs. At last, the metal burst in a great clatter of iron as links smashed into the ground and tore through the scattered bones.

Then, just as loud as they came, the bones scuttled back into the earth. The spears retreated after them and the darkness lifted. Only the sounds of massive retreating paws echoed back to the two men still practically naked in the middle of the room.

Keirn followed Derrek’s gaze towards his arms. A rash of metal links stained his flesh where they had wrapped and the skin itself was raised and bumped as if the iron had been buried just beneath his skin. Conscious of the physical marks, Keirn hurried over to his pack and quickly pulled out a tunic to unroll over his arms.

“It’s done then?” Derrek asked.

“Felicia should be fine,” Keirn said.

At the mention of her name, Keirn felt an echoed whisper just on the edge of his hearing. But that trembled voice was easy to ignore.

“How much did you see?”

“I don’t understand a log in the Urðr Well, man,” Derrek shrugged. “But if you say it’s done then it is done.”

Keirn paused before the door, remembering the sound of frenzied hands pounding against it earlier. Slowly he inched it open, looking up and down the hall. There was no sign of bloodthirsty guests or rotting bodies and Keirn wondered how bad things really were and what was all part of Derrek’s complicated illusions.

Keirn waved for the bard to follow and the two cautiously started towards the hall.

“If it’s any consolation, I don’t think Felicia knew what she was doing.”

“Doesn’t bother me.”

“No, I mean that I don’t think she knows how to do the binding. I think someone set her up – built the seal and inserted the chant within her song without her knowing.”

“Women just ruin everything, eh? The aria itself isn’t half bad when done by an actual professional.”

Keirn stopped, looking gravely at his friend.

“This means that someone learned how to do this and they probably learned it from me. Much like you recongized the ritual from following me at the Academy. And even though Felicia will have no idea how to do it again, whoever is behind this can always trick another. I think we were lucky this time that bards have some arcane understanding. The next time could be much worse.”

“So someone has been following us on our adventures and learned it when you did a binding before?”

Keirn nodded.

“Someone has an unnatural interest in us. Maybe we should be more careful from now on.”

“That’s unlikely to happen.”

They started again down the still hall.

“So if they learned it from watching you, how often have you been doing this?”

“How long have you been sleeping with Felicia?”

Both men looked accusingly at each other.

Derrek shrugged again.

“Forget I asked.”

“That’s what I thought.”

Return to the Short Story hub  

Cry of the Glasya Part 7

< Return to Cry of the Glasya Part 6

For those that are avoiding reading the shorts until they’re all finished so you aren’t left in rapt suspense, I can confirm that this one will complete on Monday. Then I’ll see if I can’t get some non D&D articles up in case people are getting tired of them.

Also, I’m nearing the end of the draft I’m currently working on so I’ll have more focus and attention to write my thoughts and musing. Plus, I hope to see Pacific Rim this weekend so maybe I’ll have a glowing review to share!

(But it’s unlikely.)

A Medieval artist's rendition of some good, old fashioned dark magic. Cry of the Glasya does it better, in my opinion.

A Medieval artist’s rendition of some good, old fashioned dark magic. Cry of the Glasya does it better, in my opinion. At the very least, it does it with more style.

Keirn rested a metal gauntlet on the handle. Hoping he wasn’t about to burst into a room of suspicious looking men, he pushed.

The first chamber he’d tried was filled with damp robes and the unmistakeable smell of the wrong place. And while he wasn’t expecting to find a second garderobe he wasn’t even sure he was on the right level of the keep. Who really knew where Dukes or Earls liked to roost. Probably as far from the smelly peasantry as possible was Keirn’s thinking.

However, he immediately knew this wasn’t exactly the place he wanted the moment he crossed the threshold.

He stood in a simple stone domicile. Wrought iron torch holders were clamped against the cold walls. The far wall was reinforced with a tickling familiar iron frame and held a row of opened windows. A chill breeze whistled past, invading the empty space like an unwanted assistant in Keirn’s searches.

He was about to turn and leave when something caught his eye. A large fireplace set across the room seemed to shimmer with the faintest of flickering embers. Releasing the door handle, his metal suit clattered as he drew across the naked floor. A simple iron poker hung upon its side and Keirn lifted the tool before scratching at the remnants in the ash pit.

Charcoal popped and snapped, releasing trapped flickers of flame to float like gentle wisps in the culling wind. Keirn sifted through the ash, the tip of the poker striking something hard and buried beneath the fire’s powdered body. Prodding along its side, it felt like something large and he worked the hook of the poker until he dragged a long piece of polished mahogany onto the floor.

Curiously, the fragment seemed untouched by the scorching ghost of the demised blaze. The piece was excellently carved with flowering wreathes of intricate vines and leaves running its length. It seemed like the post of a rather elegant bed and Keirn was reminded immediately of the guard’s story. He looked about the room, but no furniture offered a reasonable explanation for this piece’s existence.

Keirn was just about to roll it back into the embers when he discovered something surprising on its opposite side. He slowly removed his gauntlet, bending down to run a finger slowly over an unexpected seal.

Embossed on the underside of the post was the inexplicable coat of arms for the High Academy of the Queen Enthroned.

Keirn recoiled from the quartered symbol and the opened book centred at the crosspoint of the quadrants. The runes on its tiny pages seemed to pulse and glow as Keirn watched. Along its ruby border twisted the thorny vines of a blood red rose that slowly began to blossom. The petals uncurled like the pages of a book slowly revealing themselves to an inquisitive mind. In the span of a few seconds the plant seemed to bloom and wilt, its petals dripping down the wood like thick drops of blood that pattered thunderously against the floor.

Keirn dropped the poker and recoiled, turning quickly for the door. He leaped upon the handle, wrenching his way to promised freedom as a swirl of unwanted memories began to unravel behind him.

But it was not the familiar corridor of the keep that greeted him. Instead, the door opened upon an expansive hall with shelves rising from the ground like great monuments to Vör’s unending inquisitiveness. Almost every surface was covered with mounds of books and sheaves of rolled paper. Great writing pedestals sprung from the heaped tomes like large, solitary mushrooms. The high backs of those chairs appeared to hunch over their massive curved writing tables sprouting beneath as if to protect those seated from the light overhead.

The scratching echoes of a thousand phantom quills clawed amongst the sheets of paper like a great footed beast stalking this gloomy space. Keirn felt all too familiar with this space but as he turned to retreat back to the empty room in the Duke’s keep he discovered only more of the library stretching behind with not but the handle of the door still clutched in his hand.

Frightened, he dropped his gauntlet.

This was impossible. This was a dreadful dream. This was not the Keep of Gelph. This was a far more dangerous place and Keirn had to escape.

He turned, fleeing down the first row of books he found. His boots cracked the aged spines of the tomes he stumbled across. But they were piled so high that his retreat was soon impeded by the the leather backs slapping hard against his calves as he stomped. He paused to catch his breath, looking worriedly around for an exit.

Something warm and wet slipped through the gap between his breastplate and skirt. He could feel a glob of something slowly ooze down his lower back before hardening in an unsettling chunk. He reached back, his fingers scratching at the metal in an attempt to find the hole in his armour. Failing that, he just lifted the shirt from his body. But as he pulled it overhead, he heard the impact of another glob landing upon the metal.

Holding it to his face he found a thick piece of wax slowly cooling against its surface. Keirn looked up.

High overhead hung the great chandeliers, their twelve arms forming the spokes of a great wheel. This place adored its symbolism, using the great candle holders to reinforce their dogmatic views above the students even as they tried to work.

Keirn couldn’t stay. But he knew of an escape. Turning, he pushed a mound of books out of his way, clawing through waist deep tomes as the scratching of the scribes increased to a deafening roar about him.

He pulled himself from the stacks, freeing himself from the weight of the chain skirt before stumbling before the great curved stairs that led up to the private collections. Students weren’t allowed access up there. A great iron gate barred the way and all along its sides glowed the insignia of the keepers in warning for those that would dare attempt to breach the wards an intrude upon Vör’s sacred ground.

But it wasn’t the private collections that Keirn sought.

He hurried along the edge of the stairs. Statuettes grew as the side of the stairs ascended, creating an ever growing parade of hooded women and bearded men whose names had long been ignored and forgotten. Most students paid no attention to the exquisite detailing of the grand staircase. But Keirn wasn’t like most students.

Amongst the detailed figures and near the curve when the stairs made contact with the raised half floor above stood a cracked and broken form. Unlike his compatriots, this figure seemed cleaved and shattered with little but a pair of stumpy calves to mark his spot. His neighbours seemed to look unsympathetically away, as if even the statues dared not look upon that blasted spot.

And from that little hole, Keirn felt something. He couldn’t describe what it was but it felt like a calling that tumbled in the back of his skull. Just looking upon that space made his heart began to pound.

“No,” Keirn muttered. “No… this is not real.”

Suddenly, fingers seemed to wrap about him. Cold flesh squeezed his exposed skin and Keirn felt a dizzying strike of lightning flash across his vision. Instinctively, his muscles tensed and a force before him seemed to pull harder against his resistance.

A flash of white seared his vision before Keirn blinked and found himself looking up at the familiar soft features of the damnable bard.

