Author Archives: Kait McFadyen

About Kait McFadyen

I am a partially employed Canadian science teacher with visions of grand travel and incredible adventures. When not immersed in work I maintain a small backyard garden, where I try to protect my crops of corn, tomatoes and other vegetables from the neighbourhood wildlife. The all-important library, my source of entertainment and discourse, is a comfortably short walk away.

Sherlock Fails to Catch Jack the Ripper – Game Review

Box cover for the boardgame: Sherlock Holmes Consulting Detective – Jack the Ripper & West End Adventures. Image from the internet.

Jack the Ripper may be part of the collective consciousness, but I really didn’t know anything about the case until this week.

Earlier this year I was introduced to a boardgame called Sherlock Holmes Consulting Detective. It was less board and more oral story with an interesting concept and a terribly frustrating execution. The short version: you play as members of Holmes’ Baker Street Irregulars. By tracking down leads you are challenged to solve the case in as few steps as possible in order to beat the amazing Sherlock Holmes. Unfortunately, Sherlock cheats. He uses information you the player don’t have access to, magically traces only the correct – generally obscure or illogical – leads and makes up answers at the end. Anyway, with my family, we played all 10 cases, grew frustrated with the system and moved onto other things.

That is until my brother brought home the expansion/sequel. Now, I know he is going to do a much better (and more detailed analysis) of the game when we finish this next series of 10 cases. But in the meantime here is my feelings of the matter. We are, to date, only four cases in to the expansion and have just concluded the Ripper Series.

First, I would like to say that I like the general concept of the series. I like the idea of tracking down clues and solving mysteries. We have even decided to dismiss the scoring system of the game which encourages players to visit as few locations as possible and ultimately miss out on much of the story. Instead, this time around we are not counting our leads, but chasing up whatever clues catch our fancy – while trying to accumulate enough knowledge to answer the random assortment of questions at the end.

The first four cases of the expansion are all tied to Jack the Ripper. Obviously you cannot identify Jack until the end of Case Four. However, you are still given a series of questions to answer related to the earlier cases. I liked the idea of creating a great arch with smaller steps. I even liked the new mechanics which allowed you to get more information from different locations/witnesses by adding clue numbers together (under specific conditions). This meant you could learn more about a character you had already been introduced to.

What failed was the writing ultimately.

A spread of the board and game sheets for Sherlock Holmes Consulting Detective – Jack the Ripper & West End Adventures. Image from the internet.

I learned that the case of Jack the Ripper actually did consist of a confusing mass of information and misinformation. The police did a terrible job and the coroner actually included wrong information in his report. An unknown and highly debated number of women are actually attributed to Jack. The newspapers actually fabricated letters apparently from the serial killer. So, this does explain some of the conflicting testimonies you are presented in the game.

Unfortunately, the writers, chose one of the weakest culprits to be Jack. Even Watson points out some of the numerous flaws to Sherlock’s weak explanation at the end of the fourth case. It was so utterly unsatisfying. Thus, I cannot say I am terribly excited to proceed with the other cases, though how they can be worse is difficult to imagine.

Yet, all was not lost. By playing this game, I did learn more about Jack the Ripper. And more interestingly, I discovered that my brother’s first novel was inspired by the case. No, it does not follow any one of the theories. But I can now see the influences of this bloody and violent case on the writing of Thyre. Something I found far more interesting that Sherlock’s impossible solution.

A Mortal Song – Book Review

My book review of A Mortal Song will contain some spoilers – you have been warned. This young adult fantasy-fairy tale novel by Megan Crewe was, in short, good.

The book cover of A Mortal Song. Image from the internet.

I loved the Japanese setting, partly because I had been there. I have seen Mount Fuji – I have actually climbed it! I have been to Tokyo. I know what the inside of a high school looks like and I have certainly stopped at many of the numerous shrines that litter Japan’s landscape. Yes, they really are found everywhere.

I enjoyed the coming of age story as Sora discovers the truth about her family and heritage. The book took an interesting look at the idea of children swapped at birth. It explored the related emotions of learning your parents will tell lies, even though they still love you.

A Mortal Song has all the classic elements of a youth novel. The leads are children – well, I suppose at 17 they are more like young adults – who must save the world (or the mountain) including the adults. There is self-discovery, first loves, a bit of betrayal and monster fighting. I love that the ending does not hinge on the girl with the most powerful weapons. Words are just as strong as emotions and can overcome even the scariest of demons.

Our lead heroine, Sora, is believable. Her turmoil of emotions draw the reader through her joys, fears, and uncertainties. The relations she builds with the other characters are strong and realistic. The motivations are clear. The threat of Mt. Fuji’s anger is felt by the rest of the world. This creates a solid connection between the fantasy of the story and the world in which the story is set. The stakes are real for the characters.

From the book cover of A Mortal Song. Image from the internet.

Despite the Japanese influence in the setting, character names and religion, the books is not overwhelmed with Japanese words. It is very accessible. In fact, I would have enjoyed a little more reference to Japan’s culture and language, but recognize this may not be approachable for many readers. The notes and pieces that were included felt well-researched and authentic.

A Mortal Song is filled with solid writing, a fast-paced plot and characters the reader can relate to. The journey of Sora teaches us that being human is a good thing. In fact, even humans can help the kami and prevent mountains from erupting. The ending is bitter-sweet in the way that growing up is.

For a star rating, A Mortal Song gets 5 out of 5. Great writing and solid story.

Gates of Thread and Stone – Book Review

Book Review: Gates of Thread and Stone

The Gates of Thread and Stone book; not the copy I read as mine was an ebook. The image comes from the internet.

Author: Lori M. Lee

I am not entirely certain how I feel this book. It was not what I expected when I started it. Of course that brings up the question of what did I expect?

Well, I thought there would be more of a discovery of magic. I thought there would be greater discussion of the relationship between the main lead, Kai and her adopted brother Reev. I certainly expected the book to stay within the city. In that way, I thought there would be more exploration of the city.

Even now I am struggling to find the words to describe the book. Was the writing to indistinct? Is this a reflection of an underdeveloped world? Or, did I fail to engage as a reader? Was I not paying sufficient attention?

Written in the first person we follow Kai’s journey of self-discovery as she learns about her biological parents (at least her father) while trying to rescue her adopted brother. There was a number of elements that made this story feel familiar. The relationship between Kai and Reev reminded me strongly of Kaylin and Severn in the Chronicles of Elantra. I think it was the adoption of the female lead by the very protective, brother-figure with undertones or suggestions of something else that made that connection for me.

The relationship between Avan and Kai was reminiscent of another young adult story I read where both characters turned out to be magical-humans. This seemed stronger later when with the introduction of G-10, who also seemed highly attracted to Kai. And this brings me to the first element of disappointment. The manner in which the three males and really only characters to receive significant development, all appear to fall for the charms of our main female lead. It was a little cliched. While this might not be so terrible depending on how the story plays out. This was book one in the series, and I can certainly foresee the setup of love triangles. But I could be doing the author an injustice. Perhaps, this story will bare more in common with a College of Magics and the leading couple will accept the overwhelming changes brought by the final acts of the book and not enter more expected romantic entanglements.

I think the second thing I would like to comment on is the overused idea that characters are stronger when they can fight, physically an opponent. The fact that Kai’s greatest achievement is killing another individual is ultimately boring. It makes the pacing of the story rather bland as the story becomes a laundry list of places to go and people to meet. It is very linear. Go to set-piece A, learn X, which causes you to access set-piece B. I suppose because this took us out of the city without really spending as much time exploring the city.

Yes, I am sure some people would argue that a great deal of time was spent in different districts of the city. True, but it did not develop, not really. The setting was a strange creation and very confusing. It needed more attention, more exploration to be anything other than the unstructured mess in the background.