“Found anything yet?” Derrek asked, holding the clinking bone chime in his hands.

A scraping pain peeled across Keirn’s brain as he rubbed his eyes and looked around. His friend was still standing in his linen braies in the guard quarters. He looked expectantly at Keirn.

“Wha- where?”

“Have you figured it out yet?”

“By the Seven Sisters what are you nattering about?”

Derrek’s simple answer was to thrust the chime back into Keirn’s hands. With a whip of force and pop of air Keirn felt himself blinking back at the library.

He raised his hands to his head, crying out at the pound of pain smashing against his skull.

“Is that what you’ve done?!” Keirn cried. “Is this some kind of game to you?”

Silence answered back. Not even the phantasmal scratches whispered amongst those walls.

Of course this was Derrek’s doing. It had to be his all along.

“I won’t do it!” Keirn cried. “Fling one of your other friends into their own head!”

Keirn brushed a few scattered books away then hunkered down rebelliously upon the floor. But the moments ticked by with nary a hint of change. Keirn knew Derrek couldn’t keep him here forever. Eventually his concentration would waver and end. If the sorcerer had to wager on his friend’s persistence against his own stubbornness, it was a bet he was certain to win. And he’d much rather that than face the empty alcove.

But that tickling in the back of his mind struck a familiar cord deep within him. There was something there, something far too alien for his friend to know but far too comfortable for Keirn to ignore. And if this world was of his friend’s creation, how could he know? Unless…

Keirn looked around, feeling a sudden shiver take his whole body and cause every hair to stand on end. It was night here. He knew that. This light was nothing but a phantasm. He came with a cloak of twilight on his own. But if his friend’s illusion had led him here, had he been truly alone when he donned that disguise?

Keirn peered down the stacks again, searching for some hidden, prying eyes. Some secrets were never meant to be uncovered.

Keirn slowly pushed himself to his feet then he approached the broken statuette. He extended a hesitant hand slowly into the crevice.

A great gush of chilling wind wrapped about him and an unearthly groan filled his ears. Keirn closed his eyes as dust and dirt sought his vision and he raised his naked arms in futile defence against the assault. He felt the ground shift beneath his feet and the air grew frigid. His head pounded through the force of his will as the entire library seemed to rebel against his desires. But darkness eventually snatched him as the master of the world began to change hands.

There were some things Derrek couldn’t know and Keirn was certain to keep those things hidden.

It mattered not for when the wind died and Keirn lowered his arms, he was in an all too familiar chamber. Candles flickered in the gloom, casting sinister shadows over rough hewed walls that had been abandoned long before the hammers could finish matching the ornamentation of the grand library far overhead. Here was a place meant to be forgotten and buried had persistent eyes not seen beyond what others overlooked.

Keirn looked down at his hands and the red candle flickering between his fingers. Thirty-six candles were needed but Keirn used only thirty six points in the seal at his feet. The thick blotches of spilled wax dotted the perimeter and he slowly stepped into the circle as he raised his face.

Between the cracked columns rested the statue. A young chin drew back the shadows, smooth and unblemished unlike the hole that it occupied. He was a hunter and warrior that was plain to see. But this faceless being was cast in darkness now, his name long lost to places where none could know. Some terrible tragedy had beset him, the slain hounds at his feet suggested just as much. But it was the broken bow and spear that painted clear the defeat and the talons of a great eagle had torn its price from those muscular arms.

The candles sputtered and Keirn could feel his heart begin to pound.

“This is why the words were familiar to you,” Keirn whispered. “You had heard them before.”

He turned in the circle, holding the candle high overhead to pierce the darkness. But only emptiness greeted him, the shadows too reticent to betray their keeper. Keirn tried to pull back the veil but the pain tore at his mind. He shook the stubborn pride from his thoughts. It would have to be one battle he’d concede.

“I thought I’d come alone. I thought no one else knew. The door had remained hidden for so long that I didn’t even think to close it fully that night. Who would look there anyway without knowing the key? But you’ve always seemed to know things that you shouldn’t. As if someone or something else guided you through the dark.”

The candles sputtered again and in that shifting darkness behind him Keirn could hear the soft whispers.

“I’d only hoped for that same power, you know. For the same guidance you seemed to hold. How could I know how wrong I was?”

The whispers grew but before they could become audible a great howl enveloped Keirn. The sound of ghostly hounds braying in the night filled the tight space, pressing out all other sounds. Yet Keirn refused to turn back to that statue.

“I confess, I’ve made some mistakes. But how could I know what I was about to commit? Sometimes there are no obvious answers and when you look beyond the registered teachings you can’t know for certain what you’ll find.”

A heat began to grow but it rose not from the candles. The braying grew louder as the shadows danced madly about him. Keirn closed his eyes, trying to shut the visions and sounds from his mind. But even in the darkness shone those infernal candles. And though he stood blinded and unmoving in that seal, he could feel a form moving about him – a younger form and certainly one more foolish.

He wanted to call out. He wanted to warn him of the danger. But he knew it was futile. Some mistakes were impossible prevent.

Slowly, he opened one eye followed by the other. He watched as a ghostly figment moved through him. It was little more than a wisp of a memory, but the young man barely more than a boy, moved with awkward uncertainty. He was tentative with each placement of the ritual’s components and in the transparent face reflecting in the candlelight, Keirn could see the doubt in his eyes.

Once the last of the preparations had been completed, the youth stood before the statue. The last vestiges of his hesitation seemed to slowly drain from him. He set his jaw defiantly, stepped to the centre of the seal and began to chant.

How he had practised those words every night, forcing their archaic sounds to spill effortlessly from his lips. In the shadows of the quietest chambers he’d rehearsed, as far from prying eyes and listening ears as he could be certain. When paranoia took hold, he’d taken to stealing off the grounds in the evenings, finding secluded grottoes where the tumble of the water would drown out the echo of his own words.

As the last utterance passed his tongue, Keirn turned to the statue, his heart dreading what would come next. But as his eyes swept across those dark walls, his vision seemed to blur and meld together. He felt dizzy, the world seeming to rush rapidly past.

Then came a familiar glare of light.

Derrek wrenched the bone chime from Keirn’s fingers.

“Have you-”

“Yes, yes!” Keirn cried, standing to his feet. He wavered for a moment as the room began to spin about him. But he grabbed hold of the closest bunk to steady himself. He waited for his mind to finally clear before looking around the quarters.

“We’re going to have to move some things before we can proceed.”

Keirn turned to Derrek.

“And I’m not doing all the heavy lifting.”

Continue to Cry of the Glasya Part 8 >

Return to the Short Story hub

Cry of the Glasya Part 6

< Return to Cry of the Glasya Part 5

It’s hot and unpleasant. Summer is not my favourite season of the year. I’m more of a middling spring/fall kind of guy. On the plus side, it’s the perfect excuse to get a use out of basements which mostly stay ignored and neglected all year.

Anyway, let’s continue on with our adventures with bad summons and we’ll see if we can’t finish them soon.

Cry of the Glasya art taken from the Ars Goetia.

Cry of the Glasya art taken from the Ars Goetia. And you thought the others were weird.

It was the sound of familiar voices that ended Keirn’s tour across the keep’s walls. They were remarkably loud, drifting up from the courtyard like a rabble of angry crows. He peered over the edge, experiencing the peculiar sensation of viewing himself from different eyes.

The four of them stood before the knight captain, pulled from his duties to inspect the new hires. Jeremiah stood regally in his hastily polished suit. The plates of his mail gleamed in the sun overhead. But though he felt he gave off the appearance of some distinguished warrior, from Keirn’s spot it was all too easy to spot the dents in the metal and the worn straps. His boots were dirty from all their hiking and his sword could use a bit more care.

Derrek was far more presentable of the lot, with his brilliant flowing hair and eye catching features. It was unfortunate that he took too little interest in the interaction with their employer, especially when word of the entertainer of the evening was dropped. Keirn could see his shoulders droop at the mention of Licia’s name and the lute tapped limply at his side.

Kait was more taken with the apparent keep than the occupants or work that would be required inside. Amongst the sacks and bags strapped about her like some overburdened mule lay the thin, curved wood of a bow and hand fletched quiver of arrows. Her interests were varied but seemed more consumed by talk of hounds, stables and architecture than it did about rumoured assassins and paranoid dukes.

The only one of their group that paid any attention to the knight captain was the sorcerer himself. And Keirn couldn’t help but frown at his rather seemingly lanky frame draped in the clothes of a traveller with the start of an unkempt beard bristling his face. He appeared far more the vagabond than he thought and couldn’t help but think that his hair could really use a good cutting.

And even then, it was less the required guarding that drew his attention and more the promised feast.

“And when shall this meal be served?”

“The Duke wishes to celebrate at the crack of eve. The sun crests the tips of the distant mountains and makes for an excellent backdrop for the banquet hall.”

“Yes, yes and surely someone will be required to sample his food. You know, to insure that he won’t be poisoned.”

“He does employ a cup bearer.”