Gates of Thread and Stone book cover; image from the internet.

My problem rests on the uncertainty of where this story takes place. There are a number of teasing references which lead me to suppose the Gates of Thread and Stone is supposed to take place in a post-apocalyptic future. Except, their recent past is not our present. It takes place in some world rich in magic and technology common to steampunk fantasy. It includes a random assortment of our ancient gods who hold power and manipulate the setting. It left me unsettled as I could not reconcile the regular allusions to our world with the magic and steampunk-like elements of the book’s world. Is this supposed to be some futuristic version of our reality? Am I really missing a better understanding of the book because I am not conversant in world religions?

I think a greater development of the world in which the Gates of Thread and Stone take place would have grounded the story. The city should have been treated like a character and developed and explored in more detail. Instead, what I have pieced together, leaves me with a sour taste.

So, while in many ways I think it was interesting, with mostly competent writing, I would give the Gates of Thread and Stone a 3 out of 5. I do not this book, but I cannot hate either. It was okay. But perhaps other readers have found more in its pages to recommend it more highly.

The Bear and the Nightingale – A book review

Book cover for The Bear and the Nightingale; from the internet.

The Bear and the Nightingale is the first book (as far as I can tell) by author Katherine Arden. It is a fairy tale of sorts set in old-timey Russia.

I don’t know a lot about Russian fairy tales, so I cannot say if this was a retelling of a single tale or a compilation of several. From the writing and the feel of it I would guess that this is an original tale heavily influenced and pulling on multiple other classic folk tales. Further, I have little schooling in Russian history. So, I cannot place the period of the writing nor comment on the authenticity of the setting. The world certainly felt vaguely medieval, set in a time where the Grand Princes bowed to the Khan overlords. A time of feudal lords, when the word of the Christian God was still in the process of displacing the hearth-tales of small wood-sprites and local fairies.

The world of the Bear and the Nightingale was richly developed. With particular success seen in the tension created between ordained worshipers of the Christian God and those who still followed the old practices. I was really struck with the manner of creating characters both good and evil (or good and misguided) that followed both religions.

Image for The Bear and the Nightingale; from the internet. The date holds reflects the release of the book – I assume.

The narrative meandered between perspectives with general success. With this style of storytelling we had a much better idea of motivations propelling the various characters as they moved throughout the story. At the same time, I feel several perspectives became lost or reduced in the telling. And that was confusing come the end of the tale when some people, who I thought would be more important earlier, were left off in the distances – far from action of the main thread.

I would say that the biggest weakness was the ending. It seemed the story was so busy trying to wrap itself up in poetry and mystery that much was left unresolved. I was left feeling unsatisfied with the culmination of various characters. The Frost-God was teased but nothing much came of him. Even Vasya, our primary protagonist, was just left. This was particularly perplexing when earlier passages tease her death being needed to resolve the main conflict.

If the internal contradictions were intentional, then I would say the author’s purpose and story became lost in her attempt of subtly. Otherwise, this is an example of immature writing, a story requiring greater polishing.

Finally, I am left wondering at the title: The Bear and the Nightingale. The Bear was certainly clear, but the Nightingale appeared at the end of the story and seemed largely inconsequential.

In the end, I am unclear how well I liked the book. I did like it. It was different and interesting. The writing felt like an old-time fairy tale which certainly appealed. I liked Vasya and her family. Only her family came and went from the story and I feel was not as well realized as it could have been.

Book cover for The Bear and the Nightingale; from the internet.

Upon consideration, I would say The Bear and the Nightingale has a spirit similar to Uprooted by Naomi Novik. In fact they both held that same promise of a good, interesting fairy tale, but left me feeling a little empty at the end.

In conclusion, I suppose I would give the story a 4 out of 5.

Season of Sequels: The Burning Page

The Burning Page is actually book 3 in Genevieve Cogman’s series: The Invisible Library.

Image from the internet.

Title: The Burning Page (book 3)

Series: The Invisible Library

First book in the Series: The Invisible Library

Author: Genevieve Cogman

Genre: Multi-universe fantasy

Synopsis: The Burning Page continues the story of Librarian Irene and her dragon assistant Kai. It does an interesting job of discussing several repercussions from the previous story – The Masked City. Irene is still on probation for her actions – becoming involved in politics and saving Kai. What should have been another easy fetch-and-retrieve task marks the start of more problems and danger for Irene. Alberich is back and he has a plan to destroy all that Irene cares for. With the very Library at stake, Irene finds trouble drawn to her. Betrayal, danger, death, and books are all twisted together in this next installment of the Invisible Library.

Image from the internet.

What was good: I like the way the Burning Page brings forth some of the consequences the characters face because of decisions made in the previous stories. As always I was interested to see Vale again and double intrigued by his current problem with chaos contamination. He became even more Sherlock Holmes-like, with his own drug problem and difficulty stilling his mind. That his essence and future came into question was well thought-out. I am curious to see how that will play out in the next book and if he will continue to assist Irene.

The story of Alberich was both good and potentially terrible. His discussions with Irene are great to question the purpose and ethics of the Library and its Librarians. However, if he continues to dog Irene through every novel, I will become heartily bored and frustrated with what is turning out to be an unrealistically powerful enemy. He should have been killed in this book, but only time will tell if that was the case.

What was less impressive: I think my biggest concern with this story was the conclusion. It felt both rushed and not quite conclusive. I don’t mind having some dangling threads, but the manner in which the story ends (almost abruptly) feels like the author didn’t know what she wanted to do and so left every door open. That is worrisome, because some threads need to end so we can find new plots to explore.

Image from the internet.

How it compared to the first book: I think I liked this story more than book 2 and about as much as book 1. There were lots of elements of the plot that I really did like. There was a bit of mystery to be solved and old characters came back in a new light. It also did a good job of continuing to build the fantastical, Victorian-like setting of Irene’s current world post while also exploring a couple of other settings.

Prognosis: I like this series. It is always a good read and I will be back again for book 4: The Lost Plot.

Rank and Reason: 4 out of 5, consistently good and imaginative writing with solid characters and interesting plots.

Season of Sequels: Of Bone and Ruin

This a book, a sequel, I actually bought, spending real money! Of Bone and Ruin is the direct sequel to T.A. White’s Dragon Ridden novel.

Image from the internet.

Title: Of Bone and Ruin (book 2)

Series: Dragon Ridden Chronicles

First book in the Series: Dragon-Ridden

Author: T.A. White

Genre: Sci-fi-fantasy hybrid

Synopsis: Of Bone and Ruin begins a little time after Dragon Ridden. Our female lead, Tate is back and struggling to adapt to the world she finds herself living in. Her memories, and thus her entire past, continue to be a mystery to Tate. Rather than continue struggling at school for developing magical skills, Tate is offered the chance to work. It is a dangerous, life-threatening job that will bring Tate in contact and conflict with the heads of various factions living on the planet. Tate’s nearly non-existent mediations skills are challenged when she is given the role of witness in settling the dispute of who owns rights to a recently uncovered archeological find.

What was good: Of Bone and Ruin continues Tate’s journey of fitting in and self-discovery, though I am not certain how much headway was made in that department. I suppose if you look at Tate’s relationship with her dragon, than things do improve over the course of the novel. We also learn a bit more about several of the secondary (or even tertiary) characters which is interesting.

What was less impressive: It seemed that some characters have information that they should not. There were a couple of instances when motivations and character consistency appeared off. However, I am not certain if this was done intentionally to make the reader think and look at the information in a different light.

I am both fascinated and put-off by the strange mix of science-fiction and fantasy. We have ancient, abandoned spaceships with crazy advanced technology and genetic manipulation alongside straight up magic. The need for blood, specific genetics, to use certain equipment is a difficult balancing act for me. Occasionally it seems artificial and randomly imposed into the story, while at other times it resonates strongly with the sci-fi mood.