“My good sir,” plain clothed Keirn sighed, “we aren’t just talking about the cups. You see, we are adventurers that have travelled far and wide and know our fair share of honourable lords that have fallen to more nefarious means. No, the more sinister poison is mixed in as oils for breads, stews for vegetables or even glazes on hams. There are hams, yes?”

“A… boar is being roasted upon a spit as we speak.”

“Spit-roasted! Heavens, the most foulest of ways to go. I suggest we begin our duties in the kitchens immediately. Best ensure that the foods are cooked to a proper degree that’ll prevent any would-be assassin from murdering the innards.”

“That really isn’t necessary. Mostly you’ll be required to stand guard over the grand ha-”

“Speak no more, fair captain, for you have hired the merry band of Keirn Faden. Amongst our numbers are Kait, the seasoned baker who saved a kingdom through her savory muffins.”

“I did no such-”

“And Jeremiah the Bold! A chef so desired that he was summoned to the wind blasted steppes to show a glorious warlord the perfect wine for decoction. Then there’s Derrek who… who…”

“I’m pretty good at roasting turnips.”

“Who’s pretty damned good at roasting turnips.”

“Look, just report to the quartermaster for some… proper supplies and we’ll get you posted…”

“Your coin is well earned!” called Keirn beckoning for his friends to follow. “We’ll be dressed proper for the feast, you can count on us!”

“And a bloody good feast it was,” guard Keirn muttered, feeling his stomach grumble at the memory. “Only because Jeremiah saved the roast from those incompetent chefs.”

Keirn was tempted to follow his past self and see if he couldn’t once again obtain a sample of the foods before they were served. However, he feared the ramifications of perhaps alerting his past self to his future self’s existence. He was unfamiliar with magicks of time and space but felt such an unnatural occurence would no doubt lead to some greater travesty. No, it was better to identify this assassin and prevent the entire massacre and the kitchens were not the location of the crime.

Even if the boar was delicious.

Keirn hurried along the ramparts, making a strict beeline for the audience chamber. With the knight-captain distracted with his past self, he should be able to hide himself amongst the galleries and discover the identity of the mysterious saboteur.

Accessing the hall from the ramparts proved a far more trying task than Keirn anticipated. It was made further difficult by the noise of his clunking armour and his desire to avoid any confrontation with the steadily increasing amount of bodies in the buildings.

It was remarkable that someone had managed to prepare the summoning with all this attention. How did no one spot something suspicious with all these eyes peeled for anything suspicious?

Keirn emerged into the galleries to find Licia’s performing troupe already taking up their spots. Directions were shouted as the entertainers arranged their equipment. Raucous strings were strummed, horns were touted and the entire symphony seemed intent on blaring as much cacophony as they could while they were not under the pressure of an audience.

They paid Keirn little attention, the regalia on his suit giving him enough explanation for his presence. But, once again, it seemed impossible for anyone to organize the likely rigorous preparations required to summon the demon. This was getting Keirn nowhere.

“How goes the investigation?”

Keirn spun, finding Licia looking at him expectantly. Her fingers tapped her arms impatiently and he could tell she was re-evaluating her previous decision to give him free roam.

“It… uh… goes. Making lots of progress.”

“Is that so?”

Keirn nodded.

“Just checking up on things here. You wouldn’t happen to know anyone that knows magic?”

“I’ve already told you that bards have a tendency for picking up the odd ritual here and there.”

“Rituals, precisely!” Keirn said. “See, there was this seal but it was like hidden so no one would see it.”

“An invisible seal?”

Keirn could tell she wasn’t buying it.

“Yeah, you wouldn’t know if anyone is versed in summoning, would you?”

“Back to blaming me for this supposed murder?”

“No, no. Not you. See, the Duke’s only been here for three years and the Earl…”

Keirn paused as a thought struck him with the full force of a knight’s charge.

“I… need to check something…”

“Indeed. This wouldn’t happen to be the kitchens, would it?”

Keirn cocked his head.

“I saw you, out of your disguise I might add, heading there with some of your confederates. I must say that you managed to get changed rather quickly.”

“Then you know I speak the truth when I say I know Derrek!”

“Derrek! Yes…”

Licia looked over the rails at the entertainers working. Keirn then recalled that his friend had disappeared for a time before the feast.

“You know, I don’t think we ever established how you know him.”

“It’s really not important!” Licia said quickly. “Well, carry on with your search then!”

And she turned, her long braid whipping like a frightened snake as she hurried from the hall.

“I don’t have time for this,” Keirn muttered with a shake of his head. He hurried towards the corridor. He had to find the old Earl’s rooms.

If the guard was to be believed, it would be located near the top floors of the keep. And, presumably, it would still be abandoned if their superstitions still stood. He found the curving staircase ascending to the higher floors, his boots taking the steps as quickly as they could. The clatter of the metal made it sound like a legion of soldiers hurried in his wake.

Continue to Cry of the Glasya Part 7 >

Return to the Short Story hub

Cry of the Glasya Part 5

< Return to Cry of the Glasya Part 4

There is a confession I should make. I don’t understand feudal peerage. Every time I start writing one of these things I’m constantly spending time on Wikipedia and the web in general checking and cross-referencing the damn caste system established so long ago. I keep meaning to do a deeper study of it so I don’t have wonder whether a Duke is higher or lower than a Viscount and what the hell a Baronet is.

Of course, I still haven’t gotten around to it so I mostly do the standard trope of tossing some fancy titles out there to make it sound extravagant. The devil, as they say, is in the details. And typically the details are worked out in the editing process that these shorts generally miss.

So to all those big Medieval history buffs out there, I apologize. For the rest of us, who cares if an Earl is greater than a Duke. None of us would ever have any of these silly titles anyway. On to the next part!

I don't even know what this is trying to be. Art for the Cry of the Glasya story, I suppose.

I don’t even know what this is trying to be. Art for the Cry of the Glasya story, I suppose.

The sun shone brightly above as Keirn clanked up the steps. He clutched the haft of the halberd with unsure hands, frowning as the ridges of his gauntlets pressed uncomfortably into his skin. He was certain he was going to have ring imprints all over him for the rest of his life.

He scanned the length of the ramparts, pausing briefly to marvel at the majesty of the fluttering banners held in their posts. Like a sea of crisp standards, the exterior of the keep had been lavished with just as much attention as the inside. Whatever special occasion the Duke was celebrating, he was sparing no expense.

Keirn clanked along, keeping a bored eye out on the town as he passed. He didn’t know what he was expected to watch for. It wasn’t like an army was going to march up to the gates. The threat was far more subtle and wholly impossible to detect from this location. Perhaps after he made a quick round he could sneak back to the throne room. Maybe take up perch in the galleries where it would be harder for a random passer-by to find him.

He paused, feeling the heat of the sun and weight of the armour pressing down. He leaned against the stone rampart, enjoying the moment as he caught his breath.

All too late he heard the more sure footsteps of another. As he fumbled quickly for his halberd, his armoured fingers knocked the weapon to the ground with a clatter.

An arm bent and retrieved his weapon, holding it out to him.

“You must be new here.”

“What gave it away?” Keirn asked, taking the halberd back. Quickly, he added, “was hired just today actually.”

“Not much surprise,” the guard said, joining Keirn against the wall. “The Duke’s been throwing money at mercenaries and the like for the last fortnight. Seems he’s willing to give pay to anyone that can hold a weapon… or wear a suit.”

“And even to those who can’t do either.”

Keirn caught a forgiving smile.

“Have you been here long?”

“Most my life,” the guard responded. He stretched a long arm over the rampart. “That there is my humble home. Had aspirations of becoming a squire and perhaps one day a night. But… well… funny thing about aspirations.”

“So the Duke hasn’t always been this paranoid?”

“Ha, the man hasn’t always run this keep. I can say things were far better before he took up the throne.”

“He hasn’t always ruled?”

“Three years to the day. And with each passing night he seems to grow more and more anxious. At first we didn’t think much of it. New lord would surely be worried over his security especially given the circumstances of his arrival.”

Keirn looked at the man curiously.

“What do you mean?”

“Not from around here, eh?”

“To be honest, my friends and I were just passing through. We didn’t think much of the place but jumped at the opportunity for coin. Was a little surprised to find such a keep in a place like…” Keirn stopped himself before he said anything truly stupid about the other man’s home.

But the guard only laughed.

“Don’t worry, I’ve heard worse. Many travellers like to comment how Etreria has some decrepit fort while backwater Gelph has this resounding keep. What they don’t know is that this used to be the centre for a powerful kingdom.”

“Sounds like there’s a tale in there.”

The guard shrugged.

“Perhaps but I ain’t a bard.”

“Probably for the best. I’ve had my share of them for the day.”

“Aye but have you seen the one the Duke brought in? That man certainly spares no expense.”

Keirn watched the banners for a moment as he puzzled the guard’s words.

“So what happened to the old Duke?”

“Earl,” the guard corrected. He stood, looking up and down the rampart as if he suspected the knight captain to be standing over his shoulder. He then leaned in close to Keirn. “Rightly no one truly knows. Word amongst the quarters was some dodgy visitors came up to the keep one night demanding to see the Earl’s wife. Obviously, the Earl wouldn’t take such a flagrant show of disrespect. Had them locked up for the night to teach them some manners. But when they went to release them in the morning, they had apparently vanished.”