This book certainly left me more confused about the difference between the Creators and the Saviours, which I hope is to be addressed in future stories. And while I really enjoyed the elements of sci-fi past coming through in the first book, Dragon Ridden, I found those moments nearly contradictory in Of Bone and Ruin.

Image from the internet.

How it compared to the first book: In the end, I still preferred book one. I feel like we got a better understanding of Tate and her extraordinary past in Dragon Ridden than in book 2, Of Bone and Ruin. It is that back story that has the greatest draw for me. So my biggest fear is that the author will tease only hints about the past in the vaguest way while writing an ever expanding and convoluted succession of sequels. I hope I am wrong. I hope that each book helps to shed light onto the origins of this world and is complicated past.

Prognosis: I find this world to be an interesting mix of sci-fi and fantasy. There is magic and genetic engineering. There are archaic elements to the civilizations mixed with more modern ideas, dress, manners, and language. It is different and that is perhaps the element that will bring me back for a third book – should another be written.

Rank and Reason: 3.5 out 5 – because I thought there were too many inconsistencies between this book and the first book in terms of who the world works and the past.

Season of Sequels: To Catch a Queen

I have been reading sequels of books recently, so while I cannot introduce new authors I can at least comment on how their series is going. That said, I don’t think I actually commented on Shanna Swendson’s first book, A Fairy Tale. Anyway, this post will focus on the direct sequel entitled: To Catch a Queen.

Image from the internet.

Title: To Catch a Queen (book 2)

Series: Fairy Tale

First book in the Series: A Fairy Tale

Author: Shanna Swendson

Genre: Modern Fantasy with Fairies and Fairyland

Synopsis: Sophie Drake is again needed in the Realm. Someone is impersonating the Queen and banishing undesirables back into the Human world. This is causing trauma and in some cases death for those involved. But that is not the only problem Sophie has to deal with. She is still working hard at freeing Jen, worrying about her sister, and balancing royal duties with the image of a normal life. Fortunately, Sophie has friends who will come to her aid, both human and fey.

What was good: The characters really sell this book and the series in general. Sophie is a strong, go get-it-done sort of woman. In her 30s she is a little older than many of your heroines, which I certainly appreciate. I even love her one-sided romance, which is done well and believably. Emily adds the optimism and recklessness of youth even if she isn’t that many years younger than sister Sophie. Michael brings the perspective of the uninitiated. He is the stoic cop that finds himself confronting the supernatural. This again is handled well.

What was less impressive: My biggest struggle with the book is the fey. I am not a huge fan of fairies, which is amusing considering how much I enjoyed the story. Despite half (or more) of the story taking place in fairyland – aka the Realm – I mostly enjoyed how the author dealt with the land and denizens living there. It is still not my favourite set-up, but it was not the terrible mess it could have been either.

The other problem I had was the fetch quest feel of this particular story. The feeling of mystery never did develop, instead it felt like the longest and most frustrating game of go and collect … [insert next item on the list].

Image from the internet.

How it compared to the first book: The first book, A Fairy Tale, was better. The story was stronger and more engaging. Partly because you didn’t know how things were going to end or in fact what was going on. To Catch a Queen follows book 1 closely in time. It picks up the thread of the tale, but is not nearly as strong a narrative as the first book.

Prognosis: It was an okay sequel. I appreciate the attempt to do something a little different, to watch the characters grow and change throughout the narrative. However, looking at it as a single story, it was pretty mediocre. Still, I am interested enough that I want to read the third tale in this series, to see if the author can find a new tale to tell.

Rank and Reason: 3.5 out of 5 – not nearly as strong a story as book 1 in the series, but not terrible either. I do enjoy Sophie as heroine.

Book Review – Brother’s Ruin

The book Brother’s Ruin is a novella. It is short and thus I feel it is only fair that my review be reflectively brief.

Book cover taken from the internet.

Title: Brother’s Ruin

Author: Emma Newman

Genre: Fantasy; Gaslamp

Synopsis (giving nothing of import away): Magic replaces science in this Victorian-period fantasy. Magic is owned entirely by the Empire in the form of the Royal Society. Any child of power is taken from their family, by force if necessary, to be properly trained and indoctrinated – for the safety and security of the Empire of course.

Charlotte Gunn’s lower middle class family has come upon some difficult times. But when her brother Benjamin offers to be tested by the Royal Society and join the league of mages, Charlotte only sees danger and ruin on the horizon. It will take a great deal of determination and quick thinking to protect her family and herself from those who could and would destroy them.

What was good: The world was imaginative and the main lead was engaging. There was just enough happening to keep you gripped with anticipation over the next scene.

What was less impressive: What you have to understand is that I am not particularly fond of short stories. Good stories are meant to be enjoyed over time. While they should leave you wanting more they should also be long enough to explore the world and characters. Short stories are by their very nature, unsatisfyingly brief. When done well, they are tantilizing morsels that make your realize how hungry you are. This is not a sensation I enjoy. I want full length novels. Good stand-alone books are preferred and short stories are generally avoided.

This was a novella, thus a slightly awkward position of being neither a proper, full-length book but neither was it a short story. It read more like a children’s book than one for adults – due mostly to its length.

Gaslamp fantasy was a new term for me and it took a little reflection to determine its meaning. From this I have settled upon the following definitions:

Gaslamp fantasy – used to describe a world, often Victorian in period, whose magic is treated like science and is the substitute for technology. Highly ordered magic used to create technological advances of an older period setting; high magic, less machinery (though not absent)

Steampunk fantasy – used to describe a world, also frequently Victorian in period, whose technology takes on an almost magical quality and is certainly beyond the abilities of actual period history. Fantastical machinery in an older period setting; low magic, high mechanical devices.

Prognosis: I am intrigued and look forward to more of Charlotte’s adventures as she is bound to change her world whether they are ready or not. I am just hoping I don’t have to wait too long for the next story; and that it is a bit longer!

Rank and Reason: 4 out of 5 stars for being well written, inventive but a trifle simplistic.

A Natural History of Dragons: A Memoir by Lady Trent

Yes, I have been reading. But nothing I have read has inspired much thought for discussion. So do not expect much from today’s book review. I will try to do better at some future date.

** ** ** ** ** ** ** ** ** ** ** **

Image of the book cover from the internet.

Title: A Natural History of Dragons: A Memoir by Lady Trent

Author: Marie Brennan

Genre: Fantasy

Synopsis (giving nothing of import away): Lady Isabella Trent, preeminent dragon naturalist lays before the reader her beginnings into a career that would make her famous from Scirland to the furthest reaches of Eriga. The start of her story lays in childhood and Isabella’s early obsession with dragons. The book continues until the conclusion of her Vystrana Mountain expedition.

What was good: I like that the author created an original world. I like the description of dragons as another type of animal to be studied. It is successful in its stylized memoir format.

What was less impressive: I did not like the memoir format. Sure it was accurate. It echoed reading Darwin’s Origin of Species. Which meant that it was largely impersonal, vaguely scientific in style and almost dry considering we are discussing dragons. I did not engage well with the main character. Despite efforts to round out the character, I found Isabella largely cold and distant. The word and secondary characters were similarly distant and unapproachable.

Because of the memoir format, it was difficult to have an overarching plot or classical story element. Despite these inherent challenges, the author shoved one in there. Unfortunately this plot was seemingly tacked on at the end of the book and introduced an element of magic that did not fit well with the science bend of the book.

Solid effort, but I struggled to connect with any of the characters. And the side notes became something I skimmed over uninterested.