“Did the Earl have a change of heart?”

“You didn’t know the Earl.” The guard shook his head. “He was right jumping that day. I missed the whole event but he had us turn the entire keep over searching for them. Threatened to lock all those involved with handling the guests in the stocks. I think he was convinced they were looking for some improper dealings with his wife and the guards were conspiring with those folk.

“I remember him saying we were to arrested any of them on sight if they showed up in town again. Would have been quite the feat since no one seemed to have any good idea of what they looked like. Kind of strange, how the entire staff and even the Earl couldn’t quite get a good description of their faces.”

“That does sound odd. What happened next.”

“Lots of stuff. Can’t hardly even remember what order it was in either.”

The guard looked at the edge of his halberd, turning the weapon in his hands to slowly reflect to glare of the sun.

“The Earl and Countess had quite a few fights the following nights. Most of us tried to keep our heads down and avoid what we could. I couldn’t even tell you what they even fought over.

“More peculiar were the complaints from the scullery. Had us running all over the damn grounds searching for missing hounds or raided larders. Truthfully, I was thankful for the distraction and excuse from the throne room. But…”

The guard paused once more.

It was clear he was about to say something and thought better of it.

“But what?”

Keirn straightened, regarding the man’s features. He seemed momentarily reminiscent, letting some fleeting recollections pass quietly by. But the guard merely shook his head.

“Nothing. I should complete my rounds.”

“But you haven’t yet explained what happened to the Earl!”

The guard hesitated one last time before letting the spirit of gossip finally win over.

“Well, it’s like this. The Earl got really withdrawn. Like, he refused to see audiences, refused to see the Countess started demanding the servants stay out of his rooms. He wouldn’t eat. He wouldn’t even leave for his garderobe. The servants would have to collect a bucket deposited outside his door.”

“You think he suspected something of the servants?”

The guard shrugged.

“No one knew what to make of it. By the time the bucket stopped appearing the knight captain decided to investigate. The door to the Earl’s chambers were barred from the inside and after hollering for some time at it, he ordered it bashed down. By the time we broke through, we found nothing.”

“What do you mean nothing?”

“Just… nothing.”

“The Earl was gone? Perhaps he just left in the middle of the night.”

The guard shook his head.

“You don’t understand. It wasn’t just the Earl that was missing. His entire private chambers had been cleared. No desks. No chests. No bedposts. Nothing.”

“What?”

“Precisely!” The guard accentuated his point with a raised finger. “We poked around. There was the burnt fragments of something in the fire pit. Caulder thought it looked like the remainder of his bed. His windows were opened so we thought perhaps he’d fashioned some makeshift ladder and scrambled out. Instead we found the ruins of some furniture that had obviously been pitched but nothing to suggest he’d escaped that way. And the keep is quite large, I couldn’t imagine the Earl trying to scramble down its side with his… stature.”

“What of the Countess?”

“She hadn’t been allowed inside for some time either. She was quite shaken by the discovery. The knight captain suspected some sort of foul mischief and had a retinue posted about her. I was told that she simply couldn’t deal with the Earl’s sudden disappearance and had a few trunks packed before mounting her carriage and leaving quickly into the night. She was gone before the knight captain was even woken from his sleep.”

“That must have created quite the chaos for the knight captain.”

“That’s just the thing. Two days later the Duke rolls up in some fancy carriage with a proclamation of his right. There was no way the messenger would have arrived by then and yet he was here making the transition seamless. And aside from having his room moved, he made no comment on the Earl.”

“And now he’s fearful of an assassination on the three year anniversary of the Earl’s disappearance.”

“Well,” the guard paused, “when you put it that way it sounds downright sinister. You think there’s actually something going to happen?”

Keirn clasped the guard’s shoulder.

“I’d probably try and find a post that’s not in the audience chamber today.”

Continue to Cry of the Glasya Part 6 >

Return to the Short Story hub

Cry of the Glasya Part 4

< Return to Cry of the Glasya Part 3

A small note about these D&D shorts. They are, by their definition, short which means I don’t put nearly the amount of work or effort into them as I would for either a full length novel or even something I planned to submit to a competition. These stories are basically the filler and practice I do between other ‘jobs.’ They are essentially my doodles if I were in art and not writing.

As such, there are some portions of it that I would rework. I would be a little more exacting in the smaller details and I would certainly spend more than one or two quick ‘once overs’ to get the structure exactly right if I had any intention of these seeing some sort of official publication. Since I do not, they exist in the state that they do. They’re like a caged specimen stolen from the Cambrian – untried little organisms locked in stasis and saved from the exacting extinctions and pressures that would force them into the common organisms we see today.

Which is to say I’m not particularly fond of my next section.

Characters:

Licia (Lychee) Songsinger – beautiful singer and terrible summoner responsible for the death of Duke Arren Hasselbach

Jeremiah Pits – valiant paladin and moral bulwark for his friends

Derrek Gungric – insightful bard with a curious intuition and questionable music skills

Keirn Faden – self proclaimed leader of the adventuring band and stylized sorcerer

Kait Faden – sister and hoarder with a love of nature and archery so probably a ranger if she’d ever get around to ranging

220px-Caim_in_bird_form

More Ars Goetia art for Cry of the Glasya. Not my creation but found through Google searches. Also, it’s a cute bird with a sword. How adorable, he thinks he’s a real person!

Keirn sat on an upturned barrel, warming his chilled fingers over a cooking fire. A scratchy wool blanket was draped over his shoulders while the minstrel stood, pouring two dented cups with the boiled tea. She held one out for the sorcerer before pulling a chair and sitting opposite him.

“So, I apparently conjured some great demon creature from only the gods know where in order to eviscerate the Duke at the height of my performance?”

“And his entire court. And his guards. And presumably my kin and kind.”

“And why would I do this?”

Keirn opened his mouth but immediately shut it. He thought back to his conversation with Derrek. The bard seemed rather insistent that she was the one who did it but now her motives did seem suspect.

“I… guess you were hired to.”

“Me? A hired assassin?”

“Considering the Duke’s personal retinue, having a renown minstrel bring about his death would certainly slip past his security.”

“And, being this renowned minstrel you claim me to be, why would I throw away my reputation on some rather brutish ploy?”

“You’re paid well?”

Licia crossed her legs, giving Keirn the most condescending look he’d ever seen.

“I would think, given your professed time spent with that rather dubious troubadour you claim kinship with, you’d know just how valuable reputation is amongst the performing scholars. It is something worth far more than the gold and silver these upstart royals throw our way. We do not devote ourselves to this path over a misguided dream of riches and leisure.”

She paused and thought to herself.

“Well most of us don’t.”

“Then why would you perform?”

“For immortality.”

Licia leaned back in her chair, sipping slowly from her drink. She looked down at the cup, analyzing the contents briefly before holding it aloft for Keirn.

“See this? It is a special blend of herbs I’ve concocted in order to preserve my voice. I’ve devoted far more than a few hours of rehearsal to perfecting my craft. My food, my sleep and even where I’ll perform are all dictated by what will nurture and maintain my song. This isn’t a devotion you throw away for something as meaningless as coin. This is something more sacred. Something… divine.”

“Then why summon the demon?”

“I’ve done no such thing.”

She set her cup down, leaning in to appraise Keirn’s features more closely.

“I can see your conviction, however. What you’ve seen, you truly believe whether it be real or not. So let me ask you, why does a wizard study the arcane?”

“For… knowledge?”

“But not riches?”

“I’m sure they’re paid well for their services.”

“Truly? How many rule kingdoms or vast trading fleets? How many live in palaces and feast on the finest foods?”

“Look, this isn’t about wizards.”

“And yet they devote their entire lives to studying their tomes. Those with even greater thirst search abroad to further their knowledge, risking life and limb in an attempt to understand something far greater than you or I or even this Duke. Minstrelsy is much the same, though we search not through ancient lore but through ourselves and others.”

“Bards are wizards now?”

“Of a sort. Or wizards and bards are priests of another kind. The classification is meaningless.”

Keirn shook his head.

“This nonsense sounds like something Derrek would lecture me on.”

“Indeed.”

Keirn lowered his tea and carefully placed it away from him.

“So you and Derrek…”

“Are old… friends.”

“Odd, he never mentioned you to me.”

“Nor you to I. Yet here we are.”

It seemed impossible. Keirn had known the other man for most of his life. They had grown up in neighbouring villages of all places. It seemed unlikely, no unthinkable, that he would never have heard of this woman before.

And yet, they did grow up in different villages. And how well did the sorcerer know the bard before their time at the Academy. There was quite a few years unaccounted for in their past. And it dawned on the sorcerer that he knew little of what the bard did during that time. He’d assumed he’d just lived a quiet life at home.

But after travelling with him for so long, a quiet life was perhaps anathema to the other man.
“Fine, let’s pretend that you didn’t summon a demon and kill the Duke and everyone I care about…”
“Easy enough,” Licia smiled.

“… then by the hells where are they?”

“Well, I can’t account for your friends or the bard,” Licia said, “but unless I have been purposefully misled, the Duke is out on one of his extravagant hunts. It was meant to give me ample time to prepare for my performance. Time, I might add, I’ve decided to spend entertaining you instead.”

“But if you haven’t performed yet…”

“Then how could I have summoned a demon? Hm? Now do you understand my position?”

Keirn shook his head.

“This is impossible. You’re telling me that somehow I’ve travelled back before the ritual? No one is capable of such sorceries.”

“I know. So, really, the mystery seems to be surrounding you and not I. And given all that you’ve told me, it seems clear the course of action we must take.”

Once more there was a rustle of cloth before her dagger appeared again.

Keirn raised his hands.

“Look, I know this sounds unbelievable but give me some time to figure this out.”

“How do I know you’re not the alleged assassin and this is part of your plan?”

“Do I look like an assassin?”

Licia regarded the blanket wrapped man. She lowered her dagger with a smile.

“Very well, you have until after the feast but first some precautions.”

Licia stood, walking over to her bags. She searched through them until she produced a thin wand, some powder and three dried daffodils. She held the flowers out for Keirn.

“They’re really not my colour.”

“Eat.”

He knew he couldn’t argue and he slowly raised each dry plant to his mouth will the minstrel sprinkled powder about his stool then poking them into small piles with the wand.

“I’m certain this isn’t necessary. Whatever it is.”

“I can’t afford to keep an eye on you forever,” Licia said, smacking the vestiges of the dust from her hands. “So we’ll just make sure you can’t leave the keep.”

“You’re a wizard then?”

“More of a learner. All bards are keen students of life and that happens to include magic. It’s remarkable how much of the craft can be picked up by non-practitioners.”

She clapped her hands, closing her eyes as she began her chant. That crystal voice echoed about the stone walls, enchanting Keirn even with the dry words of wizardry. He couldn’t help but sit in mute appreciation as she lowered her hands to his head. He felt the soft tingle of arcane energies swirl about her fingers and course through his hair.

Odd that Derrek never seemed able to do any of this.

A few chortled syllables later, she removed her hands and looked at Keirn appraising.

“Weird.”

“Finished?”

She crinkled her forehead for a moment then shrugged.

“I suppose. It seems… nevermind. Go about your business, stranger. I’d recommend you be quick about it.”

She then claimed her blanket and kicked him from her room with little more than a pat on the bum.
Keirn stood shivering in the empty hall, rubbing his bare extremities. He never could understand why keeps had to always be so cold.

His first inclination was to find some clothes. He made his way back towards the guard room but, if his suspicions were correct, then his belongings wouldn’t be there. Sure enough, the quarters were in pristine order with nary a sign that Keirn and his company had been through.

Was it really possible that he had somehow reversed time? There were rumours of powerful archmages that could halt the passage of time but to completely reverse its course was as likely as forcing a river to run upstream.

Keirn picked about the room, searching through what trunks he could open, until he had enough clothing to drape himself in some makeshift armour. It wasn’t the most comfortable suit – these clothes always were best when fitted for the wearer – but it was better than running about in a loincloth. He plopped a half helm on his head to complete the assemble before clanking out into the hallway. He had no idea how people put these ludicrous suits on everyday. The chain mail was heavy and his arms felt like he’d been lifting Kait’s sacks all day.

He paused, considering his options. He didn’t know where to begin unravelling this mystery and decided the scene of the horror was the best start as any.

The audience chamber gave off an even grander presence when emptied of people. Keirn didn’t have much time to appreciate the majesty of the keep when they had been hired. The job opportunity had been a very last minute deal and they had been shoved into the rank and file of the guards in uncharacteristic haste.
Now that he had time to appreciate the Duke’s keep he couldn’t help but feel that this place was far more lavish than what belied the man’s position. Not that Keirn had much opportunity to judge the wealth of nobles but the few throne rooms he’d entered were just as lavish. How the Duke could afford such rich tapestries, exotic ornaments and a throne that would make any King jealous was beyond the sorcerer’s keen.

Keirn approached the centre of the chamber. Kneeling to the ground, he ran his hand over the floor. He couldn’t feel any markings or sediments to outline the seal Derrek mentioned. He removed his helm, leaning close to the floor to try and see if there had been any indication of mischief. It seemed clean, which led Keirn to believe the best approach to capturing his culprit would be to camp the audience chamber until the villain arrived to arrange his mischief.

He turned, finding a chair and easing his heavy armour into it.

Straps and loose rings of metal were starting to poke into his skin. He scratched absently at them, still trying to comprehend why people wore these cumbersome suits.

Keirn then wondered why anyone would want to kill the Duke. Certainly his brief interaction with the man hadn’t been pleasant but from Keirn’s experience most nobles were rather irritating to deal with. However, the man clearly knew of the plot against his life. Keirn was informed of that when the guards approached them in the market. Plus, they were promised quite a bit of coin for protecting him.

And as Keirn examined the polished arms hanging upon the wall, he began to question the Duke’s unfathomable wealth.

Was there a relative that was hoping to come into their inheritance early? A rather common plot and one Keirn was well acquainted with. The Duke appeared unwed so a child was out of the question. Disgruntled sibling, perhaps? Keirn wondered what it would be like to have a brother or sister willing to kill you for your gold. He certainly couldn’t imagine Kait being that bloodthirsty. Though she had threatened to end his life on numerous occasions it was never over money they never had.

And as he peered at those arching pillars, Keirn couldn’t help but feel a sense of loneliness. He had his friends and sibling to rely upon. He knew he could trust them with his life. But here was a man that threw money at even the slightest armoured stranger to seek that comfort from a shadowy threat. He looked towards the elegant throne, noting it sat alone on its raised dais.

“Soldier, what are you doing there!”

Keirn jumped at the voice. He turned to see an armoured knight stroll boldly into the chamber. It took Keirn a second to realize he was being addressed, looking down at his mismatched disguise.
The knight regarded his ill fitting suit for a second before pointing roughly towards the exit.

“You should be on the ramparts! You’re not being paid for idling around while the Duke’s life is being threatened!”

Horse-dung, what was Keirn to do?

“It’s alright, I’m… securing this room.”

“Are you questioning a direct command?!”

The knight placed his gauntlet dramatically on his sword hilt. Keirn slowly slid onto his metal boots. There was no way he could keep watch on the chamber if he was walking the walls.

“And where is your weapon? Gods, what a disgrace if you were seen in this state!”

Keirn tried to conjure some explanation but merely dropped his head in deference.

“My apologies, sir.”

“Report to the armoury immediately! I want to see you on those walls before the Duke returns!”

Under the knights watchful gaze, Keirn cast one last desperate look over the hall before stepping out into the corridors.

Continue to Cry of the Glasya Part 5 >

Return to the Short Story hub

Name of the Wind – The Trouble with Breasts

Edit – I apologize for the lateness of this post. The site has been undergoing some minor revisions as we attempt to comply to Google’s new SEO formatting and I’m really slow in learning new things.

I have returned from my eastern travels a little more worldly if not a little extra sore. However, during the long hours on the road, my sister had graciously provided me a copy of a very special book. This delightful read, The Name of the Wind by Patrick Rothfuss to be precise, was a rather interesting experience if only for the reactions it produced from my family as I read it aloud.

wind-myth-image

True story, I searched for sexy wind in Google and got this. Granted, I have my safe search on so I wouldn’t recommend trying this at home.

Now, I have no intention to write a proper review of the novel mostly in part because I never finished it. Between my constant breaks as I tried to slog through its curious writing and the sudden expiration of the digital download’s loan period left me only about a quarter into the book. Suffice to say, I’m not the most knowledgeable to comment on its overall story and narrative since I don’t know how it finishes. And, as small as it might be, there is a possibility that halfway through the writing actually starts to be good.

No, instead I wish to discuss something that grates on the average person’s nerves even more. I wish to discuss feminism.

This may not surprise anyone, but I am not a woman. This startling revelation has often left me a little wary of feminist issues. I didn’t think I was truly prepared to really discuss its arguments either for or against having never had the experience that usually fueled the standard discourse. However, I have been reading quite a bit of its discussion in my online interactions and have slowly begun to educate myself on its core issues. Primarily, feminism is less about women’s rights as it is about equal rights.

Not really the most astounding revelation, especially for anyone familiar with the movement. But, after reading numerous opinions and perspectives, I began to worry if my writing was somehow anti-feminist. I am certainly a supporter of equality and as popular opinion grows more and more in its favour, the discussion of discrimination has shifted to the examination of more subtler channels. Often times, the things that are discussed as being discriminatory appear to be unintentional. They are more insidious methods of perpetuating classical views of female subordination and repression. Things like the ‘Male Gaze’ only complicate matters further for someone that has never felt discrimination based on gender. So ingrained, goes the argument, of patriarchal standards, that many people are not even aware of contributing to it either through neglecting deeper characterization of female characters or constantly reverting them to positions of powerlessness. I worried that I, like many others, had fallen into this trap. I mean, I don’t even have a D&D story from the only girl’s perspective!

However, after reading The Name of the Wind, I no longer have this worry.