Prognosis: Since this series appears to be available at the library and I have been bored of late, there is a chance I might continue with the series. I wouldn’t invest money into the book, but the fact that I am willing to mention it on the blog means it is not trashy. And that is something at least. Still, I am not rushing out to read more of Lady Trent’s banal adventures.

Rank and Reason: 4 out of 5 stars for being well written, inventive but still a dry read.

B2 – Beauty and the Beast Movie Review

Image from the internet.

Confessions: this review is late in coming. True I did not watch the movie opening weekend. Also, true it was a couple of weeks ago that I saw the live-action remake.

To be clear I am old enough that the 1991 animated Disney version is the telling of Beauty and the Beast that I grew up with. It was a classic and grew to be one of my favourite Disney movies. Thus it was with mixed feelings that I saw the live-action 2017 release in theatres.

Unlike some of the other live-action remakes put out by Disney, this one was not bad. It had an excellent and slightly diverse caste. Gaston stood out as a perfect portrayal of his animated counterpart. It had all the classic songs that made the original Disney film a classic. The costumes and set pieces were pretty. So, overall a solid film.

Image from the internet.

That is not to say it didn’t have its faults. Some of them are with the original story – at least its interpretation. Some are because I am reluctant to change and a few were just poor decisions.

A couple of items that stood out for me as detractors to the film include: the ‘Be our guest’ dinner scene; Belle investigating the forbidden west wing; the underutilized, random inclusion of the sorceress and the connection of the castle to the town.

In the animated film, the lengthy but excellent song of the castle staff was used to tell some of their history over the past decade. The imagery devolves into a very cartoon interpretation of dancing plates and utensils. Which makes sense in the medium that it is portrayed. However, this is a live-action film. The design is to make it feel real. So, the change to pure CGI is discontinuous and disruptive to the flow. It makes the song feel unimportant, as nothing additional is being conveyed by the visuals and long, because there is nothing interesting or inventive in whirling platters. It was a clear disappointment, made slightly awkward by the fact that the all the food is passed tauntingly close to Belle, but extracted the instant she reaches to taste something.

Image from the internet.

After this epic fail in nutrition, Belle heads off to bed. Only, instead of going to her room she takes the opportunity to bolt at high speed through the halls of the forbidden west wing. What was supposed to be an act of curious exploration becomes this strangely placed invasion of his bedchamber. Really, the correction to this glaring offense is terribly simple – make it look like Belle is wandering the halls instead of running purposefully towards the magical rose. Which is really odd since she doesn’t know of its existence – in theory.

Like the original, the wrinkled old hag bangs on the door some dark and stormy night. The prince of the castle, visually depicted as a person close to 20 years old (at least 16), turns her away only to be cursed as a Beast. Well, in the live-action telling the sorceress remains in the little provincial village. Where she lives as an outcaste begging form the villagers who scorn her single and pathetic existence. Which makes you wonder why she will curse a selfish prince, but not lift a finger against Gaston – who is very much a selfish, controlling, and abusive brute. Her continued existence in the story raises more questions but seems to add nothing to the plot (which was extend to make it more convoluted).

Image from the internet.

Thus bringing me to my last point (though I could continue to point out the little irritations); the questionable relationship between castle and village. Yes, they start the explanation with a spell to cause people to forget the existence of the castle. But, at least 10 years have passed and I am pretty certain those who were transformed inside the castle (becoming utility items) did not age during that period of time. Otherwise, someone needs to explain to me how Mrs. Potts gives birth to an eight year old son. So, when the spell is lifted, the staff become humans and villagers suddenly recall their loved ones who lived at the castle. At a castle that should be a day’s drive away, unless you are marching against the beast at the end. Nope, there is no way I can look at this and not see some ill-conceived mess – unless the town was cursed too, but no one knew it. Also, what happened to all the guests who were dancing at the party when the curse was put down?

Image from the internet.

So, the final verdict: 2017 Beauty and the Beast live-action film gets a solid B+ rating. It is not the original animation, but it is not terrible either.

PS – did not love most of the ‘additional’ material.