Now, let me first state that I don’t believe Patrick Rothfuss is some disgusting bigot or anti-feminist. I think the arguments I’m about to level are better explained through a much more likely avenue – Rothfuss just isn’t a good writer. And there’s far more evidence tho suggest the latter over the former that I feel comfortable in this belief. Also, as I’ve confessed, I haven’t finished the novel so there does exist that miniscule possibility that squirreled somewhere in the later sections of the book is a damn good representation of a woman. I’m just never going to bother trying to find out.

And, as this is a semi-critical examination of a work, do expect there to be some spoilers.

The first moment when I began to sense this subtle sexism, however, came rather shortly into the story. For those who are lucky enough to have not cracked the spine, The Name of the Wind is the first in a three part series that follows some discredited hero called Kvothe who is so amazing and clever that when going into exile, his idea of the perfect disguise was to drop two letters from his name. Which might not be too bad, but given the constant description of his flame red hair being more red than red and undeniably unique, you’d think there might have been more consideration put into the guise.

However, I digress.

13208853-windy-storm-cloud-mascot-with-menacing-blowing-blowing-wind-cartoon-vector-image

Obviously I don’t own any of these windy cloud clip arts.

Elusive Kvothe has started – by his own description – an unsuccessful inn smack in the middle of nowhere Medieval England. This inn, in small town Mudville, still manages to pull a constant crowd of six young bachelors who constantly fill the shack’s gloomy hall. This setting is where the majority of the action occurs, as news and gossip is shared amongst the men while Kvothe listens attentively (but not too much to appear interest) while compulsively polishing his massive collection of bottles in the corner.

Now, I knew beginning the novel that it had a rather curious format. The story was meant to be a narration of the protagonist detailing the story of his life over three years to a scribe. What I didn’t realize, was that it has a substantial beginning that covers rather trite events leading up to the actual crux of the narrative. However, curiously, during this lead up I made a rather strange observation.

There were no women.

There wasn’t a female bar wench which is so prominent in fantasy fiction. While I would normally consider a breath of fresh air, the lack of a female presence (let alone voice) drew more and more prominent. Kvothe has some annoying assistant/student who often makes talk of distracting young maidens disrupting his studies as if they were some wild beast trampling past for attention. Yet, none of these virtuous unicorns ever graces the inn. When one of Kvothe’s seemingly single patrons arrives with a gruesome present from the countryside, only a male priest is informed of the discovery. When Kvothe ventures into the town village for errands, he only ever acts with men. The only time I recall there being a female mentioned in the first hundred pages is when two unnamed and undescribed women come bustling into Kvothe’s inn in a most uncharacteristic moment of business. They enter with a group of travelers and merchants of various detail and trades and I suspect the poor ladies were only ever known because the only thing that made them remarkable in that crowd was probably their breasts.

And, of course, none of them have lines.

This struck me as incredibly peculiar. There was no discernible reason for there to be such a lack of female representation, even incredibly cursory, in this world. It wasn’t like this inn had been established as one of many in the small village that only held particular appeal to young, confirmed bachelor men who displayed an uncommon lack of interest in the opposite sex. Their absence on the streets during the day or in shops is even stranger and I am left assuming that in Rothfuss’ world women are meant to be kept like horses: safe and warm in their private quarters with a pile of hay to bed with a salt lick stashed in the corner.

In fact, it takes until Kvothe is sitting down with the Chronicler before we even get a speaking female character. And, unfortunately, what we’re presented with is a shallowly sad one-dimensional individual whose sole role appears to be double duty of providing Kvothe with a sickly sweet doting mother and sexual object for his father.

Seriously, the number of times his parents are mentioned as wandering off for sex is astounding for a story that has been surprisingly chaste up to that point. So important is Kvothe’s mother as a tool for sexual gratification that the last moments of her life are supposedly spent in bed with her father.

Now, sexual liberation isn’t a bad thing. But given that the only other female in child Kvothe’s band of merry travelers is mostly discussed right before she takes Kvothe’s mentor aside for some farewell coitus, it starts seeming like the sole role for females in Rothfuss’ narrative are for gratification. In fact, one of the few times we see Kvothe’s mother interacting individually with her child is after she catches him singing a lewdly suggestive nursery rhyme to himself which I will be very surprised if it didn’t turn out to be a song about her. The only other moment I recall that we get some interaction between the parent and child that is devoid of any semblance of sexuality is when she tries to teach Kvothe courtly manners, thus fulfilling the kindly teacher trope of maternal parenting.

If we were to examine The Name of the Wind with the Bechdel Test, Rothfuss would fail with flying colours.

The Bechdel Test is a rather interesting metric for analyzing gender bias in fiction. The test is simple: does a work have two female characters, does it have them talk to each other and do they discuss something other than a man? It’s not particularly robust. Meeting its requirements does not by any means suggest that a work is free of bias. In fact, it’s establishing a really, really low base-line which so many pieces fail that highlights the inherent bias in modern fiction. In the nearly two hundred pages that I read, certainly there would be a moment that could qualify. However, Rothfuss didn’t even manage to reach two women with moments of dialogue. He barely scrapes by having two women in the first place!

Course, this isn’t suggesting that every work must feature two women chatting or even include women altogether. Setting and story can certainly impact female representation in a work. Which brings me to the second point I want to discuss.

Just because a work is based on medieval fantasy does not mean it has to be inherently sexist. There appears to be a common perception that prior to the the turn of the 20th century, women were a quiet and demur species that constantly bowed their heads to their kindly male keepers and kept themselves and their genders from prominence. Which is, to say, that there exists an argument that you can’t have strong women in fantasy because it’ll break the reader’s suspension of disbelief.

First, the very nature of fantasy makes such assertions ludicrous. Here we have a genre which often features flying, talking and fire-breathing lizards of monstrous proportions with men able to bend the very fabric of space and reality with a simple flick of a wrist and some poorly researched Latin. I have a hard time thinking that swords which glow when some species of monster that is birthed from mud pits is nearby is going to disconnect its audience because a women dares to speak her mind, pick up a weapon or, heavens, just appear with a name and some rudimentary dialogue.

Second, this idea that all women were quietly sitting on the sidelines while letting men do everything is a gross fallacy. Throughout history, there are stories of women performing remarkable services and duties. Some examples are incredibly mainstream that they’re so easy to remember when mentioned. Queen Elizabeth I and Joan of Arc are two women that fall in fantasy’s generic timeline and completely crush this false ideology. And that’s ignoring many, many other examples.

windy

So credit goes to the creators who made these images. Bless your anonymous hearts, wherever you are.

The one mention I would like to give is Geoffrey Chaucer’s depiction of the Wife of Bath in his Canterbury Tales. Now, I know the literary discourse over the work and the debate centred on whether this was a negative satire of certain women and their beliefs or not. However, the Wife of Bath’s Tale is an interesting examination of antifeminism thought. In the Wife’s Prologue, the Wife discusses her many divorces and remarriages and the power women can wield in marriage as well as pointing out inherent contradictions and discrimination put on women by the Bible. So, while she exemplifies antifeminism thought by portraying women as manipulative and coercive, she also attacks these beliefs by pointing out that these traditions and restrictions were set by men in the first place. So even if Chaucer’s goals were to ultimately criticize these thoughts and behaviours, by discussing them he’s demonstrating that they existed at that time.

It is further telling that a man, writing nearly six hundred years ago and in a half developed language is capable of creating a far more compelling and developed character than Rothfuss is with all this medium’s development and with Chaucer’s own work readily available for study. Now, I want to draw specific attention to my use of character in that previous statement. As I mentioned at the start, I don’t think this is inherently an indication that Rothfuss hates women or that he believes they have no value. For that, I would need indication that Rothfuss was capable of actually writing compelling and developed characters. After 200 pages I had yet to see one. His main character is as insufferable as he is a grossly exaggerated ubermensch. The rest of the supporting characters seem to only existto further develop just how awesome Kvothe is at everything compared to everyone else.

This unintentional sexism can really be fixed by one thing and that is simply improving the quality of the writing. For, I think, by improving and developing their skill, good writers begin to realize that their perspective and thoughts can’t dominate that of the people they pen. By exploring other individuals and their experiences, authors begin to delve into deeper and greater stories that will naturally drift away from discriminatory presentation.

Course, this isn’t to say there aren’t bigots out there writing stories. But for most of us who aren’t assholes, the natural development of our skills should steer use clear of these pitfalls. It took reading The Name of the Wind to realize that I’m not unintentionally hurting woman and for that, those insufferable pages of unending bottle polishing and monochromatic interior decorating were well worth the pain and misery they provided.

The book is still Twilight for boys, however.

Cry of the Glasya Part 3 (Vacay Post 5)

< Return to Cry of the Glasya Part 2

Well, I should be making my way back to sweet, wonderful Ontario now. My stomach should be filled with lobster. My camera should be near its memory limit. And I’m most certainly going to be out of money. So, here’s part 3 of The Cry of Glasya, a new fantasy short story!

ribesa10

Alright, I’m running out of Ars Goetia stuff to post. Here’s some funny critter with a long nose.

Characters:

Licia (Lychee) Songsinger – beautiful singer and terrible summoner responsible for the death of Duke Arren Hasselbach

Jeremiah Pits – valiant paladin and moral bulwark for his friends

Derrek Gungric – insightful bard with a curious intuition and questionable music skills

Keirn Faden – self proclaimed leader of the adventuring band and stylized sorcerer

Kait Faden – sister and hoarder with a love of nature and archery so probably a ranger if she’d ever get around to ranging

< Return to Cry of the Glasya Part 2

“I feel ridiculous.”

Keirn crouched beside Derrek in the galley above the audience chamber. He had finally acquiesced to Derrek’s defensive measures and now knelt in little more than a thin loincloth while searching blindly along the rail with his hands. A thick piece of cloth was bound tightly about his head to cover his eyes and dampen sounds to his ears. He held his sword uselessly in his hand. Should a moment to strike arise, Keirn doubted his adversary would allow him the time to first feel out his target before swinging the weapon.

But it was a gentle comfort to have something pointy in his hands even if he was more likely to poke Derrek with it than a murderous courtesan.

The pair had waited out their pursuers in the guard quarters. Evidently, after tiring themselves on the door, the frenzied men and women had wandered off down the halls presumably in search of some less entrenched targets. Discarding most of their belongings, Derrek and Keirn slowly made their way into the hall.

They moved tentatively through the corridors. Derrek led, swearing he knew the layout of the keep well enough to manoeuvre them into position without requiring such petty tools like sight. He carried Kait’s bone chime in his hands, a remarkable little construction project she’d undertaken unbeknownst to Keirn. He had no idea she was collecting the skeletal remains of who knew what or why she fashioned them into this morbid instrument for a purpose only she could possibly reveal.

The fact that Derrek knew about it would have been surprising if it had been anyone but Derrek. The hollow clatter of its femurs and tibias led Keirn on, accompanied with the few awkward moments when the two almost naked men collided into each other.

Keirn wasn’t sure how long they snaked through the twisting corridors. It felt like he was being led in a random direction but even he felt the few brief flashes of a distant heat during their skulking. Each time, Derrek proceeded immediately in the opposite direction. Thusly, they managed to avoid most obstacles save for the twisted clumps that they stumbled over on the ground. Keirn didn’t remove his blindfold to confirm what those objects were.

At last they reached a set of stairs and began to ascend. Slowly, Keirn could feel that distant heat grow, like a gentle hearthfire that beckoned them onward. But this time Derrek didn’t led them away.

Even through his protections, Keirn could still hear the chaotic din of a great commotion beneath them. It was hard to imagine that not long ago the whole hall had been filled with such beautiful music. And now there was nothing but the heavy smell of death and the sound of despair.

Derrek grabbed Keirn’s arm, tapping on his skin with cold fingers. It took a minute for Keirn to realize he was attempting to communicate with him through those beats. By Helja’s frozen domain, Keirn couldn’t tell what he was on about and lifted his hand to the cloth around his ears.

But before he could remove the obstruction to speak with the bard, Derrek swatted the cloth from his fingers. He returned to his futile tapping.

This was hopeless, Keirn realized. Without the ability to see or hear there was no possible way they could co-ordinate with one another.

Frustated, Keirn snatched back his arm.

“Sure, whatever!”

He didn’t know what the plan was but at this point it didn’t matter. He wouldn’t be able to do anything anyway. Hopefully, Derrek knew what he was doing.

That thought ran fleeting from him the moment Derrek shoved the bone contraption into Keirn’s hands then hurried along the galley.

“Wait!” Keirn called, reaching out uselessly. But his fingers only brushed empty air and he crouched there completely alone.

He slumped against the rail, feeling the wood against his back and the pulsing heat from below. He had no idea what he was suppose to do nor what the bard had wandered off to accomplish. All he had was the fading memory of the young man’s furtive tapping, an inscrutable puzzle which only the minstrel himself could likely decipher. But then fear began to encroach into his thoughts as he felt the heat from below grow warmer and warmer.

Had Derrek decided to just up and leave? Did he know some secret passage he was going to use to run from this infernal keep and it’s unimaginable bloodbath below?

Gods, a demon. These things were meant to be only rumour and legend. How Derrek recognized it was beyond Keirn. How the minstrel was able to summon it seemed equally baffling. It all seemed like a terrible nightmare or horrible illusion. Perhaps this was all just a mad visioning. Perhaps he’d consumed too much mushroom stew at the feast. That meal certainly felt off. And Kait had warned him that eating too much may give him terrible nightmares.

Yes, this was most certainly a dream. A stew inspired dream that he simply needed to awake from…

Suddenly, the bones in his hands jangled together before raising out of his hands. Keirn cried out, waving his arms wildly in front of him for the magical chime that had evacuated his grasp. All he found were a collection of fingers that wrapped about his headwear and quickly pulled the cloth from his eyes and ears.

“What are you doing?”

Keirn blinked up at the hooked nose and questioning eyes of the gorgeous Licia Songsinger.

“Ah…” Keirn muttered.

The lady minstrel looked even more resplendent upclose than she did when performing. Her dress was majestically cut despite its simplicity. A gentle weave of silk and linen that gave an abstract sense of a gentle rosy waterfall cinched tastefully about her waist. Her hair had a glossy sheen and a small dusting of complimentary powder was dashed about her eyes.

She turned the rather grime object in her hands before looking back at Keirn.

“What is this?”

“A chime.”

“It’s… it’s…”

“I can explain,” Keirn muttered though he knew he couldn’t.

“It’s beautiful.”

“Really?!”

Licia held it out by the tiny finger bone, letting the thin ropes unwound as he bones clattered against each other. Fully extended, the chime actually looked rather remarkable given it’s materials. Each piece dangled, clattering against its neighbour but releasing a rather pleasant echo. Course, it wasn’t really something Keirn would want to hang on his front door but it wasn’t nearly as macabre as he first thought.

“The construction is quite expert. The bones haven’t been damaged when attached and still produce clear notes. It’s very remarkable.”

“Can I have it back?”

“What did you make this for?”

Keirn frowned.

“I don’t think this is really the best time for this.”

“Oh? How come?”

Keirn gaped at the young woman. He turned looked up and down the gallery to make his point.

Yet, now with his blindfold removed, he didn’t see the bodies he’d expected. There were no archers clawing at each other or howling at whatever pain had driven them mad. No disgraced courtesans huddled in corners searching furtively for some relief from unimaginable fear and terror. In fact, the gallery was completely empty. The rows of high back wooden chairs lined in uninterrupted rows. Keirn scrambled to his feet and peered over the rail.

Where he’d expected to see visceral and blood was a rather tidy and kept audience chamber. The large tapestries hung unchanged upon the walls and the great rugs lay pristine across the stone. In fact, the room was too in order. There appeared to be no guards at the doors and the throne lay pristine and untouched despite the grisly scene that had unfolded on it not long ago.

Keirn turned to the minstrel.

“What trickery is this?”

“I beg your pardon?” she asked.

“The audience chamber… the guards… the Duke! Where is everyone?”

The minstrel merely blinked at him.

“I’m… afraid I don’t understand your question.”

“Duke Hasselbach!” Keirn cried, grabbing the woman’s petite shoulders. “Where is he? Where is his body?!”

Songsinger pulled away from him.

“I think a more prudent question would be where are your clothes?”

Keirn looked down, suddenly frightfully aware of his nakedness. He crossed his arms uselessly over his chest in a noble attempt to casually cover as much skin as possible. He narrowed his eyes as he appraised the minstrel.

“You’re the demon, aren’t you?”

The bard returned an equally puzzled look.

“Perhaps this came at a bad time,” she replied, holding the chime back out to Keirn. “I should really go prepare.”

“Prepare? Prepare for what? For some sort of grisly sacrifice with all the bodies?”

“Look, I just came up here to inspect the acoustic quality of this hall. I don’t need some half-naked barbarian stammering some mad nonsense at me. I should go prepare.”

She seemed too sincere. But then again, Keirn was all to familiar with the performance skills of bards.

“I can’t have you leave here,” Keirn replied, reaching to his hip. His fingers clutched air and he turned, searching for his sword.

Inexplicably, the weapon had seemingly vanished along with all the other evidence of the bloodbath.

The minstrel raised a brow and began to slowly retreat from the man.

“I really think it’s time that I went and got ready.”

Keirn looked back at her. What sort of duplicity was this? No blood, no death and all his belongings gone save for the cadaverous keepsake from his sister. Something clearly wasn’t right.

“What have you got me into, Derrek?” Keirn growled.

For a moment, confusion coloured the other minstrel’s suspicious features.

“Say that again?”

“I said, what is going on here?!”

“No, that name. Who did you speak to?”

“Well… no one. Myself I guess.”

“The name, you fool! Who’s name did you say!”

“What, Derrek?”

“Derrek Gungric?”

Keirn looked at the other minstrel warily.

“How do you know Derrek?”

“I could ask you the same.”

And then, in a great sweep of her dress, the minstrel produced a wicked curved dagger from her clothes though Keirn knew not where it could have been hidden before. She pointed it menacingly towards Keirn. The sorcerer merely looked back, hand clutching his chest and the chime.

It looked weird.

“Well, he’s my best friend. I’ve been travelling with him for quite some time now. The four of us, my sister and my other best friend, were hired on by the Duke to protect his life. A life which you rather viciously stole away.”

She stepped forward, the blade pressing dangerously against Keirn’s throat. Keirn instinctively retreated from the cold touch, his lower back pressing against the polished wood rail.

“What reason do I have not to slit you right where you stand?”

Keirn thought for a second.

“Well none, you bloodletting witch. Go ahead, might as well finish what you started!”

Keirn held his arms aloft, leaving himself completely exposed to her assault. But instead of plunging the weapon into his soft flesh, Licia merely retracted the blade though she did not return it to its sheath.

“Perhaps you best start from the beginning. And I do hope it contains some reasonable explanation for why you’re not dressed.”

Continue to Cry of the Glasya Part 4 >

Return to the Short Story hub

Cry of the Glasya Part 2 (Vacay Post 4)

< Return to Cry of the Glasya Part 1

We continue with our second part of The Cry of the Glasya.

seals5

More Ars Goetia seals.

Keirn slammed the portal behind him. The wood groaned beneath the force pummeling from the other side. He could feel it bending and warping as he braced it with his back. Visions of broken fingers tearing through and ripping him into the accursed hallways filled his mind and he could feel more sweat running down his back. But these drops weren’t from the heat.

“It’s not going to hold!”

He felt the wood cracking beneath his fingers.

“You better have a damn good plan! And if you don’t do something miraculous with those bones…”

Keirn cut off mid sentence as he craned his neck to see Derrek standing placidly in the middle of the guard’s quarters. The sorcerer growled in annoyance. Of course, the bloody bard couldn’t hear him with the damn wax.

The door banged again with the force of the bodies smashing upon the other side. It was a stroke of luck that Keirn was able to snatch the key for the lock before the frenzied guard fell, disappearing beneath stampeding feet. Complete madness was not something the young sorcerer was accustomed to. He wasted no time with remorse over looting the still twitching and groaning bodies of those who succumbed to the horde while fleeing the massacre.

Like a torrential river people scrambled after them. It was all Keirn could do to dislodge ornamental suits of armour and other decorations to impede their pursuit before he found the quarters and tossed Derrek inside.

And if he didn’t do something about the door then the crazed court would soon reach him again.

Keirn motioned madly for one of the large chests at the foot of the bunks. Then he remembered the bard had blinded himself as well.

By the gods, Derrek was impossible to deal with sometimes.

Twist against the door, Keirn stretched with aching fingers towards the container. It was just out of reach. He unhooked his scabbard, trying to slip it through one of the handles so he could pull the chest towards him.

A great surge of force pounded against the door, knocking Keirn to the ground. Freed of its impediment, the portal began to open inward as fingers snaked along its edges. Keirn kicked as hard as he could, slamming the wood on the poor bastards’ hands. He kept kicking until they retreated then he stretched as best he could and slipped the scabbard through the handle. Grasping the weapon on either side, he inched the container towards him, the metal scraping across the floor as he twisted his feet, trying to keep the only entrance into the room shut.

Once he got his fingers around the chest, Keirn pushed it up against the door and stepped back to admire his work.

Still the persistent men on the other side banged against it, but it looked like it would hold for a time. Frustrated, Keirn stomped towards his friend before grabbing him roughly by his earlobe.

“CLEAR THE WAX!”

Derrek wrenched his ear free but obediently began to dig out the plug. Keirn flopped down on a bunk himself and began to work on his own wax clogged ears.

As he dug the offending substance out, he could begin to hear the monstrous banging against the door clearer. Through the wood were the howls from the assailants outside. They didn’t even seem to be speaking, just making deafening noise as they attempted to bash their way into the room.

“So where’s the bag?” Derrek asked.

Keirn frowned at the small pile of scrapped wax sticking to his shirt. He then briefly surveyed the quarters.

“It was somewhere in here. I don’t know, have you checked under the beds?”

“Going to be tough with these glasses on, boss.”

“Then take them off!”

Derrek merely shook his head. But once it became clear that Keirn wasn’t moving from his perch, he dropped to his hands and began to search blindly beneath the bunks.

“By Helja’s frozen tits, what is going on out there anyway?” Keirn asked.

“Precisely,” Derrek said.

“Precisely what?”

“The hells,” the bard said matter-of-factly.

Keirn glared.

“Wait, you knew this was going to happen?”

“I told you I heard this one before.”

“Are you saying Songsinger brought that… thing… here?!”

“Isn’t it obvious?”

Keirn could feel his blood begin to boil.

“I think it would be best if you started from the beginning.”

“I hate to give unwarranted credit, but it was a masterfully done piece…”

“Obviously.”

“I mean, who would have thought of hiding the binding ritual in the lyrics of an aria? But it wasn’t even that straight forward. They only placed it partially within the song. It wasn’t until the concluding stanza that the summon would be complete.”

“So… she summoned that thing with her song?”

“Of course. The first hint was the lyrics were off tune from the music. A real minstrel would have noticed that!” he shouted to the wall. Keirn could only assume that was directed at the cursed singer still presumably locked in the audience chamber. After a moment of no response, Derrek cleared his throat. “Course, the salt seal beneath the step was also a dead give away.”

“What seal? I didn’t see any seal!”

“It was obviously dissolved with water,” Derrek said, standing and brushing his hands. “Why do you think she wasn’t moving? The problem was figuring out who was being bound.”

“But how did she conjure a person here? That’s impossible. Even an archmage couldn’t do that.”

“Didn’t I say it was a binding ritual? I thought I said it was a binding.”

“What’s the difference?”

“I thought you attend the Academy?”

“We’re not going to start this again,” Keirn growled.

“Not my fault you can’t remember your studies.”

“So who… or what… did she bind here?”

“A demon. I couldn’t tell which at first but then it became clear from the hanging tapestries.”

“The tapestries?”

“Stags of course. The Duke is an avid hunter, we passed through his dog kennel when we were shown the grounds. Also, the crimson backgrounds are an obvious indicator. It’s the demon of bloodshed.”

“Then what’s the business with the wax?”

“The demon can incite fury in those that can hear it. And can charm those that look upon it.”

“And the nudity?”

“It was going to get warm.”

“Alright, let me get this straight,” Keirn said slowly, standing to his feet. “The four of us were hired on to protect the Duke from a sinister plot on his life. You convinced us that it was nothing but paranoia and superstition and that this would be the easiest gold we could ever make. You then spent the entire time touring this keep looking for evidence of not only an assassination but a demon… binding of which you recognized the moment the guest bard started singing but felt it more prudent to strip naked than to stop?!”

“Can I be frank for a moment.”

“Oh,” Keirn growled, “you better.”

“I couldn’t stop her, it would have ruined me.”

“Ruined you?”

“The aria. It’s… well… her singing was too… and with that accompaniment…”

“You. Were. JEALOUS?!”

“Maybe not jealous, oratorios really aren’t me field of purview…”

“YOU NEARLY KILLED US TO DISCREDIT A RIVAL?!?!”

Keirn stood to his feet. Fury burned in his eyes as he took one murderous step forward, his twitching fingers outstretched for the other man’s throat.

“Now Keirn, what you’re feeling is just the influence of the demon.”

“I thought you were blind!”

“The charcoal is starting to rub off.”

“Get over here!”

Keirn lunged for the bard, chasing after the man as he bounded across the room. He duck and wove through the bunks, putting as much mattress and pillow between himself and the murderous sorcerer.

“I can explain.”

“I think you’ve explained enough!”

“See, minstrelsy is a difficult business. We have to keep each other in check, you know. Otherwise if someone gets too much prestige and fame then they will just dominate the courts. It’ll stifle creativity as the lords and dukes will vie for the same material to be replicated over and over. Homogeneity suffocates the muse!”

“So all these people are going to die because you can’t let some tart take a position at a court you’d never entertain at in the first place?”

“Lychee is not just any bard.”

“Oh, I heard.”

“She is a demoness in maiden’s clothes.”

Keirn paused.

“Seriously?”

Derrek thought for moment.

“Naw, figuratively.”

“Well, apparently she’s some sort of devious assassin. How do we stop her?”

“Considering the Duke is currently being digested by twelve different stomachs, I don’t think that’s possible.”

“Twelve?”

“They have more than one.”

Keirn wasn’t going to debate the point.

“Alright, so how do we get rid of this demon?”

“That’s where we need the swine legs.”

Keirn sighed, standing on his toes and peering over the top of the bunks.

“Try the bed on the end.”

Derrek hurried to the bunk, clambering up the side and kneeling over the small pile of worn leather packs. He began to rifle through them, the sounds of clanking pots, tin, pieces of metal and only the gods knew what else shook from the bags as he searched for his prize. Keirn only hoped that he didn’t start emptying them or else he’d never hear the end of it from his sister and her “perfect” packing.

Assuming, of course, she was still alive. But Keirn pushed that thought quickly from his mind. She was still out there. He knew it. They just had to get these bones and then…

Something. He didn’t know what but they would come up with something. It was the only thought he could entertain. The alternatives were too unthinkable.

Continue to Cry of the Glasya Part 3 >

Return to the Short Story hub